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Most Popular Enthusiast's Cameras |
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| Camera Name | Res | Lens | Avg. Price | |
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| Canon EOS 70D | 20.2 | 7.50x | $1,532.63 Check Prices |
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| Canon EOS 60D | 18.0 | 7.50x | $1,039.43 Check Prices |
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| Canon EOS Rebel T5i (EOS 700D) | 18.0 | 3.06x | $899.99 Check Prices |
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| Olympus PEN E-P5 | 16.1 | 1.00x | $1,449.14 Check Prices |
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| Canon EOS Rebel T3i (EOS 600D) | 18.0 | 7.50x | $815.59 Check Prices |
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| Panasonic Lumix DMC-GH3 | 16.1 | -- | $1,298.00 Check Prices |
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| Canon EOS 6D | 20.2 | 4.38x | $2,540.85 Check Prices |
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| Canon EOS 5D Mark III | 22.3 | -- | $3,342.26 Check Prices |
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| Canon PowerShot SX50 HS | 12.1 | 50.00x | $422.18 Check Prices |
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| Canon EOS 7D | 18.0 | 3.80x | $1,372.12 Check Prices |
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| Editor's Choice | Res | Lens | Avg. Price | |
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| Olympus OM-D E-M5 | 16.1 | 4.20x | $1,009.19 | |
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Old and new come together in one high-quality digital camera Small and light, yet solid and weather-sealed, the Olympus OM-D E-M5 is a lot more capable than its size suggests. Image quality is noticeably improved from past Olympus offerings, rivaling that of APS-C SLRs, and its sensor-shift image stabilization system is the most advanced we've seen. Perhaps most importantly, though, the Olympus E-M5 is a whole lot of fun to use, and the ready availability of great glass adds to the party, making you want to get out and shoot. We also love the E-M5's nostalgic appearance, as well as how it feels and operates when we're out shooting. The whole experience is impressive. Click here for our Olympus E-M5 Review! (minimize)
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| Canon EOS 5D Mark III | 22.3 | -- | $3,331.42 | |
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A superb full-frame DSLR, for both stills and video The Canon 5D Mark III is a true "superstar" camera, with impressive capabilities for both still and video shooting. It suits the needs of well-heeled amateurs and working pros equally well, and while its resolution is only very slightly higher than that of the 5D Mark II, the Canon 5D Mark III offers so many improvements over its predecessor that it'll be an easy upgrade decision for many 5D Mark II owners. Image quality is superb, and the new autofocus system is fast and accurate. Those who handled the EOS 5D Mark III consistently remarked about the viewfinder experience, particularly the improved autofocus coverage area. There are issues, as with any system, including more limited dynamic range by comparison, and default settings for noise reduction and sharpening are a bit extreme in JPEGs, but most of that can be worked around or avoided by shooting raw. And while we wish the Canon 5D Mark III included a pop-up flash, the camera's low-light performance is stunning, so shooting in ambient light is easier than ever. Click here to read our full review of the Canon EOS 5D Mark III. (minimize)
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| Sony Alpha NEX-7 | 24.3 | 3.06x | $1,091.26 | |
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Excellent image quality plus refined controls equal one superb camera. Making quite a leap for compact system cameras both in terms of image quality and camera control, the Sony NEX-7 really impressed us. We used words like "astonishing" and "amazing" when describing image quality, both printed and onscreen, because the NEX-7's images are even sharper than the A77's. And for an APS-C sensor to approach the quality of the Nikon D3X, well, that is saying something. Its Tri-Navi interface takes the NEX-7's camera control beyond the extra dials we find on other enthusiast digital cameras: Just a single button allows the dials to jump from controlling exposure settings to focus, white balance, D-Range, and Creative Style settings. An excellent electronic viewfinder is tucked in the upper left corner, offering a really big view while keeping the top deck nice and flat, unlike most other designs. The result is a camera custom-built for photographers who want the most control combined with the best image quality. Isn't that what we've all been waiting for? Click here for our Sony NEX-7 review! (minimize)
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| Other Top Choices | Res | Lens | Avg. Price | |
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| Canon EOS 60D | 18.0 | 7.50x | $1,047.03 | |
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18 megapixels of high-ISO power and Full HD video in a capable digital SLR design
More clearly aimed at the consumer market, the Canon 60D represents something of a sea change for this formerly enthusiast camera line. With the 7D now tasked to meet the intermediate to professional photographer's needs, Canon has retooled the 60D to better serve as a step-up model for Rebel owners who want a little more, rather than as the lower-priced competition to the 7D. The Canon 60D is more clearly aimed at the Nikon D7000, with both now capable of capturing full 1080p video. Its 18-megapixel sensor is roughly equivalent in ability to the T2i and 7D's sensors, which means the EOS 60D does extremely well even at high ISO settings. Its redesigned body and interface make the Canon 60D a pleasure to use, and the versatile 18-135mm kit lens is a capable companion. We enjoyed our time with the Canon EOS 60D. Click here for more on the Canon EOS 60D digital SLR camera. (minimize) |
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| Canon EOS 6D | 20.2 | 4.38x | $2,551.92 | |
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Full-frame DSLR that's both affordable and advanced
Despite a few quibbles, the 20.2-megapixel Canon 6D lives up to its promise of housing a glorious, full-frame sensor inside a smaller, lighter and more affordable DSLR camera body designed for prosumers, enthusiasts and novices alike. Canon's done a great job of not dumbing down or cheapening the 6D to fit its "sweet spot" pricing, and the EOS 6D is a responsive shooter that boasts image and video quality rivaling the stepup 5D Mark III. However, Canon has had to nip and tuck a few features to meet the 6D's more affordable pricing and slighter build, although it boasts a couple wrinkles -- built-in WiFI and GPS -- that none of its direct competitors offer. Click here to read our in-depth Canon 6D review or shop for one now! (minimize) |
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| Canon EOS 70D | 20.2 | 7.50x | $1,541.05 | |
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Innovative AF system makes this DSLR a videographer's dream come true -- at an affordable price
The long-awaited Canon 70D comes packed with a groundbreaking new technology -- Canon's Dual Pixel CMOS AF system -- that provides on-chip phase detection autofocus at every single pixel. That means a DSLR can finally record video with full-time continuous AF that's truly camcorder-like, with smooth racking and exceptional subject tracking. And Live View AF feels almost as fast as traditional viewfinder shooting. The 70D also gets an upgrade to 20.2 megapixels of resolution, as well as compelling Wi-Fi features that include remote image capture with full exposure controls. The camera may not wow enthusiasts looking for significantly better still image quality, but the 70D marks a serious step up for photographers wanting pro-level video performance and quality. Check out our in-depth Canon 70D review for all the details, or buy one now from IR affiliates Adorama or B&H! (minimize) |
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| Canon EOS 7D | 18.0 | 3.80x | $1,377.77 | |
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One digital SLR that pretty much does it all
The Canon EOS 7D stands alone. It's a digital SLR camera that can capture 18-megapixel images at 8 frames per second and 14-bit depth, with a quite usable ISO range from 100 to 12,800. The Canon 7D offers Live View, full manual exposure control while recording movies, Full HD movie recording, a new 19-point, all-cross-type autofocus system, a near-100% optical viewfinder, and built-in support for controlling up to three groups of Speedlite strobes. You can choose from one or two of those items with other cameras from Canon and other manufacturers, but if you want it all in one body, the Canon 7D is your only choice at any price. Printed quality is nothing short of astonishing, with great looking images up to 24x36 inches. That you can get it all for $1,699 is pretty amazing. Click here to read our review of the Canon 7D. (minimize) |
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| Canon EOS Rebel T3i (EOS 600D) | 18.0 | 7.50x | $815.09 | |
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The flagship Rebel offers just about all you could wish for in a consumer SLR
Truly easy to recommend, the versatile Canon T3i sets the standard at the top of the consumer SLR market. Especially if you're looking for a reasonably affordable SLR that lets you shoot from multiple angles, the Rebel T3i should be at or near the top of your list. With an 18-megapixel sensor, a high-res articulating LCD, an improved grip, and Full HD video recording, the Canon T3i has what it takes to get great shots in most conditions. Its bundled 18-55mm kit lens is improved over its predecessor, and the alternate 18-135mm kit lens is also good quality, covering a near-ideal range for most situations. Image quality is good enough for 20x30-inch prints from ISO 100 to 3,200, and ISO 12,800 shots make a good 8x10. It's quite a camera, to be sure. Click here for more on the Canon T3i! (minimize) |
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| Canon EOS Rebel T4i (EOS 650D) | 18.0 | 7.50x | $1,094.13 | |
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The latest Rebel remains a top choice among consumer SLRs
It's no surprise that the latest flagship Canon Rebel T4i remains easy to recommend. New features like its new 5-frames-per-second frame rate, multi-shot modes -- including HDR -- and Full HD video with stereo recording, are real improvements worth noticing. We weren't as impressed as we expected with the on-sensor phase-detect autofocus, so add a grain of salt to Canon's claims in that area, but it's still a little faster than past offerings, and quieter as well. Add all that to the Canon T4i's excellent 18-megapixel image quality and it's once again easy to recommend the Canon T4i. (minimize) |
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| Canon EOS Rebel T5i (EOS 700D) | 18.0 | 3.06x | $899.99 | |
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Canon didn't significantly change its Rebel flagship -- and that's a good thing
When Canon's consumer-friendly flagship Canon T5i launched, many were quick to criticize the minimal upgrade. There's more to the story, though: Sometimes, maintaining the status quo can be a good thing. The earlier T4i was a capable camera, and the Canon T5i retains every feature, while bundling a better kit lens with a quieter STM motor. Boasting great image quality, a solid build, useful features aplenty, and a more affordable pricetag, the Canon Rebel T5i is even easier to recommend than was its mirror-image predecessor. (minimize) |
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| Canon PowerShot ELPH 500 HS | 12.1 | 4.40x | $203.58 | |
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A good quality pocket camera with a very wide angle lens
When you think of quality pocket digital cameras, the Canon S95 and G12 are top of the list. But don't ignore the Canon 500 HS, an ELPH with a wider lens than either of those cameras, and a noticeably more pocketable shape. Its major unique feature is its touchscreen, which dominates the back of the camera, much like the screen of a smartphone. Its Full HD video capture, Handheld NightScene, and High Speed Burst modes number among the standout features, but enthusiasts will be drawn to the Canon 500's Aperture and Shutter priority modes, which offer a little more control than the average point and shoot. Click here for more on the Canon PowerShot 500 HS! (minimize) |
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| Canon PowerShot G1 X | 14.3 | 4.00x | $690.99 | |
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Large-sensor image quality in a compact, zoom body
Every once in a while, a camera comes along which offers a genuinely different approach to its rivals. Some--like the first mirrorless models--go on to fundamentally change the market. Others aren't quite so successful. Either way, we welcome designs that think outside the box. The PowerShot G1 X is Canon's first large-sensor compact. Its announcement last Spring prompted much speculation: was this Canon's final answer to that blossoming mirrorless market, or a first tentative step towards its own mirrorless debut? The fixed-lens design and narrower-aspect ratio have allowed Canon to create a large-sensor PowerShot with a worthwhile size advantage over mirrorless models, and a night-and-day image quality advantage over small-sensor cameras. Like many first-gen products, the G1 X does show a few rough edges though. Will the advantages of its unusual design outweigh the drawbacks? For the verdict, read our Canon G1 X review! (minimize) |
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| Canon PowerShot G12 | 10.0 | 5.00x | $735.89 | |
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PowerShot flagship stronger than ever after all these years
As the longest running line in digital camera history, the G-series has produced its finest camera yet: the Canon PowerShot G12. Though more of a refinement of the G11, the Canon G12 sports a 10-megapixel sensor, a 5x optical zoom ranging from 28-140mm equivalents, and a 2.8-inch swiveling LCD. That LCD is no slouch, either, with 461,000 dots and excellent color. A new electronic level function helps ensure straighter horizons, and a new set of aspect ratio gives you greater control over image shape. 720p HD movie mode is also new to the Canon G12, now with stereo sound as well. And a special HDR Scene mode makes shooting high-dynamic range images pretty easy so long as you shoot them with a tripod. High ISO performance is very good, actually besting the Canon S95, and overall performance is about what we'd expect, making the Canon G12 an excellent all-purpose camera, even if it's not quite shirt or pants pocketable. Click here for more on the Canon G12, one of the best digital cameras you can buy! (minimize) |
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| Canon PowerShot G15 | 12.1 | 5.00x | $465.11 | |
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A major step forward for Canon's flagship premium compact
Canon's PowerShot G-series cameras were some of the first premium compact cameras to really grab the attention of the professional photographer and the amateur shooter alike. With the PowerShot G15, Canon takes a huge step forward by incorporating a fast 5x optical zoom lens with a maximum aperture that ranges from f/1.8 at wide to f/2.8 at tele. The camera also boasts a 12-megapixel, 1/1.7-inch CMOS sensor to produce sharper images and full 1080p HD video recording (finally). And at the heart of the Canon G15 resides a ton of advanced photographic controls, including RAW image capture. One significant downgrade from its predecessor, the G12, however, is Canon's decision to replace the articulating LCD monitor with a fixed one, ostensibly to slim the G15's dimensions. Click here for our final verdict on the Canon G15! (minimize) |
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| Canon PowerShot S100 | 12.1 | 5.00x | $429.49 | |
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Canon's premium pocket camera gets a better lens, higher resolution, and better video, plus GPS.
Canon managed to pack more features into the PowerShot S100 while maintaining the same relative look and feel of their premium pocket digital camera. Higher resolution has lately come at a cost, but Canon raised both the resolution and still image quality while also raising video resolution. The result is a pocket camera that can shoot quality 1080p video while the camera both maintains focus and allows the user to zoom. They even snuck in a GPS and mapping software so you can see where you've been. There's a lot more to tell about the Canon S100, so click here to read our review. (minimize) |
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| Canon PowerShot SX230 HS | 12.1 | 14.00x | $299.99 | |
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Pocket long zooms don't get much better than this
Canon takes a quality pocket long zoom and adds both a GPS radio and Full HD video for a more complete package. The resulting Canon PowerShot SX230 delivers good image quality and pretty nice video quality as well, while maintaining that impressive 14x, 28-392mm zoom lens. We found some minor trouble with chromatic aberration, unsurprising at this focal length, but otherwise enjoyed the Canon SX230, indoors and out. It'll make an excellent travel camera, thanks to the wide and long zoom, as well as the GPS to match your photos to a map, and it offers as much automation or manual control as you could want. Click here for our review of the Canon SX230 HS! (minimize) |
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| Canon PowerShot SX260 HS | 12.1 | 20.00x | $277.27 | |
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High-quality travel zoom appeals to enthusiasts and novices alike
There's nothing like a pocket travel zoom digital camera when you want to get creative shot on vacation. The PowerShot SX260 HS is Canon's best attempt yet at meeting the needs of both the point-and-shooter and the enthusiast photographer, regardless of the destination. Its 20x zoom has great optical quality, and combined with its 12-megapixel sensor the Canon SX260's image quality is good enough to output a 16 x 20-inch print! What with the built-in GPS, we wish it had a little better battery life, but overall the Canon SX260 is looking pretty good. Click here for our Canon SX260 HS review! (minimize) |
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| Canon PowerShot SX40 HS | 12.1 | 35.00x | $397.48 | |
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Further refinement makes a great megazoom excellent
While Canon's previous megazoom digital camera was a good performer, the PowerShot SX40 HS is a finely tuned upgrade. With the same startling 35x zoom ranging from 24-840mm equivalent, the Canon SX40 sports a new, lower-resolution sensor and a punchy DIGIC 5 processor, resulting in better low light performance and better corner sharpness overall, as well as reduced chromatic aberration. These changes effectively overcome the usual limitations of megazoom cameras, leaving behind only the fun. Click here for our Canon SX40 HS review, or just click here to start shopping for the Canon SX40 HS! (minimize) |
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| Canon PowerShot SX50 HS | 12.1 | 50.00x | $424.83 | |
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Superzoom, super pictures, super simple to use
Canon has outdone itself once again. Boasting a whopping 50x optical zoom range (24-1200mm equivalent) and excellent image quality for its class, the Canon SX50 may not only be the company's finest megazoom offering to date, but also the best megazoom we've ever tested. Improved image stabilization and advanced features such as RAW capture vault it over its predecessor, though it does suffer some of the same expected shortcomings, including poor low-light autofocus performance and fuzzy images at ISO 800 and above. Learn more by reading our in-depth Canon SX50 review here, or buy one right now! (minimize) |
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| Fujifilm X-E1 | 16.3 | 3.06x | $1,184.19 | |
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Retro styling, lightweight design and stellar image quality
The Fuji X-E1 may be the baby brother to Fujifilm's flagship X-Pro1, but in many ways is its equal. Most importantly, the two compact system cameras share the same impressive 16.3-megapixel APS-C X-Trans CMOS sensor, which produces image quality superior to most APS-C-sensor-based digital SLRs, but in arguably more attractive camera body designs. The Fuji X-E1 is also significantly less expensive ($1,000 vs. $1,700 body only) than its older sibling, while boasting many of the same features, and its polycarbonate-and-magnesium build make it quite light and highly portable. Though its operational performance is a bit of a mixed bag with mediocre AF shutter lag and shot-to-shot times, the X-E1 shines when it comes to image quality. Photos were stellar, with lots of resolution and detail. The Fujifilm X-E1 also really stood out against the competition in low-light situations and higher ISOs. Find out more in our in-depth Fuji X-E1 review. (minimize) |
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| Fujifilm X-Pro1 | 16.3 | -- | $1,207.49 | |
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A retro look, great features and stunning image quality make the Fujifilm X-Pro1 a real winner
Quality prime lenses and a tack-sharp sensor come together with a unique hybrid optical viewfinder to form the Fujfilm X-Pro1, a digital camera built exclusively for enthusiast photographers. The X-Pro1 really hits the nail on the head, driving deep into high-ISO territory with tack-sharp images. Its controls and feature set are also ideal for the target market, and its available lenses are reasonably priced, small, well-made, and light weight. We found it to be a terrific photographic tool, easy to control, and a joy to use. Click here for our review of the Fujfilm X-Pro1, or just take our word for it and shop for the Fujfilm X-Pro1 now! (minimize) |
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| Fujifilm XF1 | 12.0 | 4.00x | $370.50 | |
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With dangerous good looks and serious skills, this enthusiast compact shoots to thrill
Sleek, retro-styled and a little dangerous looking, the Fuji XF1 may just be the James Bond of enthusiast pocket cameras. With its compact size, quality build and luxurious feel, the XF1 just begs to be used. The slick 4x optical zoom lens (with a f/1.8 max aperture!) is of the manual variety, and when you twist it open, the camera turns on ready for action. The Fuji XF1 borrows the same 12-megapixel, 2/3-inch-type EXR CMOS sensor from the X10, as well as the unique EXR shooting modes that go with it that increase its low-light capabilities and dynamic range. Overall, it's a fast and fun shooter with a ton of customizability that should appeal to enthusiasts, while its good looks make it an object of desire for gadget geeks and fashionistas alike. Check out our Fuji XF1 review for in-depth details on its performance and image quality, or shop for one right now. (minimize) |
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| Leica M9 / M9-P | 18.0 | -- | $7,999.99 | |
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A superb manual-focus digital camera with a rich heritage
Shooting with the Leica M9-P and 50mm f/1.4 Summilux-M lens taught us a lot about why people love Leica cameras. But we also learned why most people don't shoot Leica rangefinders, and it isn't just about the very high price tag. Shooting with any manual focus, aperture-priority camera is a little more challenging than most people are used to. Once we got back into the swing of shooting with manual focus and exposure, shooting with the 18-megapixel M9-P was quite fun, and many of our images were stunning. Looking at our lab shots, we found a few nit-picky flaws, too, but not much that would keep us from recommending the Leica M9 wholeheartedly if photography is a hobby for you--and if you have the significant cash to afford one. Click here to see what we thought of the Leica M9-P! (minimize) |
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| Nikon Coolpix A | 16.2 | 1.00x | $1,097.55 | |
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With the Nikon Coolpix A, the large-sensor, fixed prime lens camera finally goes mainstream
Nikon's Coolpix compact camera line finally has its first large-sensor model, thanks to the debut of the Nikon Coolpix A. It's the company's first entry into the burgeoning large-sensor, fixed prime lens market, and the category's first offering from a mainstream brand. As of its announcement it was also the smallest and lightest by a fair margin, and tied for the most affordable. While it's since been bested in those areas by the Ricoh GR, it's still a very compact camera, especially when you consider that it's packed in a large APS-C image sensor and a bright f/2.8 wide-angle lens. But is it just a niche model, or can the Coolpix A appeal to a broader demographic? And how does its image quality compare to interchangeable-lens models? Read our Nikon Coolpix A review, and find out! (minimize) |
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| Nikon Coolpix P510 | 16.1 | 42.00x | $283.81 | |
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Nikon does it again with the Coolpix P510!
Sometimes product categories are defined by one popular line, and the Nikon P510 continues the tradition of excellence in ultrazoom digital cameras, with a very wide, very long zoom lens and impressive print quality. With a zoom that ranges from 24 to 1,000mm equivalent, it has a tendency to make you see the world differently, allowing you to realize shots you hadn't before imagined. With great handling, a nice grip, an articulated LCD and built-in GPS, the Nikon P510 offers more than ever before. Click here for our Nikon Coolpix P510 review! (minimize) |
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| Nikon Coolpix P7100 | 10.1 | 7.10x | $450.62 | |
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Nikon's premium camera gets an upgrade that makes it shine
Just a year after the Nikon P7000 hit the enthusiast digital camera market, Nikon replaced it with a slightly tweaked version that improves speed and performance, while maintaining the excellent optical and image quality. Nikon's fixes make a digital camera that's not just pleasant to shoot, but whose images are worth talking about. Its 28-200mm equivalent lens covers a greater range than its nearest competitor, and maintains pretty amazing image quality. A new articulated VGA LCD screen also makes the Nikon P7100 a little more versatile than its predecessor. We think it's a worthy upgrade. Click here for our Nikon P7100 review and get the whole story! (minimize) |
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| Nikon Coolpix P7700 | 12.2 | 7.10x | $435.63 | |
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Revamped flagship enthusiast digicam scores big on design and image quality
It's taken three tries but Nikon has finally produced a flagship Coolpix camera that stacks up favorably to its top competitors, boasting an upgraded 12-megapixel sensor and a fast 7.1x zoom lens with a maximum aperture of f/2.0. Nikon removed the optical viewfinder from the Coolpix P7700, but we actually see this as a plus, especially since the 3-inch vari-angle LCD screen is easy to view and allows you to compose in tight spots. Sans viewfinder, the Nikon P7700's design is more compact, comfy and classic than its predecessor. Ultimately, it comes down to image quality and the P7700 delivers sharp still images and Full HD videos -- with just a few quirks -- and produces large, high-quality prints at lower ISOs. Click here for our review of the Nikon P7700, or click this link to shop! (minimize) |
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| Nikon D300S | 12.3 | -- | $1,566.80 | |
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An extremely capable SLR gets even better
More of an evolutionary upgrade to the D300, the Nikon D300S sports a faster frame rate, dual-media capability, and HD video capability. While the Nikon D300S has the same 12.3-megapixel sensor as its predecessor, it can now capture up to 7.1 frames per second, which increases to 8 frames per second with the optional battery grip. The new SD/SDHC slot gives the Nikon D300S greater versatility, and it still has a Type I CompactFlash slot to work with the more traditional professional standard. But the big story with the Nikon D300S digital camera is its HD movie mode, capable of capturing 1,280 x 720 pixel videos at 24 frames per second. Though it has a built-in monaural microphone for audio recording, the Nikon D300S also includes a stereo mic-in jack for higher quality recording than was offered with the Nikon D90. Users can frame images via the big, beautiful optical viewfinder or the large, high-resolution LCD in Live view mode, and they can view their images and videos direct from the camera thanks to the Nikon D300S's HDMI-out port. The Nikon D300S is an impressive digital camera. Click here for our full review of the Nikon D300S. (minimize) |
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| Nikon D5200 | 24.1 | 3.00x | $782.13 | |
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Mid-level DSLR matches the image quality of more serious cameras at a fraction of the price
The Nikon D5200 may technically be geared for "advanced beginners" -- boasting an easy-to-use design and relatively affordable price -- but it also carries a considerable amount of photographic power. The digital SLR captures exceptional photos that rival those taken by more higher-end cameras, even in low light, thanks to its sophisticated 24.1-megapixel sensor and imaging processor. Add in Full HD movie recording, a relatively fast burst shooting mode and a ton of advanced features, and the D5200 stands as one of the best DSLR investments a fledgling photographer can make. Read our Nikon D5200 review for more details, or start shopping for one now! (minimize) |
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| Nikon D600 | 24.3 | 3.54x | $2,339.81 | |
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Smaller and lighter full-frame digital SLR is a kick to use
Nikon leads the way again, with the first "affordable" full-frame digital SLR. Fun to shoot, the Nikon D600 offers as little or as much control as you want, perfect for both amateurs and more advanced photographers; even pros will feel right at home. Its 24.3-megapixel sensor offers excellent detail, and performs well in low light. In addition to stills, the Nikon D600 captures Full HD video at a greater range of frame rates, and includes not only great audio controls and an external mic jack, but a headphone jack to monitor what you're recording. There is a bit of a dust issue with the Nikon D600, which seems to be worse in the first few thousand frames, so users should learn to clean their sensors. Still, the Nikon D600 is an excellent digital SLR with impressive image quality. We have no trouble recommending it highly. Click here for our Nikon D600 review, or click the link to shop now! (minimize) |
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| Nikon D7000 | 16.2 | 5.80x | $977.46 | |
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A superb digital SLR, excellent for anyone serious about photography
The Nikon D7000 is a refinement of the already superb D90, a redesign that maintains a small, nimble body while improving nearly every major internal aspect. Its 16.2-megapixel sensor and Expeed 2 processor conspire to output quality images at all ISO settings, from 100 to 25,600, cranking those images out at up to six frames per second. The Nikon D7000's 3-inch LCD sports 921,000 dots, a great place to compose images in Live View mode, as well as check focus. The Nikon D7000's high-res LCD is also excellent for shooting and playing the 1,080p videos that this digital camera captures, and menus are razor sharp. Dual memory card slots, 39 autofocus points, a new color-sensitive meter, a near-100% viewfinder, and in-camera editing round out just a few of the extra features found in the Nikon D7000. Nikon's top enthusiast digital SLR camera is as easy to recommend as a cold glass of lemonade on a hot Summer day, and at least as satisfying. Click here to check out our Nikon D7000 Review! (minimize) |
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| Nikon D800 | 36.3 | -- | $2,673.43 | |
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A premium performer that easily earns its selling price
Shooting with a digital camera like the Nikon D800 is a treat. All the controls are ideally suited for the experienced photographer: Important controls have a button or dial, and there are even a few buttons you can program to work just how you want. Built for the rigors of professional photography, the Nikon D800 is substantial, and its output is weighty as well, putting 36.3 megapixels on your subject for detail most folks have never seen. Naturally there are pluses and minuses to that much resolution: Though you get finer detail than is offered by other cameras, your depth of field can be razor thin when shooting wide open, and the large files can tax all but the latest computer hardware. We don't think the Nikon D800 is a digital camera for everyone, but those who need it will surely love it. Click here to shop for your own Nikon D800. (minimize) |
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| Nikon J1 | 10.1 | 3.00x | $356.46 | |
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Nikon's J1 answers the demand for a truly compact system camera, and does it with style
Nikon bided its time before entering the compact system camera market, and when it finally did so, wasn't afraid to take a path untrodden. The Nikon J1 adopts a rather smaller sensor than its main rivals, but in doing so also offers a worthwhile savings in weight and size--not only for the camera body, but perhaps more importantly for its lenses. That's not the only attention-grabbing feature, either. An unusual hybrid AF system and a speedy new EXPEED processor make the J1 swift even by SLR standards, and all this in a body that looks less camera than fashion accessory. Inquiring minds must know, though: how does that smaller sensor fare against its system camera rivals, and does it offer enough advantage over enthusiast compacts? To find out, click here and read our Nikon J1 review. (minimize) |
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| Nikon V1 | 10.1 | 3.00x | $675.47 | |
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Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system
Choosing a smaller sensor, the Nikon V1 didn't earn a lot to praise from the spec hounds at its introduction, but Nikon was aiming at a smaller system overall, including lenses. They certainly achieved that, while maintaining excellent image quality and including impressively fast autofocus speed. Though many were disappointed with the smaller sensor, our test results show the Nikon V1's image quality to be quite good for a 10-megapixel sensor, and optical quality is impressive too. Overall, the Nikon V1 makes a great compact system camera that stands up well against the premium pocket cameras it was designed to challenge. Click here for our Nikon V1 Review! (minimize) |
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| Olympus PEN E-P3 | 12.3 | 3.00x | $548.95 | |
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'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system
Although it looks very similar to its previous PEN-series flagships externally, the Olympus PEN E-P3 includes several significant changes. Key among these is a new brand-new autofocus system, branded 'Frequency Acceleration Sensor Technology', or FAST for short. Olympus showed supreme confidence in choosing the name, and it wasn't misplaced: the E-P3's AF performance actually rivals that of many SLRs. The P3 also includes a new touchscreen interface, and a built-in popup flash that addresses one of the main concerns with its predecessor. Tweaks in its imaging pipeline are more subtle, however; the sensor design seems little-changed from that used by its predecessor two years earlier. Are the improvements in other areas enough to compete in today's mirrorless camera market, given how competitive it's become? Read our Olympus PEN E-P3 review, and find out! (minimize) |
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| Olympus PEN E-P5 | 16.1 | 1.00x | $1,449.12 | |
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The mightiest PEN so far delivers blazing fast performance and excellent pictures
The Olympus E-P5 is the company's best PEN-series Micro Four Thirds camera yet, taking the best of its predecessor, the E-P3, and many features from the acclaimed OM-D E-M5, and adding a few new wrinkles of its own. Key upgrades include 5-axis image stabilization, a 1/8000s top shutter speed, an improved touchscreen LCD and increased ISO range. It also boasts a stylish retro design and plenty of physical buttons for accessing settings directly. Overall, this flagship mirrorless model delivers blazing fast autofocus, burst shooting near 10fps and exceptional image quality -- even at higher ISOs -- that rival the performance of many top enthusiast DSLRs. Read our in-depth Olympus E-P5 review for more info, or buy one right now! (minimize) |
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| Olympus PEN E-PL2 | 12.3 | 3.00x | $363.99 | |
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Olympus refines the Pen series with a faster, simpler design
Equipped with an improved lens and a more ergonomic body style, the Olympus Pen E-PL2 addresses several shortcomings of the previous model and refines the company's low-cost compact system camera design. The Olympus E-PL2's new lens design is smaller, lighter, and a little longer, with a more stable lens design and fast, silent autofocus. It even accepts accessory lenses. The E-PL2's 3-inch LCD is also higher resolution than any of the Pen predecessors, and the new Accessory Port 2 is compatible with more new gadgetry, including a bluetooth module that sends your pictures directly to a camera phone. Its 12-megapixel sensor still captures great images, and the Olympus E-PL2 tests faster than its predecessors. Click here for more on the Olympus Pen E-PL2! (minimize) |
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| Olympus PEN E-PL5 | 16.1 | 3.00x | $599.99 | |
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Incredible image quality in an affordable, pint-sized package
The compact and lightweight Olympus E-PL5 inherits the exceptional 16-megapixel sensor from the groundbreaking OM-D E-M5, one of our all-time favorite compact system cameras. The image quality we saw from the speedy E-PL5 proved to be nothing less than stellar -- demonstrating accurate colors, an impressive dynamic range and tons of detail. Unfortunately you have to navigate through a maddening maze of menus to uncover the camera's full photographic potential, as well as deal with such limitations as poor AF motion tracking and run-of-the-mill (though Full 1080p HD) video quality. But considering that the Olympus E-PL5 produces images that rival those from much more expensive DSLRs and CSCs, the compromises may be only a small price to pay. Check out our Olympus E-PL5 review to find out if it's the perfect camera for you, or buy one here. (minimize) |
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| Olympus PEN E-PM1 | 12.3 | 3.00x | $285.66 | |
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A great little compact system camera with surprisingly good performance
Though it lacks a mode dial for the more sophisticated shooter, that's about all that's missing from the Olympus E-PM1, a great little compact system camera, and its targeted audience won't miss the mode dial at all because they'll be too busy appreciating all the gorgeous images they're getting with the E-PM1's excellent 12.3-megapixel sensor, complete with sensor-shift image stabilization. The bundled 14-42mm lens is also worth more than meets the eye, with good optical quality and super-silent autofocus. With its tiny body and retractable lens, we think the Olympus E-PM1 is the sleeper digital camera of the last year, and is an easy impulse buy when found for under $400. (minimize) |
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| Olympus PEN E-PM2 | 16.1 | 3.00x | $467.14 | |
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Surprisingly sophisticated step up from point-and-shoot cameras
Like its big brother -- the PEN E-PL5 -- the Olympus E-PM2 captures stunning, detailed images, thanks to the 16-megapixel sensor it borrows from the top-rated Olympus E-M5. However, the E-PM2 is smaller, lighter and less expensive than the E-PL5, and it relies primarily on touchscreen controls that make it an ideal option for photographers transitioning from point-and-shoots into a compact, interchangeable-lens camera system. The lack of a physical Mode dial and dedicated settings buttons may be a turn off to some enthusiasts, however, the PEN E-PM2 still offers an impressive variety of advanced photographic capabilities that surpasses what some higher-end DSLRs and CSCs can offer. Though a little lacking in action AF and video recording performance, the Olympus E-PM2 mainly overcomes its limitations by delivering fantastic image quality at such an affordable price. Read our in-depth Olympus E-PM2 review for more details, or buy one here. (minimize) |
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| Olympus Stylus XZ-2 | 12.0 | 4.00x | $521.81 | |
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Same serious lens but new serious upgrades for serious photographers
With the Olympus XZ-2, the company upgrades its top-of-the-line enthusiast compact camera with a new 12-megapixel 1/1.7-inch CMOS sensor, but thankfully keeps its predecessor's fast and bright f/1.8-2.5 iZUIKO 4x zoom lens. We found the pairing of these features helps the XZ-2 produce great images for its class, especially at low ISOs. Add in a new 3-inch articulating LCD touchscreen, fast-and-accurate autofocus, a nifty dual-purpose front control ring, and a ton of advanced photographic features such as PASM controls and RAW capture, and the Olympus XZ-2 makes for a near-ideal, albeit pricey, everyday or back-up camera for serious photographers. Find out more in our in-depth Olympus XZ-2 review or buy one now! (minimize) |
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| Olympus XZ-1 | 10.0 | 4.00x | $309.49 | |
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A great quality lens and smart design make the XZ-1 a choice premium digital camera
Long a pioneer in quality small cameras, Olympus has finally entered one of the more popular categories among digital cameras with the Olympus XZ-1. Competing with the Canon S95 and Panasonic LX5, which also have 10-megapixel sensors and wide-to-mid-range zooms, the Olympus XZ-1 merges ideas from both into a premium pocket digital camera with a very special lens. The XZ-1 is not only special because it has a 28-112mm, f/1.8 lens, which is 1/3 stop faster than its rivals, it is the first time Olympus has branded a lens with the Zuiko name. Our tests show that it's not just window dressing: This i.Zuiko lens has impressive corner sharpness, especially at wide-angle, besting its rivals. It sports an OLED display, and the ability to add the excellent VF-2 electronic viewfinder made for the Olympus Pen cameras. Sensor image quality is quite good from ISO 100 to 400, but noise suppression starts to soften detail from 800 and up a little more than its rivals. That doesn't take away from the potential of the XZ-1 for all manner of photography, though, as it still produces better results optically than other cameras in its price range. It's an impressive first offering in the premium pocket digital camera market. Click here for more on the Olympus XZ-1! (minimize) |
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| Panasonic Lumix DMC-FZ200 | 12.1 | 24.00x | $553.99 | |
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A superzoom camera with a super bright lens
Panasonic pumped some new excitement into its acclaimed superzoom line when it paired a Leica-branded f2/.8 lens with the Panasonic FZ200. That's a constant f/2.8 max aperture across the entire 24x optical zoom range, which is a rarity among long zooms these days and -- teamed with the camera's excellent AF system -- it proved to perform well in low-light and high shutter speed situations. There's a lot more to like about the FZ200, including a 12 fps, high-res burst mode and Full HD 1080p video recording (at up to 60 fps!). And advanced photographic controls such as manual exposure and focusing, as well as RAW image capture, mean it's a viable alternative for enthusiasts wanting a lightweight, everyday alternative to a heavy, bulky DSLR with multiple zoom lenses (at least in good light), and a serious step up for beginners wanting more zoom range. The FZ200's relatively small sensor does force some compromises on image quality (like almost every other camera in its class), but the camera's convenience and versatility make it one of the best superzooms on the market. Read our Panasonic FZ200 review for more details, or buy one here. (minimize) |
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| Panasonic Lumix DMC-G3 | 16.0 | 3.00x | $699.99 | |
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A new benchmark in compact system cameras
Panasonic has updated their G-series line of compact system cameras, and the new G3 looks like a real winner. We've had hands-on with a beta sample of the new model, and it's impressed us greatly with its handling and image quality. In fact, image noise seems very much on par with that from the larger APS-C size sensors used in full-size DSLRs. The new G3 is noticeably more compact than the G2 that it replaces, and Panasonic also appears to have further improved shutter lag: In field tests, everyone remarked on how fast its shutter response was. The design incorporates a new 16-megapixel image sensor, and the same high-speed Venus Engine FHD image processor as previously featured in the more expensive GH2 model. Other improvements since the earlier camera include a picture-in-picture Manual Focus Assist function, pinpoint focus mode, Full HD (1,920 x 1,080 pixel) movie capture, and two separate Intelligent Auto operating modes that offer varying degrees of user control. Read our Panasonic G3 review for all the details! (minimize) |
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| Panasonic Lumix DMC-G5 | 16.1 | 3.00x | $541.78 | |
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There's nothing micro about the performance of this compact, lightweight digital camera
The Panasonic Lumix G5 takes the highlights from Panasonic's well-regarded G-series of Micro Four Thirds digital cameras and rolls them all into one package. The Lumix G5 feels better thought out than many entry-level DSLRs, including a touchscreen LCD monitor and speedy autofocus, at roughly the same price. Boasting better ergonomics and handling than the previous-model G3, the Panasonic G5 also boosts its video performance by adding Full HD recording at 60p, and a full-range of frame rates that make it perfect for serious photographers and videographers alike. If you want a compact, lightweight, easy-to-operate interchangeable lens camera with a 14-42mm lens that captures high-quality images at an eminently affordable price, then the 16-megapixel Panasonic G5 should place high on your short list. (minimize) |
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| Panasonic Lumix DMC-GF3 | 12.1 | 1.00x | $651.53 | |
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A very small compact system camera that can slip into a medium-size pocket.
Hailing from a camera line aimed squarely at enthusiasts, the Panasonic GF3 seems to be angling for consumers, a move that may alienate enthusiast fans. Its 12-megapixel sensor, 3-inch LCD, and touchscreen controls all fit into digicam-size space, yet it first ships with a non-zooming 14mm kit lens, so most consumers will want to wait for the zoom to ship later this month. Its pop-up flash takes the space where a hot shoe would live, and modes are changed via the touchscreen, rather than a physical dial. We found the Panasonic GF3 fun to use and a competent, comfortable companion whether moving about town or packing for a trip. Click here for more on the Panasonic GF3 digital camera! (minimize) |
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| Panasonic Lumix DMC-GF5 | 12.1 | 3.00x | $369.00 | |
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Really fast autofocus in a compact body you won't leave at home
Back in mid-2011, Panasonic launched its tiny Lumix GF3, nicely demonstrating the size advantage of mirrorless over SLR cameras. This year's Panasonic GF5 takes that design and swaps in an improved sensor, faster image processor, higher-resolution touch screen display, and a raft of other tweaks. Key among the changes for us has to be the Panasonic GF5's improved autofocus performance: the GF3 was already fairly fast by mirrorless camera standards, but the Panasonic Lumix GF5 goes a step further, besting many consumer DSLRs. Panasonic has also updated its touchscreen user interface, finally allowing almost overlay-free image framing and reducing distraction. Do these and other changes take a good consumer camera and make it great? And are the advantages of the GF5 enough for more experienced photographers to overlook the lack of a viewfinder and flash connectivity? Read our Panasonic GF5 review, and find out! (minimize) |
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| Panasonic Lumix DMC-GH2 | 16.1 | 10.00x | $1,499.95 | |
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Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera
Though most of today's digital SLRs and CSCs can do video, only a few are made for video, among them the Panasonic GH2, whose sensor and autofocus system are tuned for both stills and video. Capable of capturing 16-megapixel stills and 1080i HD video, the Panasonic GH2 has a faster sensor and a Venus Engine FHD processor, both tuned for recording video at a faster bit rate than the GH1. Autofocus for stills is blazing fast, especially for a contrast-detect system, easily rivaling SLRs in speed, and that speed is useful in the Panasonic GH2's video recording as well, as one of the few hybrid cameras that can autofocus during recording. With both an articulating, touch-sensitive LCD and a superb Electronic Viewfinder, the Panasonic GH2 offers a little more than most compact system cameras, but it's also a little larger than most, coming close in size to a small consumer SLR. Stereo recording and a high ISO of 12,800 round out the package. Panasonic's selection of excellent lenses, as well as those from other Micro Four Thirds vendors, assures a good selection of available optics, including a special 3D lens which we also try. Click here for more on the Panasonic GH2! (minimize) |
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| Panasonic Lumix DMC-GH3 | 16.1 | -- | $1,298.00 | |
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Fast AF, great images and the best video we've ever seen in a camera at this price
Featuring a new 16-megapixel Live MOS sensor and one of the deepest feature sets we've ever seen on a mirrorless compact system camera, the Panasonic GH3 outshines its predecessor, the GH2, by delivering better still images as well as stunning, pro-level video. Most importantly, the camera offers filmmaking features -- such as full 1080p video at 60fps and bit rates as high as 72 Mbps -- that you won't find on DSLRs twice its price. Add in a more durable, weatherized body, fast autofocus, and an upgraded interface that gives you more direct access for changing settings, and the GH3 is one unique, sophisticated photographic tool. Read our in-depth Panasonic GH3 review for more details, or buy one right now! (minimize) |
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| Panasonic Lumix DMC-GX1 | 16.0 | 3.00x | $949.95 | |
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One step back, two steps forward: the Panasonic GX1 will please enthusiast photographers
As a digital camera made expressly for enthusiasts, the Panasonic GX1 is a little larger than the smallest compact system cameras, but is still small enough to bring along easily. While the GX1 is in some ways a return to an older design, it still includes improvements in resolution and image quality. Its new touchscreen interface also manages to add a bit of utility as well; and an expanding list of compatible lenses make the Panasonic GX1 an appealing digital camera. Click here for more on the Panasonic GX1! (minimize) |
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| Panasonic Lumix DMC-LX7 | 10.1 | 3.80x | $370.83 | |
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A serious photographer's digital camera in a small package
Panasonic's deluxe pocket digital camera line has long been a favorite of photographers as a capable, small take-everywhere camera, when lugging their pro camera was too much to ask. Improved in several ways, the Panasonic LX7 digital camera is a joy to shoot. Key refinements that will appeal to photographers include a manual aperture ring, a manual focus toggle, and a faster, high quality lens. As we've come to expect from Lumix digital cameras, the LX7 also has rock-solid image stabilization, and the new level gauge helps straighten your horizons. Optical quality stands out as the major enhancement, which gave us the confidence to place key subjects in corners without worry that they'd be too soft. The new faster lens -- a full stop faster -- allows faster shutter speeds in low light, and delivers fairly nice bokeh as well. We enjoyed shooting with the Lumix LX7, and felt comfortable with it as our only digital camera on several outings. Click here to see our review of the Panasonic LX7, or just follow our shopping link to find the best price. (minimize) |
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| Pentax K-30 | 16.3 | 7.50x | $1,199.00 | |
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Great images and enthusiast features at a price the rest of us can afford
Among digital SLRs, there are two kinds of "good". There's the good that makes you think it's time to trade your old SLR in for a newer model, and there's the good that has you seriously considering selling your existing lenses and accessories, and jumping ship to a different lens mount. On paper at least, the Pentax K-30 manages the latter. It takes the imaging pipeline of the well-received K-01 mirrorless camera, and places it in a body that includes several features simply unheard of at its price point. There's a near-100% pentaprism viewfinder, well-considered ergonomics with control dials front and rear, and comprehensive weather sealing throughout. Even if you're not a Pentaxian, the K-30 is a camera that likely has you sitting up and paying attention, and it comes with a pricetag you won't struggle to justify. But does the K-30 live up to all that on-paper promise? Read our Pentax K-30 review, and find out! (minimize) |
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| Pentax K-5 | 16.3 | 3.00x | $994.48 | |
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Whether in snow, or rain, or gloom of night, the Pentax K-5 is designed to excite
Two years ago, Pentax unveiled the K-7, a camera that impressed us greatly thanks to a rich prosumer feature set, and a weather-sealed, cold-proofed body barely any larger than the typical consumer SLR. As well as drawing our praise for its great handling, the K-7 grabbed our attention with some really unusual capabilities, many of which have since mirrored by competitors, although a couple--including automatic horizon leveling and composition adjustment--are still unique. The Pentax K5 replaces that camera, leaving it with some pretty mighty shoes to fill. The K-5 retains its predecessor's body design almost unchanged, but brings a wide variety of changes throughout the rest of the design. Key among these is the K5's new 16 megapixel image sensor, believed to be a Sony chip closely related to that in Nikon's D7000. Coupled with Pentax's PRIME II image processor, this allows full-resolution shooting at up to an unusually high ISO 51,200 equivalent, as well as Full HD (1,080p) movie capture, and a manufacturer-claimed seven frames-per-second burst shooting mode. The K5 also updates the K-7's autofocus system, provides an unusually fine degree of control over high ISO noise reduction, adds the ability to disable long exposure noise reduction altogether, adds a second axis to the electronic level gauge, and incorporates a wide number of tweaks and additions to the user interface, including additional User modes and in-camera effects functions. All the new features do come at a cost, though. The Pentax K5's list pricing is almost a quarter higher than that of the K7, and even when considering street pricing, there's quite a premium over its nearest competitors from the likes of Nikon and Canon. With that said, the Pentax K-5 brings in some new features that are rare to completely unique among its peers, so we went into our review with an open mind as to the K5's value proposition. Curious to see if we ended up believing the Pentax K5 to be worthy of its price tag? If so, you'll want to click here and read our full review of Pentax's latest flagship SLR. (minimize) |
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| Pentax K-5 II | 16.3 | 7.50x | $1,386.52 | |
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Pentax's enthusiast flagship boasts better low-light autofocus and a more rugged display
For the third straight generation, the Pentax K-5 II retains the surprisingly compact body that debuted with 2009's K-7. That's great news because it's still one of our favorites, pairing great ergonomics and a generous array of external controls. The Pentax K-5 II also retains the 16 megapixel image sensor that debuted in the K-5, and while that lags some current rivals in terms of resolution, it still impresses with swift burst shooting, great image quality and a wide sensitivity range. What's new? There's a tweaked AF system that focuses better in low light, and a more rugged tempered glass cover over the main LCD panel. Pentax's enthusiast flagship also carries more sensible list pricing than did the K-5. Sure, it's a relatively modest mid-term update, but given the popularity of its predecessor, that's no bad thing. If you're a still image shooter in the market for an enthusiast SLR, the Pentax K-5 II is a camera we're happy to recommend! Click here for more on the Pentax K-5 II, or click this link to shop! (minimize) |
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| Pentax K-5 IIs | 16.3 | -- | $1,031.07 | |
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Pixel-peepers of the world, form an orderly queue: the Pentax K-5 IIs was made for you!
Let's be clear from the start: the Pentax K-5 IIs is not a camera for the average photographer. Just as in Nikon's D800E, the lack of an optical low-pass filter in the K-5 IIs maximizes per-pixel detail at the risk of introducing moiré into your images. If you solely shoot subjects such as landscapes where the fine patterns that trigger moiré are rare, though, or you spend all your time in the studio with full control of your subject, that low-pass filter might just be robbing your images of subtle detail for no good reason, and removing its effect might be very desirable indeed. Sadly for you, there aren't many cameras without a low-pass filter, and fewer still of these are SLRs. The Pentax K-5 IIs represents your most affordable OLPF-free option in a weather-sealed DSLR body. In other respects, it's identical to the Pentax K-5 II, itself a Dave's Pick camera. If you have an insatiable desire for per-pixel detail, that makes the Pentax K-5 IIs something of a no-brainer! Click here for more on the Pentax K-5 IIs, or click this link to shop! (minimize) |
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| Pentax K-r | 12.4 | 3.00x | $699.89 | |
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Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears
When we reviewed Pentax's K-x consumer SLR last year, we were wowed by its rich feature set and impressive noise performance, but questioned the wisdom of several design choices likely made in the interests of achieving its affordable price tag. With the debut of its followup Pentax K-r, the company has shown that it was listening by answering our biggest criticisms of the earlier model. Key among the changes are the addition of autofocus point indicators in the viewfinder, and a redesigned body with pleasingly retro styling that accommodates a larger, significantly higher resolution LCD panel. A handy increase in burst shooting performance to almost six frames per second ensures that Pentax retains the title of fastest entry-level digital SLR. There's also an interesting new dual power-source design that follows popular demand with a proprietary lithium-ion pack, but--unlike every other SLR manufacturer--still caters to those who prefer AA batteries without a bulky external grip, courtesy of an in-body adapter. Although there are numerous more subtle changes throughout, the 12.4 megapixel K-r is largely similar to its predecessor in other respects, with in-body image stabilization, an 11-point autofocus system, 1/6,000 second top shutter speed, and high-definition 720p video capture capability. A generous selection of creative features such as in-camera HDR, a cross-processing function, numerous pre- and post-capture digital filters, and the ability to develop raw files in-camera combine to make the Pentax K-r particularly well-suited to right-brain types who don't want to spend time fiddling around with post-processing on a computer. Were all this offered at the same pricetag as its predecessor, the Pentax K-r would've been a sure thing, but therein lies the rub: Pentax has also increased its pricing by almost a quarter over that of the K-x. Having specifically called for many of its added features, we went into our review of the Pentax K-r with a certain feeling of having made a rod for our own back. To find out if we stayed resolute in our desire for the changes--added cost notwithstanding--read our full review of Pentax's latest consumer SLR. (minimize) |
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| Ricoh GR | 16.2 | 1.00x | $799.00 | |
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With an excellent prime lens and uncommonly trim body, the affordable Ricoh GR bats above its price tag
With the Ricoh GR, the benchmark for smallest APS-C camera has been reset. In the process, Nikon's Coolpix A has been put on warning. Like that camera, the Ricoh GR pairs a bright, wide 28mm-equivalent f/2.8 optic and a 16-megapixel imager similar to those of the popular Pentax K-5 II and Nikon D7000. And just as in the Coolpix, the Ricoh GR forgoes a low-pass filter in the quest for ultimate resolution (and at the risk of moire). On paper, there's little to separate the two, but we took the challenge to heart, shooting them side-by-side. Which will triumph? Read our Ricoh GR review, and find out! (minimize) |
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| Samsung EX2F | 12.4 | 3.30x | $431.39 | |
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A superfast (f/1.4) lens and advanced controls premium compact camera
Serious photographers are always looking for new options for a premium compact camera they can easily carry around with them in situations when it's too much hassle to lug a DSLR. The Samsung EX2F is a new entrant that stacks up well against many of the best cameras in its class, thanks in large part to its f/1.4 Schneider-Kreuznach lens that's among the fastest digicam lenses on the market. The 12-megapixel EX2F boasts advanced photographic controls, including the ability to shoot RAW files (which we highly recommend with this model), a 3-inch articulated AMOLED display and built-in WiFi that make it an all-around solid performer. We've got a few quibbles with it, namely inconsistent JPEG capture, but we think it's a good alternative to the usual suspects, especially if you shoot a lot in low lighting. Click here for our review of the Samsung EX2F, or click the link to shop! (minimize) |
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| Samsung NX1000 | 20.3 | 2.50x | $452.19 | |
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This entry-level mirrorless is heavy on the features, not on the wallet
Affordable is good: money saved on your next mirrorless camera means money to burn on lenses and accessories. The Samsung NX1000 compact system camera sets a new benchmark for NX-series affordability, but unlike some rivals, it's not been pared down to the bare minimum to achieve its $700 pricetag including kit lens. On the contrary, the Samsung NX1000 sports some features that aren't so common at this price point: built-in WiFi Direct wireless networking connectivity, i-Function control over camera settings from the lens, a dual-axis level gauge, and an external flash hot shoe. Not to mention Full HD high-definition video capture capability, complete with support for an optional external microphone -- and incredibly, you can plug your headphones into the mic to monitor audio levels! The Samsung NX1000, then, is a camera that offers a lot more than you'd expect for the price. If that's not worth a Dave's Pick, we don't know what is! Click here for more on the Samsung NX1000, or click this link to shop! (minimize) |
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| Samsung NX20 | 20.3 | 3.06x | $1,099.99 | |
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Takes great shots and delivers them to social media too, straight from the camera
With an SLR-like appearance and smooth styling, the 20.3-megapixel Samsung NX20 takes up the flagship position in the company's mirrorless lineup, offering interchangeable lenses and an electronic viewfinder. The new camera offers new possibilities with the inclusion of WiFi, complete with backup options, connectivity with smartphones, PCs and tablets, as well as direct hooks into popular social media websites. Image quality is quite good, but the camera has a little trouble with JPEG images at ISO 1,600 or above. We enjoyed shooting with it, as well as shooting via remote control from a tablet, so click here to see what we thought of the Samsung NX20! (minimize) |
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| Samsung NX200 | 20.3 | 3.06x | $820.35 | |
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Samsung's NX200 makes some serious strides, improving both performance and image quality
With a whole new look on the outside, the Samsung NX200 gets quite a few internal upgrades compared to its predecessor, not the least of which is its 20-megapixel sensor. Combined with a new lens design and a slick menu system, we found the Samsung NX200 a kick to use. We were most impressed with the improved image quality and faster autofocus, and a few of the special Smart Filters were interesting as well. Click here for our Samsung NX200 review! (minimize) |
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| Sigma DP1 Merrill | 14.8 | 1.00x | $899.19 | |
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Single-minded compact camera takes luscious low-ISO stills
The Sigma DP1 Merrill marks a significant upgrade over its predecessor, the DP1x, and delivers some of the most beautiful, detailed images at low ISOs that we've ever seen from a camera in its price range. Paired with a sharp 28mm-equivalent lens, the DP1M's 46-megapixel, three-layered Foveon sensor captures images that demonstrate remarkable per-pixel sharpness and an extra-special dimensionality that has created an almost cult following of Foveon faithful. However, the compact camera bears some significant shortcomings, as the DP1M's image quality drops off quickly at higher ISOs and its performance, usability and flexibility trail well behind the competitors. Read our in-depth Sigma DP1 Merrill review to see if its stunning images outweigh its sacrifices. (minimize) |
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| Sony Alpha NEX-5N | 16.1 | 3.06x | $623.97 | |
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Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover
Sony made quite a splash with its aggressively-styled NEX-5 system camera back in mid-2010, and while the succeeding Sony NEX-5N digital camera is no longer the company's flagship system camera, it builds upon its predecessor with quite a selection of upgrades and new features. There's a new image sensor and processor that bring a wider sensitivity range and support for an electronic first-curtain shutter, gifting the NEX-5N with startlingly good shutter lag and burst-shooting performance. Sony has also revisited its accessory terminal design to add support for a new high-res electronic viewfinder, added a touch-screen interface that makes AF-point selection a breeze, and brought videographers fully manual exposure control. Is it time for first-gen NEX owners to consider an upgrade? Click here to read our Sony NEX-5N review, and find out. (minimize) |
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| Sony Alpha NEX-6 | 16.1 | 3.13x | $857.84 | |
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NEX features and image quality, with a user interface designed to seduce SLR-owners
Sony's NEX cameras have earned a solid reputation for image quality, while at the same time delivering unique and truly useful features like Handheld Twilight and Sweep Panorama modes. The one obstacle for many enthusiast users has been the NEX series user interface. While the Tri-Navi interface on the NEX-7 is one of the best we've used, it's still different from those on most SLRs, and the novice-oriented interface on the lower-end models is just awkward. Deliberately designed to woo SLR users, the Sony NEX-6 offers a much more conventional UI design, with a traditional mode dial with a surrounding function dial, plus a combination 4-way/rotary control dial on the back and four other control buttons plus a dedicated movie button. The result is indeed a camera that will be more immediately familiar to SLR shooters, while maintaining the excellent image quality and unique features that have made the NEX line such a hit. If you've been considering a move to mirrorless, the Sony NEX-6 deserves to be on your (very) short list. (minimize) |
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| Sony Alpha NEX-F3 | 16.1 | 3.06x | $498.23 | |
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Sony's entry-level mirrorless camera frees you from behind-the-camera drudgery
Are you the designated photographer for your family? If so, there's a good chance something is missing from your photo albums: you. Fulfilling the duties of family record-keeper means you spend almost all your time behind the lens, making an occasional appearance only for posed, tripod-mounted shots. The Sony NEX-F3 aims to solve the problem with an updated, tilting LCD panel that can now be seen from in front of the camera, putting you back into the family album. And that's not the only worthwhile update over Sony's previous entry-level mirrorless model. There's also a built-in popup flash that saves you from carrying an external strobe, and a restyled body with a much more prominent handgrip. As you'd expect of a NEX-series camera, the Sony F3 offers great image quality, despite a pricetag even the family photographer can justify. So... is it high time you upgraded your camera for a new NEX? Read our Sony NEX-F3 review, and find out! (minimize) |
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| Sony Alpha SLT-A77 | 24.3 | 3.13x | $1,548.01 | |
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Pro-camera burst performance and full-time AF in a camera that enthusiasts can afford
With the Alpha SLT-A77, Sony makes a bold step into pro camera territory by combining an extremely high-res 24 megapixel APS-C image sensor, a speedy Bionz image processor, and its phase detect-friendly Translucent Mirror design. The result? A camera that can shoot at up to an astounding twelve full-resolution frames per second, while still adjusting focus between frames. The Sony A77 also boasts a go-anywhere weather-sealed design, and yet still manages to include a versatile tilting LCD monitor, something not offered by its nearest rivals. Add built-in GPS and Full HD, 60 frames-per-second video with full-time phase detect autofocus, and you've got quite a camera on your hands. Whether you're a sports shooter, an enthusiastic videographer, or you've just got hyperactive kids to keep up with the Sony Alpha A77 should prove more than up to the task. All that at a price tag that an enthusiast can justify makes the Sony A77 an easy Dave's Pick. Click here for our review of the Sony A77, or click this link to shop! (minimize) |
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| Sony Alpha SLT-A99 | 24.3 | -- | $2,689.99 | |
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Sony delivers a no-excuses full-frame SLR breakthrough
Sony's been trying to crack the pro SLR market for years, but with relatively little success till now. With the Sony Alpha SLT-A99, though, it looks like they finally have a winner: It's a blazingly fast shooter, yet delivers 24 megapixels of resolution, while Sony's unique translucent-mirror technology means it can focus rapidly, continuously, and accurately, whether shooting videos or rapid-fire bursts of stills. It's also the only full-frame camera with very effective sensor-based image stabilization built in, providing IS benefits regardless of what lens is attached. The list of the Sony A99's features goes on and on, including a unique range-sensitive AF mode, a super-resolution EVF, built-in GPS, and a rugged magnesium-alloy frame with full weather sealing that's both smaller and lighter than most other high-end full-frame SLRs on the market. If you're looking for a true professional-grade full-frame SLR with unparalleled continuous AF capability, great shooting speed, and a price literally half those of its nearest competitors, look no further than the Sony A99. It offers truly ground-breaking capabilities at a price sure to shake up the pro camera marketplace. (minimize) |
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| Sony Cyber-shot DSC-HX200V | 18.2 | 30.00x | $404.66 | |
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A great all-in-one imaging solution for travel photographers
Superzooms are rather like the Swiss Army knives of the digital camera world. Where some cameras seem tuned for a specific task, superzooms like the Sony HX200V aim to cover every possibly shooting situation. All that zoom reach means compromises must be made. Done right, you get a great travel companion. Done wrong, no amount of zoom will help you. On paper, the Sony HX200V looks impressive: a 30x zoom lens, 18 megapixel sensor, tilting display, geotagging, and more. How does its real-world performance measure up? Read our Sony HX200V review and find out! (minimize) |
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| Sony Cyber-shot DSC-RX1 | 24.3 | 1.00x | $2,745.68 | |
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Full-frame image quality and a great lens in an astonishingly small package
Full-frame sensors have always meant the highest image quality in handheld cameras, but they've also always meant big, bulky, heavy cameras. The Sony RX1 breaks this mold, though, and not just by a little bit. It's hard to convey just how small the Cyber-shot RX1 is without actually handing you one to hold yourself. It's not much bigger than some high-end digicams, and the same size or smaller than some models in Sony's excellent NEX line of Compact System Cameras when you include one of the kit lenses with the latter. The 24 megapixel full-frame sensor is the same as used in Sony's flagship A99 SLT camera, and it's paired with a 35mm f/2 Carl Zeiss lens with T* optical coatings and superb corner to corner sharpness. The combined package is perfect for "street photography" aficionados, or anyone wanting ultimate optical and sensor quality in a super-portable, beautiful little camera. With an introductory price of $2,800, it clearly won't be the camera for everyone, but even at that price, we think it'll be one of Sony's most popular models. If you're looking for ultimate quality in a "pocket" camera, the Sony RX1 defines the state of the art. (minimize) |
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| Sony Cyber-shot DSC-RX100 | 20.2 | 3.60x | $599.86 | |
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Sony RX100 takes the premium pocket camera crown!
We were so impressed with the Sony RX100's specs, we had to rush and give it a complete review in a hurry to see if it truly measured up. We were not disappointed. The Sony RX100's 1-inch, 20.2-megapixel sensor, f/1.8, 3.6x lens, and small body combine to create a new pocket digital camera benchmark. Sony didn't skimp on special features for amateurs or enthusiasts, either. Click here to see our Sony RX100 review! (minimize) |
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