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3. If you can further steady yourself by propping your elbows on the back of an unoccupied chair, or the fender of a disabled SUV, that's terrific. Otherwise tuck them against your sides.
4. When you're ready to shoot, take a deep breath and release it. At the moment you relax and just a second before you panic for lack of oxygen, gently squeeze the shutter button.
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"If your digicam has a zoom lens, you'll find it easier to
shoot with slow shutter speeds at the wide-angle setting."
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That's the best you can do with a handhold without appearing suspicious. But
our favorite trick is very little more trouble.
The next time you're in your favorite hardware store, pick up a quarter-inch/20-thread bolt (the half-inch size is long enough) and a matching hex nut. You've spent about nine cents, so far. Find some string at home and tie one end to the bolt, trimming it about a foot longer than you are tall. Screw on the nut to hold the string and to prevent you from screwing the half-inch bolt through the camera body.
Screw the bolt into the tripod mount of your camera and let the string fall to the floor. Step on it and pull the camera up to your eye. Make sure the string is taught as you come up and put your weight on it when the camera is just about eye level. As you pull up, the counter force is just what you need to steady the camera when you press the shutter.
Another favorite is a bean bag. You can drape the bag over otherwise uncooperative supports to fill in their holes and provide a level and secure bed for your camera.
If your digicam has a zoom lens, you'll find it easier to shoot with slow shutter speeds at the wide angle setting. At a normal setting, 1/100 second may yield consistently sharp results. But at wide angle, you may be able to hold 1/60 steady. And, conversely, at telephoto settings you may find 1/250 about as slow as you can go.
For stability in truly difficult situations, we recommend simply lying down, propping the camera on your chest and setting the self-timer to go off just as you drop off to sleep. Unless, of course, you snore.
This article is reprinted from The Imaging Resource Digital Photography Newsletter,
Beginner's Flash Column, published February 23, 2001
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