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Olympus Stylus Verve
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Quick Review
Olympus Stylus Verve Digital Camera
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Camera
QuickLook |
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Review Date |
(Posted:
9/3/04)
Updated: 11/16/2004 |
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User Level |
Novice - Amateur |
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Product Uses |
Family / Travel |
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Digicam Design |
Point and Shoot |
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Picture Quality |
High, 4.0-megapixel CCD |
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Print Sizes |
4x6,
5x7, 8x10, 11x14 |
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Availability |
Now |
| Suggested
Retail Price
(At time of introduction) |
$349 |
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Introduction
The Olympus Stylus Verve is the latest in one of the most popular camera lines
in history, spanning both the film and digital worlds. The Olympus "Stylus"
brand has always meant well-constructed, compact, quality cameras, and the new
Olympus Verve brings that tradition to new heights. The new Olympus Verve refines
the Stylus brand with a slicker, more polished design than was seen in the Stylus
300 and 400, while maintaining many of the excellent attributes of those earlier
models.
Featuring a 4.0-megapixel CCD, 2x lens, "all-weather" body design,
and compact size, the Olympus Stylus Verve comes in a variety of colors: Silver,
Blue, Black, White, Red, and Copper. The fully automatic system requires very
little user intervention, as it offers only a handful of creative options, but
has the benefits of five preset Scene modes and a QuickTime Movie mode with
sound. The Olympus Verve's all-weather body can withstand water spray from any
direction, but isn't meant to be fully submerged in water. Still, rubber seals
and a separate plastic chassis inside the metal body provide excellent protection
against water splashes and rain. As long as you keep it from getting completely
submerged, you needn't worry about taking this camera to the beach, on ski trips,
sailing trips, etc. In our minds, this is a huge feature: Digital cameras as
a class are far too fragile, with the result that a lot of them get left behind
too much of the time. Cameras sitting at home don't take pictures, so the water-resistant
design of the Olympus Verve means that you're much more likely to have it along
when those special, unanticipated moments arrive. Read on for all the details!
User Report
Olympus owes its continuing success over the last 15 years to the appeal of
its small, pocketable, point-and-shoot cameras, both film and digital. The entire
market of truly pocketable compact cameras can be traced back to Olympus's famous
designer Yoshihisa Maitani, who started a design trend that goes way back to
the Olympus XA compact film camera, introduced in 1979. Maitani had designed
the popular Pen F line of cameras, a screaming consumer success, and the sincerely
compact OM SLR system, which was also a milestone, with the OM-1 debuting at
half the weight of other SLRs of its day. With the XA, he introduced the first
truly pocketable 35mm camera, which had excellent image quality due to its good
lens and huge image area, all in a "capsule" camera designed to be
caseless and capless. That Maitani spirit was interrupted for a time in the
late 1980s, but resumed again in the Olympus Stylus line of film cameras (known
as "mju" overseas) back in 1991. What marked the success of the XA
and Stylus cameras was not only how they were built, but who used them. Quite
a large percentage were off-duty professional photographers. Rather than carry
their big, bulky SLRs with them everywhere, many carried the coolest pocketables
around: the Olympus XA or Olympus Stylus.
Now the market is flooded with point-and-shoot digital cameras of the style
Maitani pioneered, with every manufacturer releasing the smallest, most pocketable
camera possible as a major item in their catalog, since this category can drive
more sales than the high end SLR market. Olympus's Stylus Digital 300 and 400,
introduced last year, have been popular, with the very logical All-weather feature
in addition to their sleek styling. But we have to say, though they are small
and sleek, they do not embody the ground-breaking styling we've seen from the
Stylus line in the past. Nor are the Stylus Digital 300 and 400 as small or
light as what some of the competition offers. So it's no surprise that Olympus
has introduced the sleek and unique Stylus Verve.

The Stylus Verve has a shape that challenges the typical rectangles we're seeing
from most companies, with a greater quality component build than we've seen
from recent Stylus offerings. Best described as a bullet shape, even that doesn't
well categorize the Verve. One is tempted at first to criticize Olympus for
trying too hard, but when you actually hold the camera, you can begin to see
the various purposes of the shape. Slip it into a pocket, and the spirit of
Maitani emerges again. Its smooth left corner quickly finds a comfortable spot
in your pocket without bulging quite like a boxier camera would, yet from the
right side, the Verve is easily located and retrieved. Hold the very small camera
in both hands, and again it works better than you'd think. The right thumb rests
just above the Five-way control disk, and just below the zoom control. To the
right of the thumb is the smooth ramp of the lanyard loop, providing a more
confident grip. On the left (as you hold the camera from the rear), that smooth
protrusion provides an excellent location for the Quick View button, and its
downward taper gives the top of your left middle finger a comfortable, organic
place to rest while your index finger rests on the smooth rounded top opposing
your thumb, which rests on the slight, flat taper on the bottom of the LCD.
It takes a long sentence to describe, but only a second to feel the natural,
easy, and secure hold the Verve's design provides. I honestly hadn't considered
it before I held the Verve, but now boxy cameras do feel a bit awkward, forcing
a tendency to put your left middle finger out in front of the camera where it
might block the lens.

The shutter release is about three millimeters off from where it would be perfectly
comfortable for me personally. This is because of the company's inclusion of
the horizontally-rotating mode dial, another unique design element that gives
the Verve a feel of quality and difference in a market of more traditional wheels,
buttons, and switches. The area left of the mode dial could have been left a
little shorter, thus bringing the shutter release a little closer for my comfort,
but its current placement by no means makes the camera impossible to use, so
it's a minor point.
Rather than the more traditional, manual sliding clamshell, Olympus outfitted
the Verve with an internally-actuated, motorized lens door that opens with nice
set of camera-like clicks and whirrs, not unlike the sounds we always hear cameras
make on the movies, be they SLR or point-and-shoot. It lends a sense of class
and purpose to the camera that will make owners of other, perhaps equally cool
cameras take notice with envy.
Another item to envy is the large 1.8 inch LCD. Olympus calls it a HyperCrystal
Wide View High-Contrast LCD. It is indeed a nice display, offering good to excellent
viewability from many angles, a range of up to 160 degrees, according to Olympus.

A large o-ring sealed door conceals the battery, xD slot, and USB/AV port.
As with many digital cameras, this door looks somewhat vulnerable, and the user
would do well to treat this camera gingerly, especially when using the USB cord
to upload pictures to a computer, or the AC adapter that uses a dummy battery,
since this door remains ajar while connected to either. Regardless, the camera
is considered weatherproof due to the O-rings and seals throughout.
The
small flash peeks out from a long oval opening upper left of the lens, offering
limited coverage. I suggest users get in close to their subjects, not only because
that makes for better composition, but because such small cameras really can't
be expected to perform well out beyond 6 to 8 feet. Though we've often found
significant image noise out beyond that range (caused
when cameras boost their ISO sensitivity in an attempt to extend the range of
the flash), the good news is that image quality from the Olympus Stylus
Verve is surprisingly good, not always the case for small digital cameras.
The
final interface to the camera is the menu, and while it works the same as past
Olympus menus, there's been a slight update to the look. Buttons are now 3D
instead of one-dimensional, and new sounds and sound options are pre-loaded
on the camera. Three startup sounds include an automobile engine startup sound,
sure to get your subjects smiling. The menu options are otherwise similar to
the Stylus 400 introduced last year. What's new is that the onscreen exposure
mode "wheel" has been replaced with a new mode panel that has the
familiar icons down the left side of the screen, with photographic samples to
better illustrate the icon's meaning. This not only leaves no doubt about the
meaning, but gives the user a better idea of the potential results they can
expect from a given setting. In addition to the regulars like Landscape and
Portrait, they have Beach and Snow, Self Portrait, Self Portrait + Self Timer,
Behind Glass, Candle, and Cuisine mode. Yes, the last one is for taking pictures
of food. The camera increases contrast, saturation, and sharpness in this setting
to get a more appetizing shot. Somebody must want this mode, so there it is.
A few new special effects have also been added, which can be applied after
capture in Playback mode. One of the more interesting, in addition to black
and white and sepia conversion, is Fisheye mode. This magnifies and distorts
the image, growing it from the center and creating the illusion of a fisheye
effect. It's more realistic on objects that are far away from the camera, or
on people when they're on the left or right side of a photo. If they're in the
middle, the effect is most unfortunate, with the torso far outgrowing any other
portion of the picture. This isn't a true fisheye effect, creating an image
that is convex rather than concave, but it can make for some funny and interesting
pictures.
Overall, my early experience with the Stylus Verve has been both fun and impressive.
The Verve takes good quality pictures and is appealing in both a visual and
tactile sense. It's a camera I'd be proud to carry, and feel confident in the
image quality. The style-conscious users the Verve is intended
for will enjoy the variety of colors available, and will likely be happy
with its comfortable contours and unique look.
Basic Features
- 4.0-megapixel CCD.
- Real-image optical viewfinder.
- 1.8-inch color LCD display.
- 2x, 5.8-11.6mm zoom lens (equivalent to a 35-70mm lens on a 35mm camera).
- 4x Digital zoom.
- Automatic exposure control, with 13 preset Scene modes.
- Built-in flash with four operating modes.
- xD-Picture Card storage.
- All-weather, metal camera body.
- Power supplied by one lithium-ion rechargeable battery (included with charger)
or optional AC adapter.
- Olympus Camedia Master software for both Mac and Windows.
Special Features
- QuickTime movies (with sound).
- Continuous Shooting mode.
- Self-timer for delayed shutter release.
- Panorama mode for stitching together multiple images.
- "2 in 1" multi-exposure mode.
- Black-and-White and Sepia conversion effects.
- Macro (close-up) lens adjustment.
- White balance (color) adjustment with five modes.
- Digital ESP (full frame) and Spot exposure metering options.
- DPOF (Digital Print Order Format) compatibility.
- DCF (Design rule for Camera File system) compatibility.
- Exif 2.2 compatibility.
- USB AutoConnect (no driver software needed) and USB cable.
- NTSC video cable for connection to a television set.
Recommendation
The new Olympus Stylus Verve takes the Stylus line into a new direction. With
its small dimensions, stylish design, and nice array of features, the Olympus
Verve should prove a popular model with novices and most anyone interested in
a compact, rugged, and very portable camera. Its all-weather body design means
it can go just about anywhere, and its small size makes it feel at home in your
shirt pocket. With 2x optical zoom, a 4.0-megapixel CCD, and five preset shooting
modes, the Stylus Verve is another in a long line of excellent consumer digicam
designs from Olympus. Exposure control is automatic and hassle free, with limited
adjustments available for more experienced users. Image quality is high enough
to make sharp 8x10-inch prints, while low-resolution
image options are ideal for sending photos as email attachments over the Internet.
Color and other image-quality characteristics are surprisingly good for such
a compact model. The user interface, slightly redesigned with 3-D buttons, is
also uncomplicated and easy to follow. The Stylus Verve is perfect for novices
making the transition from film to digital, and is also an excellent "take
anywhere" snapshot camera for more experienced users. Likewise, the stylish
design of the Verve will appeal to anyone who dislikes the boxy "gadgety"
appearance of most other digital cameras on the market.
Design

Not much smaller than its predecessor, the Stylus 400, the Stylus Verve has
a futuristic and sleek look, its soft tapers minimizing its impact on the pocket.
Indeed, unlike the 400, the Verve has few parts that jut out from the device.
An electronically operated door slides quickly out of the way, and is stored
neatly inside the camera body. The lens moves out about 3/8 to 1/4 inch from
the camera body, depending on where you measure from. Upper left of the lens
(when holding the camera from the back) are the microphone and self-timer lamp.
Above right is the flash window.
At IR, we hear a lot from readers about various problems they've experienced
with their cameras. A common thread through a lot of these are problems that
appear to have their root in impact damage to the cameras' delicate telescoping
lens mechanisms. Given the prevalence of such issues, we think built-in protective
lens covers like that on the Olympus Verve are an excellent idea. You'll
still need to be careful not to knock the lens when it's extended, but the protective
cover should make a huge difference when the camera is turned off and tucked
into a pocket or purse.

Left and right views reveal very little, with the right side showing only the
big xD card/battery/USB and Video connector door.

The top is also quite simple, with the shutter button,
power button, and horizontal mode dial the prominent features. Due to the significant
taper, you can also see the oval flash opening.

The rear has all the significant controls, quite well pared down to the essentials.
A Quick View button is off to the left, with an amber/green status light below.
Upper right you can see the power and shutter buttons, and get a glimpse of
the horizontally-mounted mode dial. The zoom control is below that, small but
effective. This is also used to zoom in and out in Playback mode. Below that
are the speaker holes for movie audio playback, and finally the multipurpose
5-way controller, whose middle button both launches the menu and serves to OK
selections. The four directional buttons both navigate through the menu and
individually launch and scroll through their respective functions, marked by
an icon: Scene, Flash, Self-Timer, and Macro modes. Just above and right of
this is the lanyard lashing point, which also serves as an extra grip for the
thumb.

The bottom is plain and simple, with plastic tripod mount threads positioned
just right of the lens' centerline. This and the position of the battery door
latch allows for easy battery change while the camera is on a tripod, but it
is unlikely that too many folks will use this camera for work that requires
a tripod.
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