Dave's Picks

Canon's new entry-level Rebel adds the latest must-have features, yet still manages an even lower pricetag... (more)

Canon's new entry-level Rebel adds the latest must-have features, yet still manages an even lower pricetag
A little under three years ago, we reviewed Canon's Rebel XS SLR, and while we found some quirks that might lead enthusiasts to look elsewhere, we felt it to be a pretty well-rounded design, when the entry-level pricetag was factored into the equation. Although the Rebel XS is still available at a discount until the remaining stock is sold through, the Canon T3 is essentially a replacement for that camera, and as such marks the new entry-level point to the company's SLR lineup. On paper, it's an interesting design, with a mixture of significant upgrades in some areas, and features that have been pared back in others. Based around a newer 12-megapixel image sensor and DIGIC 4 image processor, the Canon EOS Rebel T3 offers up a very worthwhile expansion in its upper sensitivity limit, which now tops out at a useful ISO 6,400 equivalent. It also adds two more focus points, and switches to Canon's clever dual-layer iFCL metering chip, which takes account of color information when determining exposure variables. Canon has also slightly increased the T3's LCD display size, added high definition video capture capability, and updated the kit lens to provide an even more effective stabilization system. With a pricetag some $100 below that of its predecessor at launch, though, something had to give. While the Canon T3 has a new optical viewfinder, it actually has just slightly lower magnification and a significantly tighter dioptric correction range than that of its predecessor. Burst shooting speed is also towards the lower end of the range, compared to its main competitors--and that's in JPEG mode. Switch to RAW or RAW+JPEG shooting, and the burst speed and depth is low indeed. In addition, Canon has removed the mechanical portion of its EOS Integrated Cleaning System, leaving the T3 reliant solely on antistatic coatings and software mapping to combat the adverse effects of dust on image quality. To find out whether one hand gave more than the other took away--and whether the Rebel T3's aggressive pricing makes it easy to overlook the occasional shortcoming--you'll want to read our Canon T3 review. (minimize)

A well-built waterproof digital camera with a unique look... (more)

A well-built waterproof digital camera with a unique look
Finally, a waterproof digital camera that looks the part: the Canon PowerShot D10. Capable of diving to 33 feet, falling from four feet, and withstanding temperatures of 14 degrees Fahrenheit, the Canon D10 is ready to weather some tough conditions; tougher than most digital cameras. Its 12-megapixel sensor delivers crisp images to its 2.5-inch LCD, and its 3x zoom is protected within a sturdy bell housing, protected from impact and weather. As with almost all digital cameras, the Canon D10 makes a better wet camera than a dry camera, with more significant corner softening than we see from most digital cameras in the pocket category, but that's a side-effect of shooting through an additional pane of glass on the front of the sturdy housing, something you won't notice in your underwater pictures. The flip side is that you won't be worrying about a lens cap with the Canon D10; instead your only concern will be having more fun with your waterproof digital camera! Click here to read more about the Canon PowerShot D10 waterproof digital camera. (minimize)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!... (more)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!
True to form, Canon doesn't skimp on its low-end ELPH digital cameras, and with the Canon 100 HS, they outdid themselves! The slim pocket camera offers a wide array of special features, including Handheld Night Scene, Full HD video, and HDMI output to name just a few. Its 28mm-equivalent wide angle lens is a treat, making the PowerShot 100 HS a great digital camera for travel and everyday carry. HS stands for High-Sensitivity, and the Canon 100 HS does well as the ISO rises, easily outputting an 11x14-inch print from ISO 100 to 800, which is quite impressive for any pocket digital camera. The Canon 100 HS is one of our top picks for a simple pocket camera, great for casual shooting, making it a superb gift! (minimize)

An excellent wide-angle pocket digital camera... (more)

An excellent wide-angle pocket digital camera
Taking up the bottom position in the price category for quality slim pocket digital cameras, the Canon ELPH 300 HS has just what it takes to be a top seller. While it won't deliver the gigantic prints of CCD cameras of similar size, the Canon 300 HS pleases in other ways, packing a 24-120mm equivalent lens, a good quality 2.7-inch LCD, and Full HD video capability in a very slim package. Handheld NightScene mode further reveals the advantage of the Canon 300's CMOS image capture, combining three images into one for a smoother still than you'd normally expect at ISO 1,600. Though we had some trouble with soft corners, we thought the Canon 300's images were still good enough for most anyone's purposes as a pocket camera for recording the fun wherever you go. Click here for more on the Canon PowerShot ELPH 300 HS. (minimize)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot... (more)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot
We tend to review more enthusiast digital cameras than easy pocket designs, but every once in a while we get a simple digital camera that inspires our creativity despite its lack of controls. The Canon PowerShot 310 HS struck a particular chord with its 8x zoom and nice, big high-res LCD, and reasonable set of Canon Scene modes. We found it a lot of fun to use, and its simplicity actually encouraged our creativity! Click here to see what was so special about the Canon 310 HS! (minimize)

A good quality pocket camera with a very wide angle lens... (more)

A good quality pocket camera with a very wide angle lens
When you think of quality pocket digital cameras, the Canon S95 and G12 are top of the list. But don't ignore the Canon 500 HS, an ELPH with a wider lens than either of those cameras, and a noticeably more pocketable shape. Its major unique feature is its touchscreen, which dominates the back of the camera, much like the screen of a smartphone. Its Full HD video capture, Handheld NightScene, and High Speed Burst modes number among the standout features, but enthusiasts will be drawn to the Canon 500's Aperture and Shutter priority modes, which offer a little more control than the average point and shoot. Click here for more on the Canon PowerShot 500 HS! (minimize)

A long zoom, touchscreen digital camera that slips into a small pocket... (more)

A long zoom, touchscreen digital camera that slips into a small pocket
Designed to take on the smartphone, the Canon 510 HS includes a blend of features to attract the savvy photographer. First, this digital camera has a 12x zoom lens with an impressive range from 28-336mm equivalent. Next, the Canon 510 employs a touchscreen so users can do just about everything without pressing a single button. Though we had a little trouble with the touchscreen at first, an aha! moment struck us and we learned to simply press a little harder on the screen, since the Canon 510 HS uses a different technology for its touchscreen, probably on purpose. Click here to read our Canon 510 HS review! (minimize)

Large-sensor image quality in a compact, zoom body... (more)

Large-sensor image quality in a compact, zoom body
Every once in a while, a camera comes along which offers a genuinely different approach to its rivals. Some--like the first mirrorless models--go on to fundamentally change the market. Others aren't quite so successful. Either way, we welcome designs that think outside the box. The PowerShot G1 X is Canon's first large-sensor compact. Its announcement last Spring prompted much speculation: was this Canon's final answer to that blossoming mirrorless market, or a first tentative step towards its own mirrorless debut? The fixed-lens design and narrower-aspect ratio have allowed Canon to create a large-sensor PowerShot with a worthwhile size advantage over mirrorless models, and a night-and-day image quality advantage over small-sensor cameras. Like many first-gen products, the G1 X does show a few rough edges though. Will the advantages of its unusual design outweigh the drawbacks? For the verdict, read our Canon G1 X review! (minimize)

Canon's premium pocket camera gets a better lens, higher resolution, and better video, plus GPS.... (more)

Canon's premium pocket camera gets a better lens, higher resolution, and better video, plus GPS.
Canon managed to pack more features into the PowerShot S100 while maintaining the same relative look and feel of their premium pocket digital camera. Higher resolution has lately come at a cost, but Canon raised both the resolution and still image quality while also raising video resolution. The result is a pocket camera that can shoot quality 1080p video while the camera both maintains focus and allows the user to zoom. They even snuck in a GPS and mapping software so you can see where you've been. There's a lot more to tell about the Canon S100, so click here to read our review. (minimize)

Pocketable quality continues, this time with built-in WiFi... (more)

Pocketable quality continues, this time with built-in WiFi
Taking the main photographic elements of its predecessors and remixing them with the latest trends in connectivity and communication, the Canon S110 remains a top choice for discriminating photographers looking for a take-anywhere camera that will bring home quality images. Whereas the previous model employed a built-in GPS, the Canon S110 uses its WiFi radio to pull in GPS from the nearly ubiquitous smartphone, a slick trick. The WiFi setup isn't as easy as it should be, but that's not a big selling point; if it is for you, be sure to consider that. Printed image quality is on par with its predecessors, and shutter lag improved quite a bit. Overall, though, the PowerShot S110's pocketable quality continues. (minimize)

Pocket long zooms don't get much better than this... (more)

Pocket long zooms don't get much better than this
Canon takes a quality pocket long zoom and adds both a GPS radio and Full HD video for a more complete package. The resulting Canon PowerShot SX230 delivers good image quality and pretty nice video quality as well, while maintaining that impressive 14x, 28-392mm zoom lens. We found some minor trouble with chromatic aberration, unsurprising at this focal length, but otherwise enjoyed the Canon SX230, indoors and out. It'll make an excellent travel camera, thanks to the wide and long zoom, as well as the GPS to match your photos to a map, and it offers as much automation or manual control as you could want. Click here for our review of the Canon SX230 HS! (minimize)

High-quality travel zoom appeals to enthusiasts and novices alike... (more)

High-quality travel zoom appeals to enthusiasts and novices alike
There's nothing like a pocket travel zoom digital camera when you want to get creative shot on vacation. The PowerShot SX260 HS is Canon's best attempt yet at meeting the needs of both the point-and-shooter and the enthusiast photographer, regardless of the destination. Its 20x zoom has great optical quality, and combined with its 12-megapixel sensor the Canon SX260's image quality is good enough to output a 16 x 20-inch print! What with the built-in GPS, we wish it had a little better battery life, but overall the Canon SX260 is looking pretty good. Click here for our Canon SX260 HS review! (minimize)

Further refinement makes a great megazoom excellent... (more)

Further refinement makes a great megazoom excellent
While Canon's previous megazoom digital camera was a good performer, the PowerShot SX40 HS is a finely tuned upgrade. With the same startling 35x zoom ranging from 24-840mm equivalent, the Canon SX40 sports a new, lower-resolution sensor and a punchy DIGIC 5 processor, resulting in better low light performance and better corner sharpness overall, as well as reduced chromatic aberration. These changes effectively overcome the usual limitations of megazoom cameras, leaving behind only the fun. Click here for our Canon SX40 HS review, or just click here to start shopping for the Canon SX40 HS! (minimize)

Revamped flagship enthusiast digicam scores big on design and image quality... (more)

Revamped flagship enthusiast digicam scores big on design and image quality
It's taken three tries but Nikon has finally produced a flagship Coolpix camera that stacks up favorably to its top competitors, boasting an upgraded 12-megapixel sensor and a fast 7.1x zoom lens with a maximum aperture of f/2.0. Nikon removed the optical viewfinder from the Coolpix P7700, but we actually see this as a plus, especially since the 3-inch vari-angle LCD screen is easy to view and allows you to compose in tight spots. Sans viewfinder, the Nikon P7700's design is more compact, comfy and classic than its predecessor. Ultimately, it comes down to image quality and the P7700 delivers sharp still images and Full HD videos -- with just a few quirks -- and produces large, high-quality prints at lower ISOs. Click here for our review of the Nikon P7700, or click this link to shop! (minimize)

An extremely capable SLR gets even better... (more)

An extremely capable SLR gets even better
More of an evolutionary upgrade to the D300, the Nikon D300S sports a faster frame rate, dual-media capability, and HD video capability. While the Nikon D300S has the same 12.3-megapixel sensor as its predecessor, it can now capture up to 7.1 frames per second, which increases to 8 frames per second with the optional battery grip. The new SD/SDHC slot gives the Nikon D300S greater versatility, and it still has a Type I CompactFlash slot to work with the more traditional professional standard. But the big story with the Nikon D300S digital camera is its HD movie mode, capable of capturing 1,280 x 720 pixel videos at 24 frames per second. Though it has a built-in monaural microphone for audio recording, the Nikon D300S also includes a stereo mic-in jack for higher quality recording than was offered with the Nikon D90. Users can frame images via the big, beautiful optical viewfinder or the large, high-resolution LCD in Live view mode, and they can view their images and videos direct from the camera thanks to the Nikon D300S's HDMI-out port. The Nikon D300S is an impressive digital camera. Click here for our full review of the Nikon D300S. (minimize)

Nikon's smallest digital SLR to support Full HD video serves up good image quality... (more)

Nikon's smallest digital SLR to support Full HD video serves up good image quality
Small and easy to bring along, the Nikon D3100 is a superb upgrade for anyone interested in digital SLR quality photographs. Its 14.2-megapixel sensor gives the Nikon D3100 a little more resolution than most other Nikon digital SLR cameras, and image quality is excellent, even as light levels drop and ISO is forced to rise. Though still low in price, the Nikon D3100 also captures 1080p Full HD video, while a good many digital cameras are still limited to 720p HD. Furthermore, the Nikon D3100 is one of the first digital SLRs able to focus while recording a video, which can come in handy. For novice users, the Nikon D3100 also includes a Guide mode to help users capture better images and learn a bit about photography on the way. It's a great digital camera for the money, with excellent image quality. Click here for more on the Nikon D3100 digital SLR! (minimize)

The price of full-frame digital SLR excellence just went down a notch... (more)

The price of full-frame digital SLR excellence just went down a notch
With a design and features that will attract a wide array of photographers, the Nikon D700 is the first full-frame digital SLR camera to break the $3,000 barrier at its introduction. Based on the popular Nikon D300, the Nikon D700's controls are poised for quick activation, with commonly used functions out in plain sight, rather than buried in a menu. The Nikon D700's full-frame sensor is essentially identical to the Nikon D3's, so image quality is superb, and high-ISO performance is unprecedented, ranging from 100 to 25,600. A large, high-resolution LCD screen serves up images that are sharper than normal, and menus likewise appear razor-sharp. Special features adorn the Nikon D700, including a 51-point autofocus system, Active D-Lighting image processing, Lateral chromatic aberration correction, Vignette control, and AF Fine-tune capability; all making the camera extremely adaptable. Nikon's latest offering is a great digital SLR camera to build a system around. Click here for our review of the full-frame Nikon D700 (minimize)

Nikon's flagship prosumer SLR model is the first SLR capable of video recording, but that's just one of its many exceptional features!... (more)

Nikon's flagship prosumer SLR model is the first SLR capable of video recording, but that's just one of its many exceptional features!
Nikon rocked the DSLR world when they introduced their D90 SLR early this Fall, the first SLR that can record movies. Its video capabilities won't replace dedicated camcorders, but will provide welcome relief for photographers tired of carrying along a pocket digicam just for taking "video snapshots". Its movie recording is only one of the many exceptional features the Nikon D90 has to offer. It also incorporates the chromatic aberration correction capability first introduced in the D3 and D300 high-end models. This feature works regardless of the brand lens you're using, so the D90 promises to improve the quality of most any lens you use it with. Speaking of lenses, the Nikon D90 ships with one of the nicest kit lenses we've seen yet, a 18-105mm VR (vibration reduction, Nikon's name for Image Stabilization) model that delivers very good sharpness, and (thanks to the aforementioned CA-reduction capability of the camera) very little chromatic aberration. The Nikon D90 brings much, much more to the table, though, far more than we can go into here. If you're in the market for a high-end prosumer digital SLR camera, the Nikon D90 deserves to be near the top of your list for consideration. Read our Nikon D90 review for all the details! (minimize)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system... (more)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system
Although it looks very similar to its previous PEN-series flagships externally, the Olympus PEN E-P3 includes several significant changes. Key among these is a new brand-new autofocus system, branded 'Frequency Acceleration Sensor Technology', or FAST for short. Olympus showed supreme confidence in choosing the name, and it wasn't misplaced: the E-P3's AF performance actually rivals that of many SLRs. The P3 also includes a new touchscreen interface, and a built-in popup flash that addresses one of the main concerns with its predecessor. Tweaks in its imaging pipeline are more subtle, however; the sensor design seems little-changed from that used by its predecessor two years earlier. Are the improvements in other areas enough to compete in today's mirrorless camera market, given how competitive it's become? Read our Olympus PEN E-P3 review, and find out! (minimize)

Olympus refines the Pen series with a faster, simpler design... (more)

Olympus refines the Pen series with a faster, simpler design
Equipped with an improved lens and a more ergonomic body style, the Olympus Pen E-PL2 addresses several shortcomings of the previous model and refines the company's low-cost compact system camera design. The Olympus E-PL2's new lens design is smaller, lighter, and a little longer, with a more stable lens design and fast, silent autofocus. It even accepts accessory lenses. The E-PL2's 3-inch LCD is also higher resolution than any of the Pen predecessors, and the new Accessory Port 2 is compatible with more new gadgetry, including a bluetooth module that sends your pictures directly to a camera phone. Its 12-megapixel sensor still captures great images, and the Olympus E-PL2 tests faster than its predecessors. Click here for more on the Olympus Pen E-PL2! (minimize)

A great little compact system camera with surprisingly good performance... (more)

A great little compact system camera with surprisingly good performance
Though it lacks a mode dial for the more sophisticated shooter, that's about all that's missing from the Olympus E-PM1, a great little compact system camera, and its targeted audience won't miss the mode dial at all because they'll be too busy appreciating all the gorgeous images they're getting with the E-PM1's excellent 12.3-megapixel sensor, complete with sensor-shift image stabilization. The bundled 14-42mm lens is also worth more than meets the eye, with good optical quality and super-silent autofocus. With its tiny body and retractable lens, we think the Olympus E-PM1 is the sleeper digital camera of the last year, and is an easy impulse buy when found for under $400. (minimize)

Excellence returns to the Panasonic megazoom line... (more)

Excellence returns to the Panasonic megazoom line
Can image quality rise with a reduction in resolution? Apparently so, as the 12-megapixel Panasonic FZ150 dramatically proves. We roundly criticized the FZ150's 14-megapixel predecessor as quite a step back when compared to Panasonic's other ultrazoom digital cameras, but they're back with a significantly improved design that puts them back in the winner's circle. The FZ150's excellent optics, 3-inch LCD, and solid build are now matched with a fine sensor and image processor that's worth writing about. Click here for more on the Panasonic FZ150! (minimize)

A very small compact system camera that can slip into a medium-size pocket.... (more)

A very small compact system camera that can slip into a medium-size pocket.
Hailing from a camera line aimed squarely at enthusiasts, the Panasonic GF3 seems to be angling for consumers, a move that may alienate enthusiast fans. Its 12-megapixel sensor, 3-inch LCD, and touchscreen controls all fit into digicam-size space, yet it first ships with a non-zooming 14mm kit lens, so most consumers will want to wait for the zoom to ship later this month. Its pop-up flash takes the space where a hot shoe would live, and modes are changed via the touchscreen, rather than a physical dial. We found the Panasonic GF3 fun to use and a competent, comfortable companion whether moving about town or packing for a trip. Click here for more on the Panasonic GF3 digital camera! (minimize)

Really fast autofocus in a compact body you won't leave at home... (more)

Really fast autofocus in a compact body you won't leave at home
Back in mid-2011, Panasonic launched its tiny Lumix GF3, nicely demonstrating the size advantage of mirrorless over SLR cameras. This year's Panasonic GF5 takes that design and swaps in an improved sensor, faster image processor, higher-resolution touch screen display, and a raft of other tweaks. Key among the changes for us has to be the Panasonic GF5's improved autofocus performance: the GF3 was already fairly fast by mirrorless camera standards, but the Panasonic Lumix GF5 goes a step further, besting many consumer DSLRs. Panasonic has also updated its touchscreen user interface, finally allowing almost overlay-free image framing and reducing distraction. Do these and other changes take a good consumer camera and make it great? And are the advantages of the GF5 enough for more experienced photographers to overlook the lack of a viewfinder and flash connectivity? Read our Panasonic GF5 review, and find out! (minimize)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears... (more)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears
When we reviewed Pentax's K-x consumer SLR last year, we were wowed by its rich feature set and impressive noise performance, but questioned the wisdom of several design choices likely made in the interests of achieving its affordable price tag. With the debut of its followup Pentax K-r, the company has shown that it was listening by answering our biggest criticisms of the earlier model. Key among the changes are the addition of autofocus point indicators in the viewfinder, and a redesigned body with pleasingly retro styling that accommodates a larger, significantly higher resolution LCD panel. A handy increase in burst shooting performance to almost six frames per second ensures that Pentax retains the title of fastest entry-level digital SLR. There's also an interesting new dual power-source design that follows popular demand with a proprietary lithium-ion pack, but--unlike every other SLR manufacturer--still caters to those who prefer AA batteries without a bulky external grip, courtesy of an in-body adapter. Although there are numerous more subtle changes throughout, the 12.4 megapixel K-r is largely similar to its predecessor in other respects, with in-body image stabilization, an 11-point autofocus system, 1/6,000 second top shutter speed, and high-definition 720p video capture capability. A generous selection of creative features such as in-camera HDR, a cross-processing function, numerous pre- and post-capture digital filters, and the ability to develop raw files in-camera combine to make the Pentax K-r particularly well-suited to right-brain types who don't want to spend time fiddling around with post-processing on a computer. Were all this offered at the same pricetag as its predecessor, the Pentax K-r would've been a sure thing, but therein lies the rub: Pentax has also increased its pricing by almost a quarter over that of the K-x. Having specifically called for many of its added features, we went into our review of the Pentax K-r with a certain feeling of having made a rod for our own back. To find out if we stayed resolute in our desire for the changes--added cost notwithstanding--read our full review of Pentax's latest consumer SLR. (minimize)

Another competent camera in the compact system space... (more)

Another competent camera in the compact system space
With its unique curved slab shape, the Samsung NX100 really stands out. Smaller than past Samsung compact system cameras, the NX100's retractable kit lens helps keep it small. Its 14.6-megapixel CMOS sensor is APS-C sized, and its 3-inch display is a 640x480 AMOLED. Unlike its larger predecessor, the Samsung NX100 has no flash and no electronic viewfinder, but it does have a hot shoe for attaching an electronic viewfinder or an external flash. We found its interface endearing and innovative, and enjoyed our time with the Samsung NX100, but had a little trouble with noise suppression in the JPEG files and wobbly videos. Our investigation led us to the RAW files to decide whether the Samsung NX100 was only for consumers, or whether it would also work for enthusiasts. Overall we were impressed with the Samsung NX100's speed, style, and image quality, especially in the RAW files. Click here to see all the details in our Samsung NX100 review. (minimize)