Dave's Picks

Whether you're shooting stills or videos, the Canon T2i is an excellent choice... (more)

Whether you're shooting stills or videos, the Canon T2i is an excellent choice
Canon ignored the rest of the digital camera industry when they limited resolution over the last few years, putting an 18-megapixel sensor in their consumer flagship Rebel T2i, and as a result the camera stands head and shoulders above any other offering under $1,000. Where you'd expect more noise from this 18-megapixel digital camera, the Canon T2i actually delivers less than its predecessor, while increasing the quality of detail at all ISO settings. Also upgraded on the Canon T2i is 1080p video at 24, 25, and 30fps, and video editing tools are built right into the camera. Still shooting mode also gets a frame-rate increase to 3.7 frames per second, up just a tad from 3.4 fps. Both still and video quality from the Canon T2i are very impressive. Click here to check out our comprehensive Full Review of the Canon Rebel T2i. (minimize)

Small and pocketable, the Canon A3300 makes getting quality photos easy... (more)

Small and pocketable, the Canon A3300 makes getting quality photos easy
The Canon A3300 doesn't look like the A-series cameras of old, but it's still attractive, simple, and inexpensive, maintaining the legendary image quality we've come to expect. With a 16 megapixel sensor, and a 5x zoom, the Canon A3300 delivers a lot more to the average snapshooter on a budget, because the zoom starts at 28mm and telescopes out to 140mm equivalent, perfect for most photographic situations. A stack of easy auto and scene modes allow users to explore the possibilities if they like, and capturing HD video is as easy as you please. More pocketable than past designs, the Canon A3300 is a lot of fun to use and easy to afford. Click here for more on the Canon PowerShot A3300! (minimize)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!... (more)

Great as a gift or for everyday shooting, the Canon 100 HS is a pleasure to use!
True to form, Canon doesn't skimp on its low-end ELPH digital cameras, and with the Canon 100 HS, they outdid themselves! The slim pocket camera offers a wide array of special features, including Handheld Night Scene, Full HD video, and HDMI output to name just a few. Its 28mm-equivalent wide angle lens is a treat, making the PowerShot 100 HS a great digital camera for travel and everyday carry. HS stands for High-Sensitivity, and the Canon 100 HS does well as the ISO rises, easily outputting an 11x14-inch print from ISO 100 to 800, which is quite impressive for any pocket digital camera. The Canon 100 HS is one of our top picks for a simple pocket camera, great for casual shooting, making it a superb gift! (minimize)

An excellent wide-angle pocket digital camera... (more)

An excellent wide-angle pocket digital camera
Taking up the bottom position in the price category for quality slim pocket digital cameras, the Canon ELPH 300 HS has just what it takes to be a top seller. While it won't deliver the gigantic prints of CCD cameras of similar size, the Canon 300 HS pleases in other ways, packing a 24-120mm equivalent lens, a good quality 2.7-inch LCD, and Full HD video capability in a very slim package. Handheld NightScene mode further reveals the advantage of the Canon 300's CMOS image capture, combining three images into one for a smoother still than you'd normally expect at ISO 1,600. Though we had some trouble with soft corners, we thought the Canon 300's images were still good enough for most anyone's purposes as a pocket camera for recording the fun wherever you go. Click here for more on the Canon PowerShot ELPH 300 HS. (minimize)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot... (more)

A no-nonsense pocket camera with an 8x zoom that's fun to shoot
We tend to review more enthusiast digital cameras than easy pocket designs, but every once in a while we get a simple digital camera that inspires our creativity despite its lack of controls. The Canon PowerShot 310 HS struck a particular chord with its 8x zoom and nice, big high-res LCD, and reasonable set of Canon Scene modes. We found it a lot of fun to use, and its simplicity actually encouraged our creativity! Click here to see what was so special about the Canon 310 HS! (minimize)

The long-zoom "everywhere" camera just got smaller... (more)

The long-zoom "everywhere" camera just got smaller
Iconic and capable at the same time, the PowerShot 520 HS represents quite an evolution in Canon's classic ELPH design. Duplicating the same diminutive shape and size as its spiritual predecessors, the Canon 520 offers a 12x zoom ranging from 28-336mm with optical image stabilization. Its 3-inch LCD has a higher resolution of 461K-dots, and its simple control set and intelligent exposure modes make getting good stills and videos easy. Click here for our review of the Canon 520 HS! (minimize)

Large-sensor image quality in a compact, zoom body... (more)

Large-sensor image quality in a compact, zoom body
Every once in a while, a camera comes along which offers a genuinely different approach to its rivals. Some--like the first mirrorless models--go on to fundamentally change the market. Others aren't quite so successful. Either way, we welcome designs that think outside the box. The PowerShot G1 X is Canon's first large-sensor compact. Its announcement last Spring prompted much speculation: was this Canon's final answer to that blossoming mirrorless market, or a first tentative step towards its own mirrorless debut? The fixed-lens design and narrower-aspect ratio have allowed Canon to create a large-sensor PowerShot with a worthwhile size advantage over mirrorless models, and a night-and-day image quality advantage over small-sensor cameras. Like many first-gen products, the G1 X does show a few rough edges though. Will the advantages of its unusual design outweigh the drawbacks? For the verdict, read our Canon G1 X review! (minimize)

PowerShot flagship stronger than ever after all these years... (more)

PowerShot flagship stronger than ever after all these years
As the longest running line in digital camera history, the G-series has produced its finest camera yet: the Canon PowerShot G12. Though more of a refinement of the G11, the Canon G12 sports a 10-megapixel sensor, a 5x optical zoom ranging from 28-140mm equivalents, and a 2.8-inch swiveling LCD. That LCD is no slouch, either, with 461,000 dots and excellent color. A new electronic level function helps ensure straighter horizons, and a new set of aspect ratio gives you greater control over image shape. 720p HD movie mode is also new to the Canon G12, now with stereo sound as well. And a special HDR Scene mode makes shooting high-dynamic range images pretty easy so long as you shoot them with a tripod. High ISO performance is very good, actually besting the Canon S95, and overall performance is about what we'd expect, making the Canon G12 an excellent all-purpose camera, even if it's not quite shirt or pants pocketable. Click here for more on the Canon G12, one of the best digital cameras you can buy! (minimize)

Canon's premium pocket camera gets a better lens, higher resolution, and better video, plus GPS.... (more)

Canon's premium pocket camera gets a better lens, higher resolution, and better video, plus GPS.
Canon managed to pack more features into the PowerShot S100 while maintaining the same relative look and feel of their premium pocket digital camera. Higher resolution has lately come at a cost, but Canon raised both the resolution and still image quality while also raising video resolution. The result is a pocket camera that can shoot quality 1080p video while the camera both maintains focus and allows the user to zoom. They even snuck in a GPS and mapping software so you can see where you've been. There's a lot more to tell about the Canon S100, so click here to read our review. (minimize)

Pocketable quality continues, this time with built-in WiFi... (more)

Pocketable quality continues, this time with built-in WiFi
Taking the main photographic elements of its predecessors and remixing them with the latest trends in connectivity and communication, the Canon S110 remains a top choice for discriminating photographers looking for a take-anywhere camera that will bring home quality images. Whereas the previous model employed a built-in GPS, the Canon S110 uses its WiFi radio to pull in GPS from the nearly ubiquitous smartphone, a slick trick. The WiFi setup isn't as easy as it should be, but that's not a big selling point; if it is for you, be sure to consider that. Printed image quality is on par with its predecessors, and shutter lag improved quite a bit. Overall, though, the PowerShot S110's pocketable quality continues. (minimize)

A refined pocket digital camera with an f/2 lens... (more)

A refined pocket digital camera with an f/2 lens
The quest to build the better high-quality pocket digital camera continues with the Canon PowerShot S95, with its 10-megapixel sensor and fast, f/2.0 lens. Among its premium-quality competitors, the Canon S95 is the smallest digital camera with such a fast lens. Its understated, stealthy appearance will be popular with street photographers and the Canon S95's easy customization will gain the admiration of all photographers, period. The Canon S95's hold on users becomes complete with the gorgeous, 420K-pixel, 3-inch LCD screen. Anyone serious about having a quality camera with them at all times will love the optical and final image quality of the Canon S95. It's worth a closer look. Click here for more on the Canon PowerShot S95! (minimize)

Pocket long zooms don't get much better than this... (more)

Pocket long zooms don't get much better than this
Canon takes a quality pocket long zoom and adds both a GPS radio and Full HD video for a more complete package. The resulting Canon PowerShot SX230 delivers good image quality and pretty nice video quality as well, while maintaining that impressive 14x, 28-392mm zoom lens. We found some minor trouble with chromatic aberration, unsurprising at this focal length, but otherwise enjoyed the Canon SX230, indoors and out. It'll make an excellent travel camera, thanks to the wide and long zoom, as well as the GPS to match your photos to a map, and it offers as much automation or manual control as you could want. Click here for our review of the Canon SX230 HS! (minimize)

Further refinement makes a great megazoom excellent... (more)

Further refinement makes a great megazoom excellent
While Canon's previous megazoom digital camera was a good performer, the PowerShot SX40 HS is a finely tuned upgrade. With the same startling 35x zoom ranging from 24-840mm equivalent, the Canon SX40 sports a new, lower-resolution sensor and a punchy DIGIC 5 processor, resulting in better low light performance and better corner sharpness overall, as well as reduced chromatic aberration. These changes effectively overcome the usual limitations of megazoom cameras, leaving behind only the fun. Click here for our Canon SX40 HS review, or just click here to start shopping for the Canon SX40 HS! (minimize)

A retro look, great features and stunning image quality make the Fujifilm X-Pro1 a real winner... (more)

A retro look, great features and stunning image quality make the Fujifilm X-Pro1 a real winner
Quality prime lenses and a tack-sharp sensor come together with a unique hybrid optical viewfinder to form the Fujfilm X-Pro1, a digital camera built exclusively for enthusiast photographers. The X-Pro1 really hits the nail on the head, driving deep into high-ISO territory with tack-sharp images. Its controls and feature set are also ideal for the target market, and its available lenses are reasonably priced, small, well-made, and light weight. We found it to be a terrific photographic tool, easy to control, and a joy to use. Click here for our review of the Fujfilm X-Pro1, or just take our word for it and shop for the Fujfilm X-Pro1 now! (minimize)

Nikon's premium camera gets an upgrade that makes it shine... (more)

Nikon's premium camera gets an upgrade that makes it shine
Just a year after the Nikon P7000 hit the enthusiast digital camera market, Nikon replaced it with a slightly tweaked version that improves speed and performance, while maintaining the excellent optical and image quality. Nikon's fixes make a digital camera that's not just pleasant to shoot, but whose images are worth talking about. Its 28-200mm equivalent lens covers a greater range than its nearest competitor, and maintains pretty amazing image quality. A new articulated VGA LCD screen also makes the Nikon P7100 a little more versatile than its predecessor. We think it's a worthy upgrade. Click here for our Nikon P7100 review and get the whole story! (minimize)

Revamped flagship enthusiast digicam scores big on design and image quality... (more)

Revamped flagship enthusiast digicam scores big on design and image quality
It's taken three tries but Nikon has finally produced a flagship Coolpix camera that stacks up favorably to its top competitors, boasting an upgraded 12-megapixel sensor and a fast 7.1x zoom lens with a maximum aperture of f/2.0. Nikon removed the optical viewfinder from the Coolpix P7700, but we actually see this as a plus, especially since the 3-inch vari-angle LCD screen is easy to view and allows you to compose in tight spots. Sans viewfinder, the Nikon P7700's design is more compact, comfy and classic than its predecessor. Ultimately, it comes down to image quality and the P7700 delivers sharp still images and Full HD videos -- with just a few quirks -- and produces large, high-quality prints at lower ISOs. Click here for our review of the Nikon P7700, or click this link to shop! (minimize)

Nikon's J1 answers the demand for a truly compact system camera, and does it with style... (more)

Nikon's J1 answers the demand for a truly compact system camera, and does it with style
Nikon bided its time before entering the compact system camera market, and when it finally did so, wasn't afraid to take a path untrodden. The Nikon J1 adopts a rather smaller sensor than its main rivals, but in doing so also offers a worthwhile savings in weight and size--not only for the camera body, but perhaps more importantly for its lenses. That's not the only attention-grabbing feature, either. An unusual hybrid AF system and a speedy new EXPEED processor make the J1 swift even by SLR standards, and all this in a body that looks less camera than fashion accessory. Inquiring minds must know, though: how does that smaller sensor fare against its system camera rivals, and does it offer enough advantage over enthusiast compacts? To find out, click here and read our Nikon J1 review. (minimize)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system... (more)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system
Choosing a smaller sensor, the Nikon V1 didn't earn a lot to praise from the spec hounds at its introduction, but Nikon was aiming at a smaller system overall, including lenses. They certainly achieved that, while maintaining excellent image quality and including impressively fast autofocus speed. Though many were disappointed with the smaller sensor, our test results show the Nikon V1's image quality to be quite good for a 10-megapixel sensor, and optical quality is impressive too. Overall, the Nikon V1 makes a great compact system camera that stands up well against the premium pocket cameras it was designed to challenge. Click here for our Nikon V1 Review! (minimize)

Old and new come together in one high-quality digital camera... (more)

Old and new come together in one high-quality digital camera
Small and light, yet solid and weather-sealed, the Olympus OM-D E-M5 is a lot more capable than its size suggests. Image quality is noticeably improved from past Olympus offerings, rivaling that of APS-C SLRs, and its sensor-shift image stabilization system is the most advanced we've seen. Perhaps most importantly, though, the Olympus E-M5 is a whole lot of fun to use, and the ready availability of great glass adds to the party, making you want to get out and shoot. We also love the E-M5's nostalgic appearance, as well as how it feels and operates when we're out shooting. The whole experience is impressive. Click here for our Olympus E-M5 Review! (minimize)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system... (more)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system
Although it looks very similar to its previous PEN-series flagships externally, the Olympus PEN E-P3 includes several significant changes. Key among these is a new brand-new autofocus system, branded 'Frequency Acceleration Sensor Technology', or FAST for short. Olympus showed supreme confidence in choosing the name, and it wasn't misplaced: the E-P3's AF performance actually rivals that of many SLRs. The P3 also includes a new touchscreen interface, and a built-in popup flash that addresses one of the main concerns with its predecessor. Tweaks in its imaging pipeline are more subtle, however; the sensor design seems little-changed from that used by its predecessor two years earlier. Are the improvements in other areas enough to compete in today's mirrorless camera market, given how competitive it's become? Read our Olympus PEN E-P3 review, and find out! (minimize)

Olympus refines the Pen series with a faster, simpler design... (more)

Olympus refines the Pen series with a faster, simpler design
Equipped with an improved lens and a more ergonomic body style, the Olympus Pen E-PL2 addresses several shortcomings of the previous model and refines the company's low-cost compact system camera design. The Olympus E-PL2's new lens design is smaller, lighter, and a little longer, with a more stable lens design and fast, silent autofocus. It even accepts accessory lenses. The E-PL2's 3-inch LCD is also higher resolution than any of the Pen predecessors, and the new Accessory Port 2 is compatible with more new gadgetry, including a bluetooth module that sends your pictures directly to a camera phone. Its 12-megapixel sensor still captures great images, and the Olympus E-PL2 tests faster than its predecessors. Click here for more on the Olympus Pen E-PL2! (minimize)

A great quality lens and smart design make the XZ-1 a choice premium digital camera... (more)

A great quality lens and smart design make the XZ-1 a choice premium digital camera
Long a pioneer in quality small cameras, Olympus has finally entered one of the more popular categories among digital cameras with the Olympus XZ-1. Competing with the Canon S95 and Panasonic LX5, which also have 10-megapixel sensors and wide-to-mid-range zooms, the Olympus XZ-1 merges ideas from both into a premium pocket digital camera with a very special lens. The XZ-1 is not only special because it has a 28-112mm, f/1.8 lens, which is 1/3 stop faster than its rivals, it is the first time Olympus has branded a lens with the Zuiko name. Our tests show that it's not just window dressing: This i.Zuiko lens has impressive corner sharpness, especially at wide-angle, besting its rivals. It sports an OLED display, and the ability to add the excellent VF-2 electronic viewfinder made for the Olympus Pen cameras. Sensor image quality is quite good from ISO 100 to 400, but noise suppression starts to soften detail from 800 and up a little more than its rivals. That doesn't take away from the potential of the XZ-1 for all manner of photography, though, as it still produces better results optically than other cameras in its price range. It's an impressive first offering in the premium pocket digital camera market. Click here for more on the Olympus XZ-1! (minimize)

Excellence returns to the Panasonic megazoom line... (more)

Excellence returns to the Panasonic megazoom line
Can image quality rise with a reduction in resolution? Apparently so, as the 12-megapixel Panasonic FZ150 dramatically proves. We roundly criticized the FZ150's 14-megapixel predecessor as quite a step back when compared to Panasonic's other ultrazoom digital cameras, but they're back with a significantly improved design that puts them back in the winner's circle. The FZ150's excellent optics, 3-inch LCD, and solid build are now matched with a fine sensor and image processor that's worth writing about. Click here for more on the Panasonic FZ150! (minimize)

A very small compact system camera that can slip into a medium-size pocket.... (more)

A very small compact system camera that can slip into a medium-size pocket.
Hailing from a camera line aimed squarely at enthusiasts, the Panasonic GF3 seems to be angling for consumers, a move that may alienate enthusiast fans. Its 12-megapixel sensor, 3-inch LCD, and touchscreen controls all fit into digicam-size space, yet it first ships with a non-zooming 14mm kit lens, so most consumers will want to wait for the zoom to ship later this month. Its pop-up flash takes the space where a hot shoe would live, and modes are changed via the touchscreen, rather than a physical dial. We found the Panasonic GF3 fun to use and a competent, comfortable companion whether moving about town or packing for a trip. Click here for more on the Panasonic GF3 digital camera! (minimize)

Really fast autofocus in a compact body you won't leave at home... (more)

Really fast autofocus in a compact body you won't leave at home
Back in mid-2011, Panasonic launched its tiny Lumix GF3, nicely demonstrating the size advantage of mirrorless over SLR cameras. This year's Panasonic GF5 takes that design and swaps in an improved sensor, faster image processor, higher-resolution touch screen display, and a raft of other tweaks. Key among the changes for us has to be the Panasonic GF5's improved autofocus performance: the GF3 was already fairly fast by mirrorless camera standards, but the Panasonic Lumix GF5 goes a step further, besting many consumer DSLRs. Panasonic has also updated its touchscreen user interface, finally allowing almost overlay-free image framing and reducing distraction. Do these and other changes take a good consumer camera and make it great? And are the advantages of the GF5 enough for more experienced photographers to overlook the lack of a viewfinder and flash connectivity? Read our Panasonic GF5 review, and find out! (minimize)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera... (more)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera
Though most of today's digital SLRs and CSCs can do video, only a few are made for video, among them the Panasonic GH2, whose sensor and autofocus system are tuned for both stills and video. Capable of capturing 16-megapixel stills and 1080i HD video, the Panasonic GH2 has a faster sensor and a Venus Engine FHD processor, both tuned for recording video at a faster bit rate than the GH1. Autofocus for stills is blazing fast, especially for a contrast-detect system, easily rivaling SLRs in speed, and that speed is useful in the Panasonic GH2's video recording as well, as one of the few hybrid cameras that can autofocus during recording. With both an articulating, touch-sensitive LCD and a superb Electronic Viewfinder, the Panasonic GH2 offers a little more than most compact system cameras, but it's also a little larger than most, coming close in size to a small consumer SLR. Stereo recording and a high ISO of 12,800 round out the package. Panasonic's selection of excellent lenses, as well as those from other Micro Four Thirds vendors, assures a good selection of available optics, including a special 3D lens which we also try. Click here for more on the Panasonic GH2! (minimize)

One step back, two steps forward: the Panasonic GX1 will please enthusiast photographers... (more)

One step back, two steps forward: the Panasonic GX1 will please enthusiast photographers
As a digital camera made expressly for enthusiasts, the Panasonic GX1 is a little larger than the smallest compact system cameras, but is still small enough to bring along easily. While the GX1 is in some ways a return to an older design, it still includes improvements in resolution and image quality. Its new touchscreen interface also manages to add a bit of utility as well; and an expanding list of compatible lenses make the Panasonic GX1 an appealing digital camera. Click here for more on the Panasonic GX1! (minimize)

One fine, take-anywhere digital camera designed with the photographer in mind... (more)

One fine, take-anywhere digital camera designed with the photographer in mind
In the battle for supremacy raging between high-quality pocket digital cameras and high quality mirrorless digital cameras, only two cameras are already considered legendary, and only one of those still has an f/2.0 lens: the Panasonic LX5. Its small Leica-like body actually includes a Leica-branded lens, now with a longer zoom, and both its f/2 lens and its 10-megapixel sensor are tuned for better image quality in low light. A 3-inch LCD and small, lightweight body round out the package, but it's the image quality and camera design that make the Panasonic LX5 special. Unlike many other recent camera designs the Panasonic LX5's low-light prowess and image quality is not dependent on special multi-shot modes, it just comes down to a refined sensor design and a fast, high-quality lens. Click here for our review of the Panasonic LX5. (minimize)

A serious photographer's digital camera in a small package... (more)

A serious photographer's digital camera in a small package
Panasonic's deluxe pocket digital camera line has long been a favorite of photographers as a capable, small take-everywhere camera, when lugging their pro camera was too much to ask. Improved in several ways, the Panasonic LX7 digital camera is a joy to shoot. Key refinements that will appeal to photographers include a manual aperture ring, a manual focus toggle, and a faster, high quality lens. As we've come to expect from Lumix digital cameras, the LX7 also has rock-solid image stabilization, and the new level gauge helps straighten your horizons. Optical quality stands out as the major enhancement, which gave us the confidence to place key subjects in corners without worry that they'd be too soft. The new faster lens -- a full stop faster -- allows faster shutter speeds in low light, and delivers fairly nice bokeh as well. We enjoyed shooting with the Lumix LX7, and felt comfortable with it as our only digital camera on several outings. Click here to see our review of the Panasonic LX7, or just follow our shopping link to find the best price. (minimize)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears... (more)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears
When we reviewed Pentax's K-x consumer SLR last year, we were wowed by its rich feature set and impressive noise performance, but questioned the wisdom of several design choices likely made in the interests of achieving its affordable price tag. With the debut of its followup Pentax K-r, the company has shown that it was listening by answering our biggest criticisms of the earlier model. Key among the changes are the addition of autofocus point indicators in the viewfinder, and a redesigned body with pleasingly retro styling that accommodates a larger, significantly higher resolution LCD panel. A handy increase in burst shooting performance to almost six frames per second ensures that Pentax retains the title of fastest entry-level digital SLR. There's also an interesting new dual power-source design that follows popular demand with a proprietary lithium-ion pack, but--unlike every other SLR manufacturer--still caters to those who prefer AA batteries without a bulky external grip, courtesy of an in-body adapter. Although there are numerous more subtle changes throughout, the 12.4 megapixel K-r is largely similar to its predecessor in other respects, with in-body image stabilization, an 11-point autofocus system, 1/6,000 second top shutter speed, and high-definition 720p video capture capability. A generous selection of creative features such as in-camera HDR, a cross-processing function, numerous pre- and post-capture digital filters, and the ability to develop raw files in-camera combine to make the Pentax K-r particularly well-suited to right-brain types who don't want to spend time fiddling around with post-processing on a computer. Were all this offered at the same pricetag as its predecessor, the Pentax K-r would've been a sure thing, but therein lies the rub: Pentax has also increased its pricing by almost a quarter over that of the K-x. Having specifically called for many of its added features, we went into our review of the Pentax K-r with a certain feeling of having made a rod for our own back. To find out if we stayed resolute in our desire for the changes--added cost notwithstanding--read our full review of Pentax's latest consumer SLR. (minimize)

Though it's only a small part of an excellent smartphone, the Samsung Galaxy S II's digital camera is replete with options, and captures a good image!... (more)

Though it's only a small part of an excellent smartphone, the Samsung Galaxy S II's digital camera is replete with options, and captures a good image!
With an 8-megapixel digital camera, the Samsung Galaxy S II makes an interesting choice if you're looking for a phone that can double as a daily-carry digital camera. The Galaxy S II has a pretty good quality 30mm equivalent lens, and a set of options that rivals a dedicated pocket camera when it comes to exposure, white balance, scene settings, and even capturing panoramic images. Video quality isn't bad either, able to capture up to Full HD video. Click here for our Samsung Galaxy S II Camera review! (minimize)

Another competent camera in the compact system space... (more)

Another competent camera in the compact system space
With its unique curved slab shape, the Samsung NX100 really stands out. Smaller than past Samsung compact system cameras, the NX100's retractable kit lens helps keep it small. Its 14.6-megapixel CMOS sensor is APS-C sized, and its 3-inch display is a 640x480 AMOLED. Unlike its larger predecessor, the Samsung NX100 has no flash and no electronic viewfinder, but it does have a hot shoe for attaching an electronic viewfinder or an external flash. We found its interface endearing and innovative, and enjoyed our time with the Samsung NX100, but had a little trouble with noise suppression in the JPEG files and wobbly videos. Our investigation led us to the RAW files to decide whether the Samsung NX100 was only for consumers, or whether it would also work for enthusiasts. Overall we were impressed with the Samsung NX100's speed, style, and image quality, especially in the RAW files. Click here to see all the details in our Samsung NX100 review. (minimize)

This entry-level mirrorless is heavy on the features, not on the wallet... (more)

This entry-level mirrorless is heavy on the features, not on the wallet
Affordable is good: money saved on your next mirrorless camera means money to burn on lenses and accessories. The Samsung NX1000 compact system camera sets a new benchmark for NX-series affordability, but unlike some rivals, it's not been pared down to the bare minimum to achieve its $700 pricetag including kit lens. On the contrary, the Samsung NX1000 sports some features that aren't so common at this price point: built-in WiFi Direct wireless networking connectivity, i-Function control over camera settings from the lens, a dual-axis level gauge, and an external flash hot shoe. Not to mention Full HD high-definition video capture capability, complete with support for an optional external microphone -- and incredibly, you can plug your headphones into the mic to monitor audio levels! The Samsung NX1000, then, is a camera that offers a lot more than you'd expect for the price. If that's not worth a Dave's Pick, we don't know what is! Click here for more on the Samsung NX1000, or click this link to shop! (minimize)

Takes great shots and delivers them to social media too, straight from the camera... (more)

Takes great shots and delivers them to social media too, straight from the camera
With an SLR-like appearance and smooth styling, the 20.3-megapixel Samsung NX20 takes up the flagship position in the company's mirrorless lineup, offering interchangeable lenses and an electronic viewfinder. The new camera offers new possibilities with the inclusion of WiFi, complete with backup options, connectivity with smartphones, PCs and tablets, as well as direct hooks into popular social media websites. Image quality is quite good, but the camera has a little trouble with JPEG images at ISO 1,600 or above. We enjoyed shooting with it, as well as shooting via remote control from a tablet, so click here to see what we thought of the Samsung NX20! (minimize)

Samsung's NX200 makes some serious strides, improving both performance and image quality... (more)

Samsung's NX200 makes some serious strides, improving both performance and image quality
With a whole new look on the outside, the Samsung NX200 gets quite a few internal upgrades compared to its predecessor, not the least of which is its 20-megapixel sensor. Combined with a new lens design and a slick menu system, we found the Samsung NX200 a kick to use. We were most impressed with the improved image quality and faster autofocus, and a few of the special Smart Filters were interesting as well. Click here for our Samsung NX200 review! (minimize)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover... (more)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover
Sony made quite a splash with its aggressively-styled NEX-5 system camera back in mid-2010, and while the succeeding Sony NEX-5N digital camera is no longer the company's flagship system camera, it builds upon its predecessor with quite a selection of upgrades and new features. There's a new image sensor and processor that bring a wider sensitivity range and support for an electronic first-curtain shutter, gifting the NEX-5N with startlingly good shutter lag and burst-shooting performance. Sony has also revisited its accessory terminal design to add support for a new high-res electronic viewfinder, added a touch-screen interface that makes AF-point selection a breeze, and brought videographers fully manual exposure control. Is it time for first-gen NEX owners to consider an upgrade? Click here to read our Sony NEX-5N review, and find out. (minimize)

NEX features and image quality, with a user interface designed to seduce SLR-owners... (more)

NEX features and image quality, with a user interface designed to seduce SLR-owners
Sony's NEX cameras have earned a solid reputation for image quality, while at the same time delivering unique and truly useful features like Handheld Twilight and Sweep Panorama modes. The one obstacle for many enthusiast users has been the NEX series user interface. While the Tri-Navi interface on the NEX-7 is one of the best we've used, it's still different from those on most SLRs, and the novice-oriented interface on the lower-end models is just awkward. Deliberately designed to woo SLR users, the Sony NEX-6 offers a much more conventional UI design, with a traditional mode dial with a surrounding function dial, plus a combination 4-way/rotary control dial on the back and four other control buttons plus a dedicated movie button. The result is indeed a camera that will be more immediately familiar to SLR shooters, while maintaining the excellent image quality and unique features that have made the NEX line such a hit. If you've been considering a move to mirrorless, the Sony NEX-6 deserves to be on your (very) short list. (minimize)

Excellent image quality plus refined controls equal one superb camera.... (more)

Excellent image quality plus refined controls equal one superb camera.
Making quite a leap for compact system cameras both in terms of image quality and camera control, the Sony NEX-7 really impressed us. We used words like "astonishing" and "amazing" when describing image quality, both printed and onscreen, because the NEX-7's images are even sharper than the A77's. And for an APS-C sensor to approach the quality of the Nikon D3X, well, that is saying something. Its Tri-Navi interface takes the NEX-7's camera control beyond the extra dials we find on other enthusiast digital cameras: Just a single button allows the dials to jump from controlling exposure settings to focus, white balance, D-Range, and Creative Style settings. An excellent electronic viewfinder is tucked in the upper left corner, offering a really big view while keeping the top deck nice and flat, unlike most other designs. The result is a camera custom-built for photographers who want the most control combined with the best image quality. Isn't that what we've all been waiting for? Click here for our Sony NEX-7 review! (minimize)

Sony's entry-level mirrorless camera frees you from behind-the-camera drudgery... (more)

Sony's entry-level mirrorless camera frees you from behind-the-camera drudgery
Are you the designated photographer for your family? If so, there's a good chance something is missing from your photo albums: you. Fulfilling the duties of family record-keeper means you spend almost all your time behind the lens, making an occasional appearance only for posed, tripod-mounted shots. The Sony NEX-F3 aims to solve the problem with an updated, tilting LCD panel that can now be seen from in front of the camera, putting you back into the family album. And that's not the only worthwhile update over Sony's previous entry-level mirrorless model. There's also a built-in popup flash that saves you from carrying an external strobe, and a restyled body with a much more prominent handgrip. As you'd expect of a NEX-series camera, the Sony F3 offers great image quality, despite a pricetag even the family photographer can justify. So... is it high time you upgraded your camera for a new NEX? Read our Sony NEX-F3 review, and find out! (minimize)

A great all-in-one imaging solution for travel photographers... (more)

A great all-in-one imaging solution for travel photographers
Superzooms are rather like the Swiss Army knives of the digital camera world. Where some cameras seem tuned for a specific task, superzooms like the Sony HX200V aim to cover every possibly shooting situation. All that zoom reach means compromises must be made. Done right, you get a great travel companion. Done wrong, no amount of zoom will help you. On paper, the Sony HX200V looks impressive: a 30x zoom lens, 18 megapixel sensor, tilting display, geotagging, and more. How does its real-world performance measure up? Read our Sony HX200V review and find out! (minimize)

Full-frame image quality and a great lens in an astonishingly small package... (more)

Full-frame image quality and a great lens in an astonishingly small package
Full-frame sensors have always meant the highest image quality in handheld cameras, but they've also always meant big, bulky, heavy cameras. The Sony RX1 breaks this mold, though, and not just by a little bit. It's hard to convey just how small the Cyber-shot RX1 is without actually handing you one to hold yourself. It's not much bigger than some high-end digicams, and the same size or smaller than some models in Sony's excellent NEX line of Compact System Cameras when you include one of the kit lenses with the latter. The 24 megapixel full-frame sensor is the same as used in Sony's flagship A99 SLT camera, and it's paired with a 35mm f/2 Carl Zeiss lens with T* optical coatings and superb corner to corner sharpness. The combined package is perfect for "street photography" aficionados, or anyone wanting ultimate optical and sensor quality in a super-portable, beautiful little camera. With an introductory price of $2,800, it clearly won't be the camera for everyone, but even at that price, we think it'll be one of Sony's most popular models. If you're looking for ultimate quality in a "pocket" camera, the Sony RX1 defines the state of the art. (minimize)

Feature-packed yet stylish, the Sony TX200V goes anywhere you do -- even underwater... (more)

Feature-packed yet stylish, the Sony TX200V goes anywhere you do -- even underwater
There's a problem with feature-rich, life-proof digital cameras: they typically look like feature-rich, life-proof digital cameras, and are about as pocket-friendly as a brick. With the TX200V, Sony shows it's possible to make a camera jam-packed with worthwhile features, safe to use at the beach, in the pool, or on the slopes, and yet to give it a body that would be right at home on the catwalk. Inside, the Sony TX200V sports a high-res 18 megapixel sensor, a 5x Zeiss-branded zoom lens with SteadyShot stabilization, and even a GPS receiver for geotagging. On the rear panel, a large organic LED touch screen that's the main control method, with physical controls kept to the bare minimum. And the TX200V is no slouch, either: it shoots at ten fps, and can capture high-res stills during HD movie capture! On paper, plenty to love -- but how does this digital camera handle in the real world? Read our Sony TX200V review for the verdict! (minimize)