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Back to Full DC200 Review
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(Review first posted 28 April, 1999)
||Inexpensive entry-level megapixel camera|
||1152 x 864 resolution|
||LCD and optical viewfinders|
||Fixed focus, moderate wide-angle lens|
||Bundled with "Picture Easy" software to use right out of the box.|
Long a "power player" in the world of digital cameras, Kodak has one of the broadest product lines of anyone in the business, spanning the range from inexpensive consumer units to high-end professional cameras used by commercial photographers and photojournalists. The DC200 Plus covered in this review is an updated version of Kodak's entry-level offering, the DC200, with improved battery life and faster response times. Providing full megapixel resolution, with 1152x864 pixel files, it boasts excellent color, and pictures that can be printed at sizes as large as 5x7 inches without image degradation. Consistent with it's entry-level target, it's easy to use, presenting a "friendly" face to even novice digital photographers.
The Kodak DC200 Plus has the same ergonomic design as many of the more expensive cameras in Kodak's digital camera line, but it still maintains the look and feel of a traditional camera. At 11.6 ounces (330 g), it's relatively lightweight, but at 5.2 x 1.9 x 3.2 inches (132 x 48 x 81 mm) doesn't quite pass the "shirt-pocket" test. All-in-all, it's an easy-to-use design with a fair amount of flexibility.
The DC200's body is made of metallized plastic with a nice
"grip" area on the right side of the camera, and a small
curvature in which to place your thumb while snapping pictures.
As do most cameras, whether conventional or digital, the DC200
caters to right-handed users, with the major controls located
on the right-hand side of the unit. The power switch is easily
activated with your forefinger, as is the shutter button which
sits just in front of the power button on the top of the camera.
The placement of these two buttons alone makes one-handed image
capture easy. The Mode Dial on the rear of the camera is also
easily rotated with the thumb of your right hand, reinforcing
the one-hand use paradigm. (Although we felt much more comfortable
holding onto the camera with both hands while rotating this control.)
The picture card compartment is easy to access on the left-hand
side of the camera, allowing loading or ejection of the standard
4 MB picture card even with the camera mounted on a tripod. The
lens is designed with 37mm internal threads meaning that it can
be fitted with optional accessories, such as close-up lenses,
The blue DO-IT button--which enables the LCD viewfinder in Capture Mode and confirms highlighted menu options--is easily accessible just to the right of the LCD on the back of the camera. The up/down and left/right buttons used for setting preferences and for scrolling through images are also located on the camera's back side next to the LCD. These buttons are equally easy to maneuver. On top of the camera you'll find the Status display, which is small but easily readable, as well as the Flash and the Self-Timer buttons, each of which are functional, but on the small side.
Batteries load easily in the battery compartment in the bottom
of the camera, and the AC adapter, video out, and serial ports
are neatly tucked into the left-hand side of the camera, protected
by small plastic flaps, but readily accessible.
The DC200 Plus is equipped with both an optical viewfinder, and a color LCD viewfinder on the rear of the camera. The optical viewfinder is clear and bright, provides good "eye relief", making it easier to use with eyeglasses, and is relatively unaffected by eye position. Our one gripe is that it is not equipped with a Diopter Adjustment, a feature eyeglass-wearers like ourselves miss when absent.
The 1.8-inch LCD can be used to preview an image in Capture mode, or review previously-captured images in Review mode. The LCD is equipped with a brightness adjustment-accessed through the LCD menus in Preferences mode-to adjust LCD viewing for your particular needs. (This is a "true" brightness adjustment, varying the brightness of the LCD backlight, rather than just adjusting the contrast of the LCD screen itself.) The "live" images on the LCD are fairly sharp, although the panel clearly has a lower pixel-count than you'll find on higher-end digital cameras. In "viewfinder mode", the display's refresh rate is reasonably high, about typical for most cameras we've reviewed. Like all LCDs, the one on the DC200 is quite prone to wash-out in direct sun, meaning you'll doubtless want to use the optical viewfinder on sunny days.
When in Review mode, three icons appear on the left of the LCD. You can select these icons to view the current image full-size, delete images, or to turn the icon menu itself on and off. The Index screen (our term for it) includes the three icons mentioned above, and smaller, thumbnail versions of the stored images at the bottom. The left/right buttons under the display screen allow you to scroll through the captured images. The image in the center of the scroll area is the image that is displayed in larger view on the LCD when you stop scrolling. The different icons displayed on the LCD are easily viewable and easy to navigate. If you turn on the Template feature in Preferences mode, the LCD itself is framed with the template you selected. This is helpful when you want to add a template to an image, but you want to make sure that the image looks good in the template before you capture it, or need to make sure that no important subject matter is hidden by the template.
When in Capture mode, menu options on the LCD allow you to adjust the camera's exposure value, or lock the exposure to capture a consistent exposure for a sequence of shots.
Like most other cameras, using the LCD for preview and review of images uses up battery power fairly quickly. You should limit continuous use of the LCD during your picture-taking sessions for this reason. For continuous preview and review, power the camera with the optional AC adapter.
The optical viewfinder on the DC200 Plus is more accurate than most, displaying about 90% of the actual image taken. The LCD viewfinder is 100% accurate, a trait common among Kodak's digital cameras, but found only infrequently elsewhere.
The DC200 uses a "focus-free" (fixed focus) optical-glass lens, with a focal length equivalent to a 39mm lens on a 35mm camera (a slight wide-angle), and a maximum aperture of f/4.0. The focus-free design provides good sharpness from 27 inches (0.7m) to infinity. Although it lacks a "macro" mode for shooting close-ups, the DC200 does sport 37mm filter threads, which can be used to attach close-up lenses or other accessories. The lens aperture varies from f/4.0 to f/13.5 under control of the autoexposure system.
Kodak rates the DC200 Plus at an equivalent ISO speed of 140, and the shutter speed range is from 1/2 to 1/362 of a second. Combined with the f/4.0 to f/13.5 lens aperture range, this should result in a range of usable lighting from EV 9.5 to EV 20. This agreed fairly well with our own test results, although we found that we could extend the lower end of the exposure range somewhat by using the exposure-compensation adjustment (see below) to boost the camera's sensitivity a bit. Using this method, we obtained a very good exposure at EV 9, and a passable one at EV 8. (This would correspond to a fairly dim residential interior, although our indoor portrait test results suggest that attempts to boost the exposure too far will have only limited success under typical household incandescent lighting, due to the strong color cast of that light source.)
The DC200 has a fairly good automatic white-balance capability, allowing it to function well under a wide variety of lighting conditions. In our tough "indoor portrait" test shot, it did a good job of removing enough of the yellowish cast of the lighting to produce natural-looking colors.
As mentioned above, an LCD menu option in Capture Mode allows you to dial in exposure compensation from -2EV to +2EV in .5EV increments. The exposure compensation adjustment essentially tells the camera to give the shot a little more or a little less exposure than the automatic metering system calls for. This is very handy if you have a backlit subject, or a small bright subject against a dark background. (It's also the way to get good, bright white snow in winter scenes: Dial in about +1.0 EV exposure compensation.)
Another feature accessible via an LCD menu option in Capture mode is the exposure lock function. This "locks" the exposure on the first shot taken after the setting is made, and then keeps the same exposure setting until the "lock" is reset. This is very useful for capturing sequences of images to be used for stitching together into a wide (or tall) panorama.
After an image is captured, the QuickView feature optionally displays the image on the LCD for a few seconds. At that point, you can choose to delete the image immediately and re-shoot, or do nothing, and let the image be stored on the camera's picture card.
The built-in flash of the DC200 Plus has an effective range from 2.2 feet to 9.8 feet, and has 5 available flash settings including Auto, Auto Red-Eye, Fill, Red-Eye Fill, and Off. The flash settings are fairly flexible in that you can choose a different setting for each shot using the small Flash button on the top of the camera when in Capture mode. The camera automatically returns to the default Auto flash setting when you turn it off.
Shutter Lag Time/Cycle Times
When you press the shutter release on a camera, there's usually a lag time before the shutter actually fires. This time is to allow the autofocus and autoexposure mechanisms time to do their work, and can amount to a fairly long delay in some situations. Since this number is almost never reported on, and can significantly affect the picture-taking experience, we now routinely measure it, using a little Windows utility developed by Digital Eyes.
We measured the DC200's shutter lag time at a rather speedy 0.35 seconds. (Most cameras we've tested come out at around 0.7-0.9 seconds.) The speedy shutter response of the DC200 is undoubtedly because there's no need to wait for an autofocus mechanism to work. Half-pressing the shutter button to preset the exposure further reduces the lag time to 0.2 seconds. On the DC200 Plus, the shot-to-shot cycle time averages about 9.5 seconds in the highest resolution, best quality capture mode, and about 8 seconds in standard resolution, good quality mode.
Camera startup time is fairly fast at about 5 seconds and shutdown is just about a second. Switching from Capture to Review mode takes just under 2 seconds while switching back to Capture mode is instantaneous. (You won't even know that time has gone by.) The DC200 Plus literature boasts much faster response and cycle times for the camera than its predecessor, the DC200, and we found operation to be quite fast, for such a low-cost camera.
Operation and User Interface
For a low-cost, introductory digital camera, the DC200 Plus is easy-to-use and should be quickly mastered by even novice digital photographers. If you are at all familiar with digital cameras, it takes just a few short minutes to work through the operation of the camera, and check out the available features and options. If you've never used a digital camera before, you may find yourself using the manual at first. Once you start experimenting, however, you'll see how easy it is to teach yourself how to capture high-quality digital images.
The camera operates in one of four different modes: Capture, Review, Connect, and Preferences. You select which mode you want with the Mode Dial on the rear of the camera. Pressing the blue DO-IT button or the left/right scroll buttons on the back of the camera displays various picture-taking and camera set-up options on the LCD. Use the up/down and left/right arrow buttons to scroll through the different menus and options, and press the DO-IT button a second time to confirm and save your selections.
The LCD doesn't automatically turn on when in Capture mode. You need to turn it on manually using the DO-IT button. In contrast, the LCD is always on in Review mode and you don't need to enable it. If you need to adjust the LCD brightness, you can do it in Preferences mode through an LCD menu option. The LCD shuts itself down after 60 seconds of inactivity to save battery power.
While in Capture mode, available LCD menu options include Exposure Compensation and Exposure Lock.
Review mode provides you with a series of functions that you can perform using images already captured and stored to the camera's picture card. By switching from what we call Full-View mode to Index mode, you can view and scroll through thumbnails of all the images stored to the camera card. Once in Index mode, you can delete images, or expand them to full-screen for closer examination. (The Index-mode screen was shown earlier.)
Connect mode lets you connect the camera to a PC using the serial cable packaged in the camera box. You can connect to Windows '95 or '98 computers fairly quickly and easily. Before you can download images, however, you first need to install the DC200 Plus software on your computer. The DC200 ships with software only for the Windows platforms: An accessory kit is sold with cable and software for connecting to Macintosh computers, as Kodak product number 1661552. The Mac interface kit costs $24.95, and may be ordered on-line from Kodak, at their on-line store.
Other control buttons are placed very similarly to other cameras we've tested: On the top of the camera, you'll find the Status Display which shows icons for various camera settings. It's an easy reminder of which menu options you have enabled, the battery power status, and pictures remaining on the picture card, among other things. Also easily accessed atop the camera are the Shutter Button, the Self-Timer Button, and the Flash Button to change flash settings for different exposures. The left-hand side of the camera contains easily accessible ports for the AC Adapter, Video Out, and Serial connections.
The Self-Timer mode has its own button on the top of the camera. You can use the self-timer in conjunction with any of the camera settings you've enabled. Depressing the self-timer button provides a 10 second delay between when you press the shutter button and when the camera fires.
With the Mode Dial set to Capture, pressing the DO-IT Button enables the LCD for viewing. Pressing the right arrow button once displays the Exposure Compensation option on the LCD, pressing it twice displays the Exposure Lock option:
Exposure Compensation: Exposure adjustments range from +2 EV to -2 EV, in .5 EV steps. Each +1 adjustment doubles the amount of light that comes in contact with the LCD when capturing the image. Every -1 adjustment cuts the amount of light in half. Use this control if your images appear too light or too dark.
Exposure Lock: Lets you lock the exposure setting currently in effect when you are capturing a series of images consecutively, where each requires the same exposure setting. (This feature is useful for taking a sequence of shots that will be stitched-together into a panorama later.)
After you capture an image in Capture mode, the image appears briefly in the LCD (if the QuickView feature is enabled). In the bottom left corner, a trash can icon appears. Pressing the left arrow button displays the Delete Picture screen where you can choose to delete the picture prior to it being stored to the picture card.
Use Review Mode after you capture images to review them. When you change from Capture to Review Mode, the LCD automatically activates and displays your images. When the LCD first turns on, the "Index" screen (our term) appears. At the bottom of the LCD you'll see smaller versions of the images that you have captured (if there's more than 1, of course). You can use the left/right scroll buttons to quickly scroll through the images that you have captured to find a particular image. Once you find it and center it, that image appears larger in the LCD. In this "Index" mode, very rapid browsing of the stored images is facilitated by the camera's initial display of only a very low-resolution image. While very low res, it's generally enough to tell what the content of the image is, and decide whether that's the one you're looking for. If you linger on a given picture, it fills-in to a high-resolution version in about two seconds. This approach makes it very easy to scroll through a large number of pictures to find the one you want.
To the left of the LCD is a set of three icons. Each of these icons represents an operation that you can perform on the selected image, as described below:
When you want to connect the camera to a PC for downloading of images, you first need to put the camera into Connect Mode. Connect Mode enables the different ports on the side of the camera for image transfer. The ports include a standard RS-232 connection for downloading images to Windows-based computers with an available serial COM port.
Preferences Mode offers a number of options you can use to customize the camera for your own picture-taking needs. (Most of the camera's operating parameters are set via the Preferences mode.)
Memory and Interface
The DC200 Plus comes equipped with an ATA-compatible 4MB CompactFlash memory card (which Kodak calls a "picture card"), but can take cards up to 48MB in size. The picture card compartment is easily accessible on the left-side of the camera. Open the compartment door, insert the picture card into the slot, push it all the way in, and you're all set to capture images. All images are captured and stored in standard JPEG format, unless you've set a different file type in Preferences mode.
When you first turn on the camera, the status display shows the number of pictures for which space remains on the picture card. This "Pictures Remaining" number is displayed in the upper-right hand corner of the status display. Of course, this number will vary depending on the Quality setting (Best, Better, Good), and the Resolution level setting (High, Standard). At the high-resolution level, images are stored at 1152 x 864 pixels. At the standard level, images are stored at 640 x 480 pixels. The following table shows the approximate number of images stored for each available camera setting, on the included 4 MB card:
Of course, as with all cameras, the number of images stored
on each card may vary depending on the density of the image being
captured. At the high resolution, best quality setting, the average
file size is about 250K. At the high resolution, good quality
setting, the file size is about 94K, and at the standard resolution,
good quality setting, the average file size is about 48K.
The DC200 Plus is equipped with an RS-232 serial adapter for transferring images to Windows-based systems. A serial connection kit for Macintosh computers is also available from Kodak for $24.95, as of this writing (April, 1999). Alternatively, there are a number of third-party accessory card readers available on the market that connect to either parallel, USB, or SCSI ports, which transfer image files MUCH more rapidly. In our timings (on a 350 MHz PentiumII computer) transferring a 305K "Best/High" (maximum-quality) file took 46 seconds using the "Mounter" application, for a transfer rate of about 6.6 Kbytes/second. Using the "TWAIN" driver supplied with the camera and Photoshop, the transfer time for the same file dropped to 36 seconds, for a transfer rate of about 8.4 Kbytes per second. This is about as fast as serial connections get in practice, although the PC serial port should be able to support rates as high as 11-12 Kbytes/second. Serial transfers are fine if you have the patience, but anyone dealing with large quantities of pictures will probably find a parallel-port card reader a useful addition.
The DC200 Plus supports playback of images to a television set through a video out cable supplied with the camera. The video out port is easily located on the left-hand side of the camera, hidden under a plastic flap. Both the NTSC signal format for U.S. and Canadian use, and the PAL signal format for European use are supported. A menu option in Preferences mode is available to switch between these signal formats if needed.
The DC200 Plus is powered by a set of four AA batteries, 1.5v Alkaline or Lithium batteries, or rechargeable 1.2v nickel metal hydride (NiMH) or nickel cadmium (NiCd) batteries. Four AA 1.5v alkaline batteries are supplied with the camera. The DC200 Plus literature boasts 20% more battery life than its predecessor, the DC200. While we don't conduct explicit tests for battery life, we found the DC200 Plus to be fairly efficient in its use of battery power. (With the LCD turned off, batteries seemed to last a VERY long time.) Despite this, we strongly recommend purchasing a set or two of rechargeable NiMH batteries and a charger as standard equipment for any digital camera.
When the camera is placed in Capture, Review, or Camera Set-Up Mode, the Battery Status Symbol is displayed on the Control Panel on the top of the camera to tell you how much battery power is remaining. The battery compartments on the right side of the camera are easily accessible for battery changing.
Besides battery power, the DC200 Plus can use an optional AC adapter to power the camera from a common AC wall outlet. Simply plug the AC adapter into the AC adapter connector under the connector cover on the left-side of the camera and you're ready for extended operation.
Use the Power Save feature on the camera to shorten the amount of time that the camera stays on when not in use to save battery power. Kodak also recommends that when you use the LCD on the camera, you should limit usage to less than 10 continuous minutes. Longer continuous usage places a severe strain on the batteries, and will drastically shorten their useful life. If more than 10 minutes is required, purchase the optional AC Adapter.
The DC200 Plus is packaged with a several different software packages for you to use on your Windows-based PC. (As noted earlier, Mac users can purchase an optional Mac connection kit, including software and cable, for $24.95.) The furnished software is conveniently bundled on a single Installer CD: Simply place the CD in the CD ROM drive of your computer and follow a few simple instructions to install the software. Bundled software includes the following:
Mounter Software: Lets you view pictures on the picture card and copy selected pictures to your computer.
TWAIN Acquire Software: Lets you copy images from the picture card into TWAIN-compliant software programs such as Adobe PhotoDeluxe, Adobe Photoshop, Corel PhotoPaint, etc.
Picture Easy Software: Lets you copy, edit and enhance, organize and print pictures from your picture card.
To keep the overall camera cost down, Kodak doesn't include any third-party image-manipulation software with the DC200. The PictureEasy software provides for basic image manipulation, albuming, and printing the photos from your camera. If your needs don't include extensive image modifications, PictureEasy is probably all the software you'll need.
In keeping with our standard policy, our comments here are rather condensed, summarizing our key findings: For a full commentary on each of the test images, see the DC 200 Plus' "pictures" page.
As with all Imaging Resource camera tests, we encourage you to let your own eyes be the judge of how well the devices performed: Explore the images on the pictures page, to see how well the DC200 Plus performed, and how its images compare to other cameras you may be considering buying.
Overall, we were very impressed with the image quality from the DC200 Plus, particularly in light of its low price point: Exposure was consistently accurate, with bright, clean colors, and good detail. "Kodak color" has become a hallmark of the Kodak digital camera line, and the DC200 Plus shows its heritage in this respect, having some of the best color we've found to date in a digital camera, regardless of price. We also found the exposure metering to be quite accurate at normal light levels, although it did underexpose somewhat in very dim conditions.
The DC200 Plus' resolution tested-out at a solid 600 lines per picture height, a pretty typical value for cameras of this resolution level. We felt it was a little bit "softer" shooting objects at infinity, as revealed in the "far field" shot, but the loss of sharpness there is slight.
The viewfinder systems are quite accurate, the optical viewfinder showing fully 90% of the final image area, and the LCD finder exactly 100%. The optical finder's view is well-centered in the final image area, particularly at moderate distances.
As you'd expect from a camera with a fixed-focus, slightly wide-angle lens, the DC200 Plus doesn't excel at macro shooting (an understatement), but the provision of 37mm filter threads makes adding accessory macro lenses a simple affair.
All in all, the DC200 Plus turned in a very respectable performance, despite it's "low end" cost and feature set.
In the DC200, Kodak has created a simple, easy-to-use megapixel-class digital camera with excellent color and good image quality. By foregoing more-elaborate features such as autofocus and zoom lens, it offers both simplicity and long battery life (provided you minimize use of the LCD display). While not up to the resolution levels of the latest 2 megapixel cameras, it's quite able to create good-looking images up to 5x7 inches with a minimum of hassle. We expect it to find a ready market among people looking for a basic digital camera at a bargain price.
See what other Imaging Resource readers have had to say about the DC200, or add comments of your own. (Read what's here, then add your own!)