Dave's Picks

Whether you're shooting stills or videos, the Canon T2i is an excellent choice... (more)

Whether you're shooting stills or videos, the Canon T2i is an excellent choice
Canon ignored the rest of the digital camera industry when they limited resolution over the last few years, putting an 18-megapixel sensor in their consumer flagship Rebel T2i, and as a result the camera stands head and shoulders above any other offering under $1,000. Where you'd expect more noise from this 18-megapixel digital camera, the Canon T2i actually delivers less than its predecessor, while increasing the quality of detail at all ISO settings. Also upgraded on the Canon T2i is 1080p video at 24, 25, and 30fps, and video editing tools are built right into the camera. Still shooting mode also gets a frame-rate increase to 3.7 frames per second, up just a tad from 3.4 fps. Both still and video quality from the Canon T2i are very impressive. Click here to check out our comprehensive Full Review of the Canon Rebel T2i. (minimize)

Canon's new entry-level Rebel adds the latest must-have features, yet still manages an even lower pricetag... (more)

Canon's new entry-level Rebel adds the latest must-have features, yet still manages an even lower pricetag
A little under three years ago, we reviewed Canon's Rebel XS SLR, and while we found some quirks that might lead enthusiasts to look elsewhere, we felt it to be a pretty well-rounded design, when the entry-level pricetag was factored into the equation. Although the Rebel XS is still available at a discount until the remaining stock is sold through, the Canon T3 is essentially a replacement for that camera, and as such marks the new entry-level point to the company's SLR lineup. On paper, it's an interesting design, with a mixture of significant upgrades in some areas, and features that have been pared back in others. Based around a newer 12-megapixel image sensor and DIGIC 4 image processor, the Canon EOS Rebel T3 offers up a very worthwhile expansion in its upper sensitivity limit, which now tops out at a useful ISO 6,400 equivalent. It also adds two more focus points, and switches to Canon's clever dual-layer iFCL metering chip, which takes account of color information when determining exposure variables. Canon has also slightly increased the T3's LCD display size, added high definition video capture capability, and updated the kit lens to provide an even more effective stabilization system. With a pricetag some $100 below that of its predecessor at launch, though, something had to give. While the Canon T3 has a new optical viewfinder, it actually has just slightly lower magnification and a significantly tighter dioptric correction range than that of its predecessor. Burst shooting speed is also towards the lower end of the range, compared to its main competitors--and that's in JPEG mode. Switch to RAW or RAW+JPEG shooting, and the burst speed and depth is low indeed. In addition, Canon has removed the mechanical portion of its EOS Integrated Cleaning System, leaving the T3 reliant solely on antistatic coatings and software mapping to combat the adverse effects of dust on image quality. To find out whether one hand gave more than the other took away--and whether the Rebel T3's aggressive pricing makes it easy to overlook the occasional shortcoming--you'll want to read our Canon T3 review. (minimize)

The flagship Rebel offers just about all you could wish for in a consumer SLR... (more)

The flagship Rebel offers just about all you could wish for in a consumer SLR
Truly easy to recommend, the versatile Canon T3i sets the standard at the top of the consumer SLR market. Especially if you're looking for a reasonably affordable SLR that lets you shoot from multiple angles, the Rebel T3i should be at or near the top of your list. With an 18-megapixel sensor, a high-res articulating LCD, an improved grip, and Full HD video recording, the Canon T3i has what it takes to get great shots in most conditions. Its bundled 18-55mm kit lens is improved over its predecessor, and the alternate 18-135mm kit lens is also good quality, covering a near-ideal range for most situations. Image quality is good enough for 20x30-inch prints from ISO 100 to 3,200, and ISO 12,800 shots make a good 8x10. It's quite a camera, to be sure. Click here for more on the Canon T3i! (minimize)

The latest Rebel remains a top choice among consumer SLRs... (more)

The latest Rebel remains a top choice among consumer SLRs
It's no surprise that the latest flagship Canon Rebel T4i remains easy to recommend. New features like its new 5-frames-per-second frame rate, multi-shot modes -- including HDR -- and Full HD video with stereo recording, are real improvements worth noticing. We weren't as impressed as we expected with the on-sensor phase-detect autofocus, so add a grain of salt to Canon's claims in that area, but it's still a little faster than past offerings, and quieter as well. Add all that to the Canon T4i's excellent 18-megapixel image quality and it's once again easy to recommend the Canon T4i. (minimize)

Small and pocketable, the Canon A3300 makes getting quality photos easy... (more)

Small and pocketable, the Canon A3300 makes getting quality photos easy
The Canon A3300 doesn't look like the A-series cameras of old, but it's still attractive, simple, and inexpensive, maintaining the legendary image quality we've come to expect. With a 16 megapixel sensor, and a 5x zoom, the Canon A3300 delivers a lot more to the average snapshooter on a budget, because the zoom starts at 28mm and telescopes out to 140mm equivalent, perfect for most photographic situations. A stack of easy auto and scene modes allow users to explore the possibilities if they like, and capturing HD video is as easy as you please. More pocketable than past designs, the Canon A3300 is a lot of fun to use and easy to afford. Click here for more on the Canon PowerShot A3300! (minimize)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!... (more)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!
True to form, Canon doesn't skimp on its low-end ELPH digital cameras, and with the Canon 100 HS, they outdid themselves! The slim pocket camera offers a wide array of special features, including Handheld Night Scene, Full HD video, and HDMI output to name just a few. Its 28mm-equivalent wide angle lens is a treat, making the PowerShot 100 HS a great digital camera for travel and everyday carry. HS stands for High-Sensitivity, and the Canon 100 HS does well as the ISO rises, easily outputting an 11x14-inch print from ISO 100 to 800, which is quite impressive for any pocket digital camera. The Canon 100 HS is one of our top picks for a simple pocket camera, great for casual shooting, making it a superb gift! (minimize)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot... (more)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot
We tend to review more enthusiast digital cameras than easy pocket designs, but every once in a while we get a simple digital camera that inspires our creativity despite its lack of controls. The Canon PowerShot 310 HS struck a particular chord with its 8x zoom and nice, big high-res LCD, and reasonable set of Canon Scene modes. We found it a lot of fun to use, and its simplicity actually encouraged our creativity! Click here to see what was so special about the Canon 310 HS! (minimize)

A good quality pocket camera with a very wide angle lens... (more)

A good quality pocket camera with a very wide angle lens
When you think of quality pocket digital cameras, the Canon S95 and G12 are top of the list. But don't ignore the Canon 500 HS, an ELPH with a wider lens than either of those cameras, and a noticeably more pocketable shape. Its major unique feature is its touchscreen, which dominates the back of the camera, much like the screen of a smartphone. Its Full HD video capture, Handheld NightScene, and High Speed Burst modes number among the standout features, but enthusiasts will be drawn to the Canon 500's Aperture and Shutter priority modes, which offer a little more control than the average point and shoot. Click here for more on the Canon PowerShot 500 HS! (minimize)

A long zoom, touchscreen digital camera that slips into a small pocket... (more)

A long zoom, touchscreen digital camera that slips into a small pocket
Designed to take on the smartphone, the Canon 510 HS includes a blend of features to attract the savvy photographer. First, this digital camera has a 12x zoom lens with an impressive range from 28-336mm equivalent. Next, the Canon 510 employs a touchscreen so users can do just about everything without pressing a single button. Though we had a little trouble with the touchscreen at first, an aha! moment struck us and we learned to simply press a little harder on the screen, since the Canon 510 HS uses a different technology for its touchscreen, probably on purpose. Click here to read our Canon 510 HS review! (minimize)

Pocket long zooms don't get much better than this... (more)

Pocket long zooms don't get much better than this
Canon takes a quality pocket long zoom and adds both a GPS radio and Full HD video for a more complete package. The resulting Canon PowerShot SX230 delivers good image quality and pretty nice video quality as well, while maintaining that impressive 14x, 28-392mm zoom lens. We found some minor trouble with chromatic aberration, unsurprising at this focal length, but otherwise enjoyed the Canon SX230, indoors and out. It'll make an excellent travel camera, thanks to the wide and long zoom, as well as the GPS to match your photos to a map, and it offers as much automation or manual control as you could want. Click here for our review of the Canon SX230 HS! (minimize)

High-quality travel zoom appeals to enthusiasts and novices alike... (more)

High-quality travel zoom appeals to enthusiasts and novices alike
There's nothing like a pocket travel zoom digital camera when you want to get creative shot on vacation. The PowerShot SX260 HS is Canon's best attempt yet at meeting the needs of both the point-and-shooter and the enthusiast photographer, regardless of the destination. Its 20x zoom has great optical quality, and combined with its 12-megapixel sensor the Canon SX260's image quality is good enough to output a 16 x 20-inch print! What with the built-in GPS, we wish it had a little better battery life, but overall the Canon SX260 is looking pretty good. Click here for our Canon SX260 HS review! (minimize)

Further refinement makes a great megazoom excellent... (more)

Further refinement makes a great megazoom excellent
While Canon's previous megazoom digital camera was a good performer, the PowerShot SX40 HS is a finely tuned upgrade. With the same startling 35x zoom ranging from 24-840mm equivalent, the Canon SX40 sports a new, lower-resolution sensor and a punchy DIGIC 5 processor, resulting in better low light performance and better corner sharpness overall, as well as reduced chromatic aberration. These changes effectively overcome the usual limitations of megazoom cameras, leaving behind only the fun. Click here for our Canon SX40 HS review, or just click here to start shopping for the Canon SX40 HS! (minimize)

Nikon does it again with the Coolpix P510!... (more)

Nikon does it again with the Coolpix P510!
Sometimes product categories are defined by one popular line, and the Nikon P510 continues the tradition of excellence in ultrazoom digital cameras, with a very wide, very long zoom lens and impressive print quality. With a zoom that ranges from 24 to 1,000mm equivalent, it has a tendency to make you see the world differently, allowing you to realize shots you hadn't before imagined. With great handling, a nice grip, an articulated LCD and built-in GPS, the Nikon P510 offers more than ever before. Click here for our Nikon Coolpix P510 review! (minimize)

Another great family SLR from Nikon... (more)

Another great family SLR from Nikon
Affordable and easy to use, the Nikon D3200 really doesn't disappoint, providing a small body, improved controls, and a remarkably high-resolution 24.2-megapixel APS-C sensor. We found it capable and pleasantly quiet to shoot, and it's still easy to recommend to novice or advanced amateur alike. We wish the lens stood up a little better to the high-resolution sensor, but we think most family photographers will be quite happy with both camera and lens. Click here for our review of the Nikon D3200! (minimize)

Nikon's latest consumer SLR combines great image quality and a versatile side-mounted tilt/swivel display... (more)

Nikon's latest consumer SLR combines great image quality and a versatile side-mounted tilt/swivel display
Back in 2009, we reviewed Nikon's D5000 consumer SLR, the company's first SLR to include an articulated LCD display. While we loved its image quality and much of its feature set, the bottom-mounted tilt/swivel mechanism seemed like something of a missed opportunity. The followup Nikon D5100 switches to a more versatile side-mounted mechanism that's useful not only for framing shots over your head or low to the ground, but also for self-portraits with the camera on a tripod or convenient level surface--something of an important use case for a consumer camera. Nikon has also brought the D5100's imaging pipeline up to date, and that's good news, because it's based around the same 16.2 megapixel image sensor and image processing algorithms used in the popular D7000 prosumer SLR, bringing much the same image quality to a significantly more affordable camera. The D5100 also brings in-camera high dynamic range imaging to a Nikon SLR for the first time, and expands upon Nikon's selection of in-camera filter effects, applicable either pre- or post-capture. Of these, perhaps the most interesting is a Night Vision mode that allows sensitivity to a maximum of ISO 102,400 equivalent, so long as you're willing to forgo shooting in color. Otherwise, the D5100 provides ISO sensitivities to 25,600 equivalent. Other notable features include a maximum shutter speed of 1/4,000 second, with a rated shutter life of 100,000 cycles, Nikon's 3D Color Matrix Metering and 11-point Multi-CAM 1000 autofocus sensors, and Full HD (1,080p) movie capture capability. For more on this interesting consumer camera, read our Nikon D5100 review. (minimize)

Nikon's J1 answers the demand for a truly compact system camera, and does it with style... (more)

Nikon's J1 answers the demand for a truly compact system camera, and does it with style
Nikon bided its time before entering the compact system camera market, and when it finally did so, wasn't afraid to take a path untrodden. The Nikon J1 adopts a rather smaller sensor than its main rivals, but in doing so also offers a worthwhile savings in weight and size--not only for the camera body, but perhaps more importantly for its lenses. That's not the only attention-grabbing feature, either. An unusual hybrid AF system and a speedy new EXPEED processor make the J1 swift even by SLR standards, and all this in a body that looks less camera than fashion accessory. Inquiring minds must know, though: how does that smaller sensor fare against its system camera rivals, and does it offer enough advantage over enthusiast compacts? To find out, click here and read our Nikon J1 review. (minimize)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system... (more)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system
Choosing a smaller sensor, the Nikon V1 didn't earn a lot to praise from the spec hounds at its introduction, but Nikon was aiming at a smaller system overall, including lenses. They certainly achieved that, while maintaining excellent image quality and including impressively fast autofocus speed. Though many were disappointed with the smaller sensor, our test results show the Nikon V1's image quality to be quite good for a 10-megapixel sensor, and optical quality is impressive too. Overall, the Nikon V1 makes a great compact system camera that stands up well against the premium pocket cameras it was designed to challenge. Click here for our Nikon V1 Review! (minimize)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system... (more)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system
Although it looks very similar to its previous PEN-series flagships externally, the Olympus PEN E-P3 includes several significant changes. Key among these is a new brand-new autofocus system, branded 'Frequency Acceleration Sensor Technology', or FAST for short. Olympus showed supreme confidence in choosing the name, and it wasn't misplaced: the E-P3's AF performance actually rivals that of many SLRs. The P3 also includes a new touchscreen interface, and a built-in popup flash that addresses one of the main concerns with its predecessor. Tweaks in its imaging pipeline are more subtle, however; the sensor design seems little-changed from that used by its predecessor two years earlier. Are the improvements in other areas enough to compete in today's mirrorless camera market, given how competitive it's become? Read our Olympus PEN E-P3 review, and find out! (minimize)

Olympus refines the Pen series with a faster, simpler design... (more)

Olympus refines the Pen series with a faster, simpler design
Equipped with an improved lens and a more ergonomic body style, the Olympus Pen E-PL2 addresses several shortcomings of the previous model and refines the company's low-cost compact system camera design. The Olympus E-PL2's new lens design is smaller, lighter, and a little longer, with a more stable lens design and fast, silent autofocus. It even accepts accessory lenses. The E-PL2's 3-inch LCD is also higher resolution than any of the Pen predecessors, and the new Accessory Port 2 is compatible with more new gadgetry, including a bluetooth module that sends your pictures directly to a camera phone. Its 12-megapixel sensor still captures great images, and the Olympus E-PL2 tests faster than its predecessors. Click here for more on the Olympus Pen E-PL2! (minimize)

Excellence returns to the Panasonic megazoom line... (more)

Excellence returns to the Panasonic megazoom line
Can image quality rise with a reduction in resolution? Apparently so, as the 12-megapixel Panasonic FZ150 dramatically proves. We roundly criticized the FZ150's 14-megapixel predecessor as quite a step back when compared to Panasonic's other ultrazoom digital cameras, but they're back with a significantly improved design that puts them back in the winner's circle. The FZ150's excellent optics, 3-inch LCD, and solid build are now matched with a fine sensor and image processor that's worth writing about. Click here for more on the Panasonic FZ150! (minimize)

Really fast autofocus in a compact body you won't leave at home... (more)

Really fast autofocus in a compact body you won't leave at home
Back in mid-2011, Panasonic launched its tiny Lumix GF3, nicely demonstrating the size advantage of mirrorless over SLR cameras. This year's Panasonic GF5 takes that design and swaps in an improved sensor, faster image processor, higher-resolution touch screen display, and a raft of other tweaks. Key among the changes for us has to be the Panasonic GF5's improved autofocus performance: the GF3 was already fairly fast by mirrorless camera standards, but the Panasonic Lumix GF5 goes a step further, besting many consumer DSLRs. Panasonic has also updated its touchscreen user interface, finally allowing almost overlay-free image framing and reducing distraction. Do these and other changes take a good consumer camera and make it great? And are the advantages of the GF5 enough for more experienced photographers to overlook the lack of a viewfinder and flash connectivity? Read our Panasonic GF5 review, and find out! (minimize)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera... (more)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera
Though most of today's digital SLRs and CSCs can do video, only a few are made for video, among them the Panasonic GH2, whose sensor and autofocus system are tuned for both stills and video. Capable of capturing 16-megapixel stills and 1080i HD video, the Panasonic GH2 has a faster sensor and a Venus Engine FHD processor, both tuned for recording video at a faster bit rate than the GH1. Autofocus for stills is blazing fast, especially for a contrast-detect system, easily rivaling SLRs in speed, and that speed is useful in the Panasonic GH2's video recording as well, as one of the few hybrid cameras that can autofocus during recording. With both an articulating, touch-sensitive LCD and a superb Electronic Viewfinder, the Panasonic GH2 offers a little more than most compact system cameras, but it's also a little larger than most, coming close in size to a small consumer SLR. Stereo recording and a high ISO of 12,800 round out the package. Panasonic's selection of excellent lenses, as well as those from other Micro Four Thirds vendors, assures a good selection of available optics, including a special 3D lens which we also try. Click here for more on the Panasonic GH2! (minimize)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears... (more)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears
When we reviewed Pentax's K-x consumer SLR last year, we were wowed by its rich feature set and impressive noise performance, but questioned the wisdom of several design choices likely made in the interests of achieving its affordable price tag. With the debut of its followup Pentax K-r, the company has shown that it was listening by answering our biggest criticisms of the earlier model. Key among the changes are the addition of autofocus point indicators in the viewfinder, and a redesigned body with pleasingly retro styling that accommodates a larger, significantly higher resolution LCD panel. A handy increase in burst shooting performance to almost six frames per second ensures that Pentax retains the title of fastest entry-level digital SLR. There's also an interesting new dual power-source design that follows popular demand with a proprietary lithium-ion pack, but--unlike every other SLR manufacturer--still caters to those who prefer AA batteries without a bulky external grip, courtesy of an in-body adapter. Although there are numerous more subtle changes throughout, the 12.4 megapixel K-r is largely similar to its predecessor in other respects, with in-body image stabilization, an 11-point autofocus system, 1/6,000 second top shutter speed, and high-definition 720p video capture capability. A generous selection of creative features such as in-camera HDR, a cross-processing function, numerous pre- and post-capture digital filters, and the ability to develop raw files in-camera combine to make the Pentax K-r particularly well-suited to right-brain types who don't want to spend time fiddling around with post-processing on a computer. Were all this offered at the same pricetag as its predecessor, the Pentax K-r would've been a sure thing, but therein lies the rub: Pentax has also increased its pricing by almost a quarter over that of the K-x. Having specifically called for many of its added features, we went into our review of the Pentax K-r with a certain feeling of having made a rod for our own back. To find out if we stayed resolute in our desire for the changes--added cost notwithstanding--read our full review of Pentax's latest consumer SLR. (minimize)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover... (more)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover
Sony made quite a splash with its aggressively-styled NEX-5 system camera back in mid-2010, and while the succeeding Sony NEX-5N digital camera is no longer the company's flagship system camera, it builds upon its predecessor with quite a selection of upgrades and new features. There's a new image sensor and processor that bring a wider sensitivity range and support for an electronic first-curtain shutter, gifting the NEX-5N with startlingly good shutter lag and burst-shooting performance. Sony has also revisited its accessory terminal design to add support for a new high-res electronic viewfinder, added a touch-screen interface that makes AF-point selection a breeze, and brought videographers fully manual exposure control. Is it time for first-gen NEX owners to consider an upgrade? Click here to read our Sony NEX-5N review, and find out. (minimize)

Sony's entry-level mirrorless camera frees you from behind-the-camera drudgery... (more)

Sony's entry-level mirrorless camera frees you from behind-the-camera drudgery
Are you the designated photographer for your family? If so, there's a good chance something is missing from your photo albums: you. Fulfilling the duties of family record-keeper means you spend almost all your time behind the lens, making an occasional appearance only for posed, tripod-mounted shots. The Sony NEX-F3 aims to solve the problem with an updated, tilting LCD panel that can now be seen from in front of the camera, putting you back into the family album. And that's not the only worthwhile update over Sony's previous entry-level mirrorless model. There's also a built-in popup flash that saves you from carrying an external strobe, and a restyled body with a much more prominent handgrip. As you'd expect of a NEX-series camera, the Sony F3 offers great image quality, despite a pricetag even the family photographer can justify. So... is it high time you upgraded your camera for a new NEX? Read our Sony NEX-F3 review, and find out! (minimize)

A great all-in-one imaging solution for travel photographers... (more)

A great all-in-one imaging solution for travel photographers
Superzooms are rather like the Swiss Army knives of the digital camera world. Where some cameras seem tuned for a specific task, superzooms like the Sony HX200V aim to cover every possibly shooting situation. All that zoom reach means compromises must be made. Done right, you get a great travel companion. Done wrong, no amount of zoom will help you. On paper, the Sony HX200V looks impressive: a 30x zoom lens, 18 megapixel sensor, tilting display, geotagging, and more. How does its real-world performance measure up? Read our Sony HX200V review and find out! (minimize)

Full-frame image quality and a great lens in an astonishingly small package... (more)

Full-frame image quality and a great lens in an astonishingly small package
Full-frame sensors have always meant the highest image quality in handheld cameras, but they've also always meant big, bulky, heavy cameras. The Sony RX1 breaks this mold, though, and not just by a little bit. It's hard to convey just how small the Cyber-shot RX1 is without actually handing you one to hold yourself. It's not much bigger than some high-end digicams, and the same size or smaller than some models in Sony's excellent NEX line of Compact System Cameras when you include one of the kit lenses with the latter. The 24 megapixel full-frame sensor is the same as used in Sony's flagship A99 SLT camera, and it's paired with a 35mm f/2 Carl Zeiss lens with T* optical coatings and superb corner to corner sharpness. The combined package is perfect for "street photography" aficionados, or anyone wanting ultimate optical and sensor quality in a super-portable, beautiful little camera. With an introductory price of $2,800, it clearly won't be the camera for everyone, but even at that price, we think it'll be one of Sony's most popular models. If you're looking for ultimate quality in a "pocket" camera, the Sony RX1 defines the state of the art. (minimize)

Sony RX100 takes the premium pocket camera crown!... (more)

Sony RX100 takes the premium pocket camera crown!
We were so impressed with the Sony RX100's specs, we had to rush and give it a complete review in a hurry to see if it truly measured up. We were not disappointed. The Sony RX100's 1-inch, 20.2-megapixel sensor, f/1.8, 3.6x lens, and small body combine to create a new pocket digital camera benchmark. Sony didn't skimp on special features for amateurs or enthusiasts, either. Click here to see our Sony RX100 review! (minimize)

Feature-packed yet stylish, the Sony TX200V goes anywhere you do -- even underwater... (more)

Feature-packed yet stylish, the Sony TX200V goes anywhere you do -- even underwater
There's a problem with feature-rich, life-proof digital cameras: they typically look like feature-rich, life-proof digital cameras, and are about as pocket-friendly as a brick. With the TX200V, Sony shows it's possible to make a camera jam-packed with worthwhile features, safe to use at the beach, in the pool, or on the slopes, and yet to give it a body that would be right at home on the catwalk. Inside, the Sony TX200V sports a high-res 18 megapixel sensor, a 5x Zeiss-branded zoom lens with SteadyShot stabilization, and even a GPS receiver for geotagging. On the rear panel, a large organic LED touch screen that's the main control method, with physical controls kept to the bare minimum. And the TX200V is no slouch, either: it shoots at ten fps, and can capture high-res stills during HD movie capture! On paper, plenty to love -- but how does this digital camera handle in the real world? Read our Sony TX200V review for the verdict! (minimize)