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Design
Small and tightly packed, the DSC-P31 is clearly meant to go places. Its sleek,
smooth design is free from any significant protrusions apart from the very slight
handgrip. With dimensions of 4.25 x 2.28 x 1.55 inches (106 x 58 x 39.5 centimeters),
and weighing in at just 8 ounces (213g) with batteries and card inserted, the
DSC-P31 is just small enough to fit into a shirt pocket or small purse. With
an automatic lens cover, you can just turn it off and drop it in a pocket with
impunity.

The body of the DSC-P31 is slightly rounded on the lens side, following the
shape of the lens barrel and expressing a design style midway between "smooth"
and "boxy". A shutter-like, retractable lens cover automatically protects
the lens whenever the camera is powered off, sliding quickly out of the way
when the camera is turned on. Being a fixed focal length lens, it does not telescope
out from the body, speeding startup and shutdown. Also on the front panel are
the flash, optical viewfinder window, and AF Illuminator lamp. A small handgrip
provides a secure finger rest when holding the camera, but is small enough that
you'll probably want to keep the wrist strap securely in place while shooting.
 
The battery compartment is on the right side of the camera (as viewed from
the back). A sliding plastic door protects the compartment, and features an
inset latch that unlocks the door when you need to change the batteries. Just
above the battery compartment is the wrist strap attachment eyelet. You can
also see the Memory Stick compartment door from this view, which opens from
the bottom of the camera. The left side of the camera is featureless, displaying
only a small Memory Stick logo as decoration.

The DSC-P31's top panel is relatively smooth and flat, featuring only the Shutter
and Power buttons, both of which barely protrude from the camera's surface.

The remaining few camera controls are on the back panel, along with the optical
viewfinder eyepiece, LCD monitor, speaker, and connector jacks. Three LED lamps
next to the optical viewfinder report camera status, indicating when focus is
set or the flash is charging. Next to the optical viewfinder eyepiece is the
Power Save on/off switch. (When Power Save is enabled, autofocus is performed
only when the shutter button is pressed rather than continuously, and the rear-panel
LCD monitor is dimmed slightly.) The Mode dial and Zoom rocker button dominate
the top right corner of the back panel, while the Menu, Display, and Four Way
Arrow pad flank the left side of the LCD monitor. A small speaker (for camera
sounds only, no audio recording or playback is available) is tucked away on
the left side of the viewfinder eyepiece. In the lower left
corner, beneath a tethered plastic door, are the Video Out and USB connector
jacks. The DC In jack is on the opposite side, beneath a flexible plastic flap.
Also on the right side is a set of raised bumps, which provide a thumb grip
when holding the camera in shooting position.
In
record mode, the LCD monitor optionally displays just the subject, the subject
plus an information overlay, or nothing at all. (That is, the LCD may be turned
off.)
In
playback mode, the LCD display can show the captured images with or without
an information overlay, a thumbnail index showing multiple images at once, or
detailed information regarding the exposure parameters for a given image. You
can also zoom in on the recorded images in playback mode, helpful for checking
framing or focus.

The DSC-P31 has a flat bottom panel, which holds the metal tripod mount and
Memory Stick slot. (Kudos for the rugged metal tripod socket.) The Memory Stick
compartment door slides open to reveal the card, which pops outward when pushed
slightly. I was glad to see enough space between the tripod mount and Memory
Stick slot to let you change the card even when mounted to a tripod. (The side-access
battery compartment is a plus as well). That said, I did notice that the off-center
tripod mount left the camera slightly tilted on my tripod head, making more
difficult to level the camera body exactly. Given the very portable nature of
the DSC-P31, I don't think this will be much of an issue for most of its users
though.
Camera Operation
The DSC-P31's user interface is very straightforward, with only a few external
controls and a very concise and understandable LCD menu system. For standard
point-and-shoot operation, the most basic features (flash, spot metering, and
zoom) have external controls, while settings like White Balance, Exposure Compensation,
etc. are adjusted through the LCD menu. The Mode dial allows you to quickly
set the camera's operating mode, with a quick turn to one of five settings.
When it is necessary to enter the LCD menu system, you'll find it easy to navigate,
as each setting appears as a subject tab at the bottom of the screen. - There
are no multi-screen menu options, making the controls easier to access and understand.
The arrow keys of the Four Way Arrow pad scroll through the menu options, and
make selections within them, while the OK button in the center of the pad confirms
any changes. (In most cases, on the Record menu, you don't even need to confirm
your choice: Just hit the Menu button again to return to shooting.)The menu
system is so simple and intuitive I think even novice users will be able to
become completely familiar with it in an hour or less.
External Controls

Power Button: Placed unobtrusively on the camera's top panel, this button
turns the camera on and off.

Shutter Button: Located on the far right of the top panel, this button sets
focus and exposure when halfway pressed, and fires the shutter when fully pressed.

Power Save Switch: Adjacent to the right side of the optical viewfinder
eyepiece, this sliding switch turns the Power Save function on or off. (Power
Save appears to do several things. It sets the camera to shut off more quickly
after a period of inactivity, turns off the continuous autofocus action, so
the lens only autofocuses when the shutter button is half-pressed, and dims
the backlight on the LCD display slightly.)

Mode Dial: This ridged dial is on the camera's back panel, and offers the
following settings:
Scene: Lets the user select one of three Scene modes (Twilight, Twilight
Portrait, and Landscape).
- Automatic Record: Places the camera in Record mode, with the user
able to adjust all exposure features except for shutter speed and aperture.
- Playback: Replays captured still images and movie files, with options
for image management and printing.
- Movie: Records silent, moving images, for as long as the Memory Stick
has space. Also accesses Clip Motion and Multi Burst modes when either of
those options is activated through the Set-Up menu.
- Set-Up: Displays the Set-Up menu, for changing camera settings.

Zoom Toggle Button: Located in the top right corner of the back panel, this
rocker switch controls the digital zoom in any Record mode.
In Playback mode, this button controls the digital enlargement of captured
images and accesses the index display mode as well as a detailed information
display. (The "T" side zooms in, the "W" side zooms out.
Zooming out from the normal-sized single image view brings up an index display
of tiny "thumbnail" images.)

Menu Button: Situated to the right of the USB connector compartment, this
button displays or dismisses the settings menu in any Record mode or in Playback
mode.

Display/LCD Button: Just adjacent to the Menu button, this button controls
the LCD monitor's display mode. In both Record and Playback modes, the button
cycles through the image and information displays, and turns the LCD monitor
on and off.

Four Way Arrow Pad: Below the Menu and Display buttons, this rocker control
features four arrow keys and navigates through any settings menu. The center
of the pad acts as the "OK" to confirm menu selections.
In Automatic Record mode, the up arrow controls flash mode, cycling through
Auto, Forced, and Suppressed modes (only activates Slow-Sync in Twilight Portrait
mode, and no flash modes are available in Twilight or Movie modes). The down
arrow activates the Self-Timer mode, while the right arrow controls the Spot
Metering mode. The left arrow calls up a quick review of the most recently-captured
image.
In Playback mode, the left and right keys scroll through captured images on
the memory card. When an image has been enlarged, all four arrow keys scroll
the view within the enlarged image.

Battery Compartment Latch: Tucked in the center of the battery compartment
door, this button unlocks the door, allowing it to slide outward.
Camera Modes and Menus
Record
Mode: In this mode, the camera captures standard still images, controlling
aperture and shutter speed. Pressing the Menu button displays a similar menu
as above, with an additional ISO option:
- Exposure Compensation: Lightens or darkens the exposure from -2 to
+2 exposure equivalents (EV) in one-third step increments.
- Focus: Changes the focus area to Multi AF or Center AF, or selects
from a range of fixed focus settings (0.5, 1.0, 3.0, or 7.0 meters, or Infinity).
- White Balance: Adjusts the color balance to Auto, or for Daylight,
Cloudy, Fluorescent, or Incandescent light sources.
- ISO: Sets the camera's sensitivity to Auto, or to 100, 200, or 400
ISO equivalents. - Use ISO 200 or 400 for action shots, where you need a faster
shutter speed to freeze the action. Higher ISOs produce "noisier"
images though.
- Image Size: Sets the image size to 1,600 x 1,200; 1,600 (3:2 aspect);
1,280 x 960; or 640 x 480 pixels.
- Quality: Sets the JPEG compression level to Fine or Standard.
- Mode: Changes the recording mode to Normal or E-Mail. (Email records
a 320 x 240-pixel image in addition to one at the selected image size.)
- Flash Level: Adjusts the flash intensity level to Normal, Low, or
High.
- Picture Effects: Applies creative effects like Solarize, Black and
White, Sepia, or Negative Art, or turns Picture Effects off.
- Sharpness: Sets the overall image sharpness in arbitrary units from
-2 to +2.
Scene
Mode:This record mode offers three preset "scene" modes, for shooting
in specific situations. Flash, zoom, Macro, and Self-Timer modes are all available,
though flash mode is limited in some cases, and Macro isn't available when in
Landscape scene mode. Menu options are virtually identical to those in normal
Record mode, except the ISO option isn't present. Pressing the Menu button in
Scene mode displays the following options:
- Scene: Selects between Twilight, Twilight Portrait, and Landscape
"scenes." Twilight allows much longer exposure times than does the
normal shooting mode, but disables the flash. Twilight Portrait combines longer
exposures with the flash. ISO options aren't available, but the Twilight modes
apparently boost ISO to 200 automatically. Landscape apparently just sets
the camera's focus to infinity. (I confess to not being sure why you'd need
this, the autofocus lens could just focus on distant objects normally.)
- Exposure Compensation: Lightens or darkens the exposure from -2 to
+2 exposure equivalents (EV) in one-third step increments. Needed to get correct
exposures for scenes that are light or dark overall. (E.g., beach/snow scenes,
etc.)
- Focus: Changes the focus area to Multi AF or Center AF, or selects
from a range of fixed focus settings (0.5, 1.0, 3.0, or 7.0 meters, or Infinity).
- White Balance: Adjusts the color balance to Auto, or for Daylight,
Cloudy, Fluorescent, or Incandescent light sources.
- Image Size: Sets the resolution size to 1,600 x 1,200; 1,600 (3:2
aspect); 1,280 x 960; or 640 x 480 pixels.
- Quality: Sets the JPEG compression level to Fine or Standard.
- Mode: Changes the recording mode to Normal or E-Mail (Email records
a 320 x 240-pixel image in addition to one at the selected image size).
- Flash Level: Adjusts the flash intensity to Normal, Low, or High.
(Flash is only available in Twilight Portrait scene mode though, not Twilight
or Landscape.)
- Picture Effects: Applies creative effects like Solarize, Black and
White, Sepia, or Negative Art, or turns Picture Effects off.
- Sharpness: Sets the overall image sharpness in arbitrary units from
-2 to +2.
Playback
Mode: This mode lets you review captured images on the memory card, erase
them, protect them, set them up for printing, etc. When playing back movie files,
you can also opt for "queue" playback, which plays back the movie
file more rapidly, several frames at a time, to help you find a particular portion
you're interested in. Pressing the Menu button displays the following options:
- Delete: Erases the current image. There is an option to cancel the
operation.
- Protect: Write-protects the current image, or removes protection.
- Print: Marks the current image for printing on a DPOF device, or
removes the print mark.
- Slide: Enables a slide show of all images captured on the Memory
Stick. You can control the interval between each image as well as whether
or not the slide show repeats.
- Resize: Resizes the current image to one of the available resolution
sizes.
- Rotate: Rotates the current image 90 degrees clockwise or counterclockwise.
- Divide: Divides movie files into segments, providing a very basic
editing tool you can use to "trim" your movies to just the portion
you want to keep.
Movie
Mode: Records short movie clips without sound, for as long as the Memory
Stick has available space. (This ability to record indefinitely, up to the limits
of the memory card size (even in HQX mode) is a new feature on this latest generation
of Cyber-shot cameras.) If set through the Set-Up menu, this mode can also record
Clip Motion or Multi Burst frames. Clip motion is a unique feature that assembles
up to 10 successive images into a multi-frame animated GIF file. MultiBurst
mode captures 16 small images very rapidly, saving them as a single 1280x1024
image. MultiBurst images play back sequentially on the camera, but appear as
a single image when viewed on your computer. The LCD menu system offers the
following options:
- Exposure Compensation: Lightens or darkens the exposure from -2 to
+2 exposure equivalents (EV) in one-third step increments.
- Focus: Changes the focus area to Multi AF or Center AF, or selects
from a range of fixed focus settings (0.5, 1.0, 3.0, or 7.0 meters, or Infinity).
- White Balance: Adjusts the color balance to Auto, or for Daylight,
Cloudy, Fluorescent, or Incandescent light sources.
- Image Size: Sets the movie resolution size to 320 x 240 (HQX); 320
x 240; or 160 x 112 pixels in MPEG Movie mode. In Clip Motion mode, offers
Normal (160 x 120 pixels) or Mobile (80 x 72 pixels) sizes. In Multi Burst
mode, offers frame intervals of 1/7.5, 1/15, or 1/30-second.
- Picture Effects: Applies creative effects like Solarize, Black and
White, Sepia, or Negative Art, or turns Picture Effects off.
Set-Up
Mode: The following three page menu displays upon entering Setup mode:
- Camera:
- Moving Image: Sets the Movie recording type to MPEG Movie, Clip
Motion, or Multi Burst.
- Date/Time: Controls the date and time display, options are Day
& Time, Date, or Off.
- Red-Eye Reduction: Enables the Red-Eye Reduction flash (which
will fire with all flash modes), or turns it off.
- AF Illuminator: Puts the AF Illuminator into Auto mode, or simply
turns it off.
- Set-Up 1
- Format: Formats the Memory Stick, erasing all files (even protected
ones).
- File Number: Specifies whether file numbering resets with each
new Memory Stick or continues in a series.
- Language: Changes the camera's menu language to English or Japanese.
- Clock Set: Sets the camera's internal clock.
- Set-Up 2
- LCD Brightness: Adjusts the LCD display brightness level to Normal,
Bright, or Dark.
- LCD Backlight: Controls the LCD backlight feature, setting it
to Normal or Bright.
- Beep: Controls the camera's beep sound, setting it to Shutter,
On, or Off.
- Video Out: Specifies the camera's Video Out signal as NTSC or
PAL.
- USB Connect: Places the USB connection into PTP or Normal modes.
Sample Pictures
See our sample pictures and detailed analysis here.
The thumbnails below show a subset of our test images. Click on a thumbnail
to see the full-size photo.
Specifications
See camera specifications here.
Picky Details
Cycle times, shutter lag, battery life, etc. can be found here.
Test Results (Preliminary only, based on preproduction
camera)
- Color: Because of our evaluation model's prototype
status, I'd normally go pretty easy on it for color quality, but as it turns
out, the color was actually quite good. Colors were generally accurate and
appropriately saturated, skin tones were nice, and even the difficult blues
of the flowers in the Outdoor Portrait test were rendered very well. Color
was close to accurate on the Davebox target, though red and blue tones appeared
a bit oversaturated. (The P31 does seem to like blues quite a bit, rendering
them with more saturation than it does reds and oranges.)
- Exposure: The DSC-P31 seems to have an exposure
sensor that takes in a very wide area when making its determination. This
would explain why it overexposed the Davebox target somewhat, since that target's
against a jet-black background. Indoors at night (under artificial illumination),
you'll need to use either the flash or the camera's "Twilight Mode."
The 1/30 second maximum exposure time in normal mode isn't enough to get bright
images, even under pretty bright interior lighting. Twilight Mode lets you
get down to exposure times as long as 2 seconds, while also boosting the cameras
ISO to 200. This combination works pretty well for indoor photography under
typical room lighting. At the other end of the spectrum, outdoors in bright
sun, the camera's somewhat contrasty images tended to lose detail in strong,
sunlit highlights. Overall though, the camera produced pretty good exposures
under a wide variety of conditions.
- Sharpness: The P31 captures good detail, but
its images looked a little soft in most of our test shots. It competes well
with ultra-compact two megapixel digicams, but not so well with higher-end
full-sized ones.
- Closeups: The DSC-P31 is an average to slightly
below-average performer in the macro arena, capturing a minimum area of 4.44
x 3.33 inches (113 x 85 millimeters). Good detail and resolution, with just
a hint of corner softness from the lens.
- Night Shots: The DSC-P31 was limited in its low-light
shooting capabilities by its maximum two-second shutter speed. The camera
captured usable images at light levels only as low as one foot-candle (11
lux), and nearly usable (though dim) photos at 1/2-foot-candle (5.5 lux).
(Average city street lighting at night is about one foot-candle, or 11 lux.)
The camera should be able to handle most city night scenes, though will require
the flash for shots under darker conditions.
In the Box
Because our evaluation model of the DSC-P31 was an early prototype
unit, I don't know the final word on which items will ship with the camera.
I'll update this list as soon as I receive updated information. Here are the
base items that I believe will ship with the camera, though items may be added
or eliminated:
- Wrist strap.
- 8MB Memory Stick.
- USB cable.
- NTSC video cable.
- Two high-capacity NiMH AA batteries.
- NiMH battery charger.
- Software CD.
- Instruction manual and registration card.
Recommended Accessories
- Large capacity Memory Stick.
- Additional AA rechargeable batteries and charger.
- AC adapter.
- Small camera case.
About
Batteries
Time for my standard battery tirade: I've gotten so many emails about power
issues for digicams, that I'm now inserting this standard notice in the reviews
of all AA-powered cameras on our site: Don't even *think* about using alkaline
AA batteries in a digicam! Despite their being packed in the box with many
cameras, they simply don't have the juice to handle typical digicam demands.
Big kudos to Sony for including a very high capacity set of AA NiMH cells with
the P31, as well as a nice little charger. Do yourself a favor though, and get
a couple of extra sets of high-capacity NiMH AA cells, and always keep one set
charged and ready to go while the other is in the camera. The Sony batteries
appear to be of very good quality, so you could just get another set or two
of them, or try a couple of sets of the new (as of this writing, in early 2002)
Maha 1800 mAh PowerEx brand cells from Thomas
Distributing. (In my battery testing, these new Maha 1800s are currently
running at the top of the chart for useful capacity.) There's nothing more frustrating
than running out of battery power in the middle of an outing. Spend the money
on good-quality batteries and you'll be glad you did.
Conclusion
Since this review was based on a prototype camera, I don't really have a conclusion
yet. What I saw was encouraging though, with pleasing color and generally good
images, albeit a bit softer than those I've seen from higher end two megapixel
models. The camera's full-automatic exposure control and lack of zoom lens suit
it to the consumer who wants to take basic snapshots with minimum fuss. It's
the variable exposure options and Scene shooting modes make it flexible enough
to handle a fairly wide range of shooting conditions though.
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