Continuing in Sony's excellent line of Cyber-Shot
digicams, the DSC-S75 offers many of the same great features we
enjoyed on the DSC-S50 and DSC-S70 models, with a few notable
improvements. The S75 has nearly the same proportions as the S70,
approximately 4.6 x 3 x 2.25 inches with the lens retracted, so it
should fit neatly into a large coat pocket, purse, or small camera
bag. An accompanying neck strap gives you the option of carrying the
S75 out in the open, ready to shoot on a moment's notice.
There are a few aesthetic differences between the
S75 and preceding models, including the addition of more external
camera controls, a Mode dial, Command wheel, and an external flash
shoe mount. Changes in the camera's functions include a Manual
exposure mode, adjustable ISO, and an improved LCD menu system.
With its real-image optical viewfinder and
1.8-inch color LCD monitor, the S75 offers two options for image
composition. The optical viewfinder accommodates eyeglass wearers
reasonably well, with a diopter adjustment dial to compensate for
variations in vision. The eye point is just a hair low (about average
for cameras we've tested), so you will end up pressing your glasses
against the viewfinder eyepiece. The small status display panel on
the camera's back panel and the optical viewfinder help you conserve
battery power by not relying completely on the LCD monitor to adjust
settings, although you'll still need to activate the LCD screen to
change image size/quality, white balance, and other options. When the
LCD monitor is active, an information display reports the remaining
battery power, Memory Stick capacity, flash status, and the number of
images taken, plus various exposure settings, such as aperture,
shutter speed, exposure compensation, image size, and quality. The
information display is enabled or disabled by pressing the Display
button.
The S75 is equipped with a 3x, 7- 21mm Carl Zeiss
Vario-Sonnar lens (equivalent to a 34-102mm lens on a 35mm camera).
Zeiss optics are noted for their sharpness, and the lens is a
significant feature of the camera. Our assessment is that it performs
better than the lenses on most digicams we've tested. Apertures can
be manually or automatically adjusted from f/2.1 to f/8.0. Focus also
features automatic or manual control, with a distance readout
displayed on the LCD monitor in Manual focus mode. A 2x digital
telephoto function is activated through the Setup menu, increasing
the S75's zoom capabilities to 6x (although with the usual decrease
in resolution and quality that results from digital magnification).
Macro performance is good, with macro focusing distances ranging from
1.62 inches (4cm) to 8.0 inches (20cm).
In addition to its fully Manual exposure mode, the
S75 provides Aperture Priority, Shutter Priority, Program AE, and
Scene exposure modes. Aperture Priority allows you to select the
working aperture -- from f/2.1 to f/8 -- while the camera chooses the
best corresponding shutter speed. Shutter Priority allows you to
select the shutter speed -- from 1/1,000 to eight seconds -- while
the camera selects the appropriate aperture. Program AE places the
camera in control of both aperture and shutter speed, while you
control the remaining exposure parameters. The Scene exposure mode
provides three preset shooting modes: Twilight, Landscape, and
Portrait, which are designed to obtain the best exposure for specific
shooting situations.
A Spot Metering option switches the exposure
metering system to take readings from the very center of the image (a
crosshair target appears in the center of the LCD monitor). White
Balance options include Auto, Indoor, Outdoor, or One Push (the
manual setting). Exposure Compensation is adjustable from -2 to +2
exposure equivalents (EV) in one-third-step increments. The camera's
ISO setting offers Auto, 100, 200, or 400 equivalents, increasing
performance in low-light shooting situations. The built-in flash
features Auto, Red-Eye Reduction, Forced, and Suppressed operating
modes, with a variable flash intensity setting. As a added bonus, the
S75 offers an external flash socket and mounting shoe, which allow
you to connect a more powerful flash to the camera. A Picture Effects
menu captures images in Solarized, Sepia, Black & White, and
Negative Art tones and a sharpness setting allows you to control the
sharpness and softness of the image.
The S75 marks Sony's introduction of a feature
they're calling "MPEG EX", which provides for continuous
MPEG movie recording directly to the memory card. This eliminates
arbitrary movie length limitations imposed by internal buffer memory,
meaning you can record as long a movie as you have memory card space
for. The standard MPEG Movie mode includes sound capabilities, plus
all of the above exposure controls except flash and ISO. A Clip
Motion option, available through the Setup menu, works like an
animation sequence, allowing you to capture a series of up to 10
still images to be played back sequentially. Menu options for the
Clip Menu mode include White Balance, Image Size, Flash Level,
Picture Effects, and Sharpness adjustment. As noted, a significant
improvement in the standard MPEG movie mode is the ability to record
320 x 240- and 160 x 112-pixel resolution movies for as long as the
memory card will allow, without having to hold down the shutter
button (you simply press the shutter button a second time to end the
movie). The Movie mode's highest quality option, 320 HQ, is still
limited to a maximum recording time of 15 seconds, but provides
higher-quality image, as well as a higher audio sampling rate.
The Record menu offers a list of Record mode
options, including a TIFF mode for saving uncompressed images; a Text
mode that captures images as black-and-white GIF files, perfect for
snapping pictures of white boards and meeting notes; and a Voice
recording mode, in which you can record sound clips up to 40-seconds
long to accompany captured images (great for "labeling" or
annotating shots you've taken). There's also an E-mail record mode
that captures a smaller, 320 x 240-pixel image size that's easier for
e-mail transmission (this mode actually records two images: one in
the 320 x 240-pixel format and another at whatever image size is
selected through the Record menu). A Burst 2 mode captures two images
in rapid succession with one press of the shutter button (actual
frame rates vary with the pixel resolution size and the amount of
image information to be recorded), plus a Normal setting.
Images can be saved as uncompressed TIFF, JPEGs,
MPEGs, or GIFs depending on the Record mode, and are stored on the
8MB Memory Stick included with the camera (higher capacity cards up
to 64MB are available). An NTSC video cable is also provided with the
camera for connecting to a television set. (European models come
equipped for PAL, but the camera itself can switch between the two
standards via a Setup menu option). A USB cable provides high-speed
connection to PC or Macintosh computers. Software supplied with the
DSC-S75 includes MGI's PhotoSuite SE (Mac and Windows) and VideoWave
SE (Windows only) for image downloading, image-correction
capabilities, and a variety of creative templates for making greeting
cards, and calendars, as well as basic video editing utilities.
The S75 uses an NP-FM50 InfoLITHIUM battery pack
(M series), and comes with an AC adapter that doubles as a battery
charger. We really like the InfoLITHIUM batteries because they
communicate with the camera -- showing exactly how much battery power
has been consumed, and reporting remaining battery capacity via a
small readout on the LCD screen. This is really valuable in avoiding
lost shots when your batteries die unexpectedly. Battery life is also
excellent, among the best we've found. Despite the excellent battery
life, our standard recommendation of keeping a second battery pack
charged and ready to go still stands, especially when the AC adapter
isn't convenient.
Like the S50 and S70 models, the S75 is an
enjoyable camera to use, and its user interface and function set have
something for everyone: The full-featured exposure control options
will satisfy the most advanced user, while it's auto-everything
"Program" exposure mode will meet the needs of the
least-experienced novice. We particularly applaud Sony's new user
interface design, and the inclusion of a full-manual exposure mode.
All in all, the S75 is a nice compact package, representing one of
the best values on the digicam markettoday. (Spring, 2001)