Dave's Picks

Astonishing image quality even at high ISOs, and the bonus of video capture, all for a relatively reasonable price... (more)

Astonishing image quality even at high ISOs, and the bonus of video capture, all for a relatively reasonable price
Canon has been adding something special to each of their new digital SLRs, something that sets the camera apart from the pack. This time, the something special is the HD movie mode in the Canon EOS 5D Mark II. Capable of capturing 1080p movies, the new camera opens up a whole world of video opportunities for those with a selection of Canon full-frame lenses -- from capturing extreme wide angles to isolating subjects with long telephoto, the 5D Mark II is truly a video artist's tool. Of course, the 5D Mark II also has the goods for the more traditional still photographer, offering a 21.1-megapixel sensor, a tuned version of the sensor in the Canon 1Ds Mark III. Now the 5D Mark II's sensor has significantly better high ISO performance, able to produce nearly noise-free images up to ISO 6,400. If you can handle a little noise, you can even reach out to 25,600. The Canon EOS 5D Mark II's new high resolution LCD delivers a fine 640x480 image for better focus checking and a great image in Live View mode. The whole package comes in below the price of competing full-frame digital SLRs, at $2,699. Click here to read our full review of the Canon EOS 5D Mark II. (minimize)

A superb full-frame DSLR, for both stills and video... (more)

A superb full-frame DSLR, for both stills and video
The Canon 5D Mark III is a true "superstar" camera, with impressive capabilities for both still and video shooting. It suits the needs of well-heeled amateurs and working pros equally well, and while its resolution is only very slightly higher than that of the 5D Mark II, the Canon 5D Mark III offers so many improvements over its predecessor that it'll be an easy upgrade decision for many 5D Mark II owners. Image quality is superb, and the new autofocus system is fast and accurate. Those who handled the EOS 5D Mark III consistently remarked about the viewfinder experience, particularly the improved autofocus coverage area. There are issues, as with any system, including more limited dynamic range by comparison, and default settings for noise reduction and sharpening are a bit extreme in JPEGs, but most of that can be worked around or avoided by shooting raw. And while we wish the Canon 5D Mark III included a pop-up flash, the camera's low-light performance is stunning, so shooting in ambient light is easier than ever. Click here to read our full review of the Canon EOS 5D Mark III. (minimize)

18 megapixels of high-ISO power and Full HD video in a capable digital SLR design... (more)

18 megapixels of high-ISO power and Full HD video in a capable digital SLR design
More clearly aimed at the consumer market, the Canon 60D represents something of a sea change for this formerly enthusiast camera line. With the 7D now tasked to meet the intermediate to professional photographer's needs, Canon has retooled the 60D to better serve as a step-up model for Rebel owners who want a little more, rather than as the lower-priced competition to the 7D. The Canon 60D is more clearly aimed at the Nikon D7000, with both now capable of capturing full 1080p video. Its 18-megapixel sensor is roughly equivalent in ability to the T2i and 7D's sensors, which means the EOS 60D does extremely well even at high ISO settings. Its redesigned body and interface make the Canon 60D a pleasure to use, and the versatile 18-135mm kit lens is a capable companion. We enjoyed our time with the Canon EOS 60D. Click here for more on the Canon EOS 60D digital SLR camera. (minimize)

One digital SLR that pretty much does it all... (more)

One digital SLR that pretty much does it all
The Canon EOS 7D stands alone. It's a digital SLR camera that can capture 18-megapixel images at 8 frames per second and 14-bit depth, with a quite usable ISO range from 100 to 12,800. The Canon 7D offers Live View, full manual exposure control while recording movies, Full HD movie recording, a new 19-point, all-cross-type autofocus system, a near-100% optical viewfinder, and built-in support for controlling up to three groups of Speedlite strobes. You can choose from one or two of those items with other cameras from Canon and other manufacturers, but if you want it all in one body, the Canon 7D is your only choice at any price. Printed quality is nothing short of astonishing, with images from ISO 100 to 800 looking great when printed at 20x30 inches. That you can get it all for $1,699 is pretty amazing. Click here to read our review of the Canon 7D. (minimize)

Whether you're shooting stills or videos, the Canon T2i is an excellent choice... (more)

Whether you're shooting stills or videos, the Canon T2i is an excellent choice
Canon ignored the rest of the digital camera industry when they limited resolution over the last few years, putting an 18-megapixel sensor in their consumer flagship Rebel T2i, and as a result the camera stands head and shoulders above any other offering under $1,000. Where you'd expect more noise from this 18-megapixel digital camera, the Canon T2i actually delivers less than its predecessor, while increasing the quality of detail at all ISO settings. Also upgraded on the Canon T2i is 1080p video at 24, 25, and 30fps, and video editing tools are built right into the camera. Still shooting mode also gets a frame-rate increase to 3.7 frames per second, up just a tad from 3.4 fps. Both still and video quality from the Canon T2i are very impressive. Click here to check out our comprehensive Full Review of the Canon Rebel T2i. (minimize)

The flagship Rebel offers just about all you could wish for in a consumer SLR... (more)

The flagship Rebel offers just about all you could wish for in a consumer SLR
Truly easy to recommend, the versatile Canon T3i sets the standard at the top of the consumer SLR market. Especially if you're looking for a reasonably affordable SLR that lets you shoot from multiple angles, the Rebel T3i should be at or near the top of your list. With an 18-megapixel sensor, a high-res articulating LCD, an improved grip, and Full HD video recording, the Canon T3i has what it takes to get great shots in most conditions. Its bundled 18-55mm kit lens is improved over its predecessor, and the alternate 18-135mm kit lens is also good quality, covering a near-ideal range for most situations. Image quality is good enough for 20x30-inch prints from ISO 100 to 3,200, and ISO 12,800 shots make a good 8x10. It's quite a camera, to be sure. Click here for more on the Canon T3i! (minimize)

The latest Rebel remains a top choice among consumer SLRs... (more)

The latest Rebel remains a top choice among consumer SLRs
It's no surprise that the latest flagship Canon Rebel T4i remains easy to recommend. New features like its new 5-frames-per-second frame rate, multi-shot modes -- including HDR -- and Full HD video with stereo recording, are real improvements worth noticing. We weren't as impressed as we expected with the on-sensor phase-detect autofocus, so add a grain of salt to Canon's claims in that area, but it's still a little faster than past offerings, and quieter as well. Add all that to the Canon T4i's excellent 18-megapixel image quality and it's once again easy to recommend the Canon T4i. (minimize)

Pro camera gets greater resolution, higher ISO, better AF, and Movie mode, while maintaining fast 10 fps capture... (more)

Pro camera gets greater resolution, higher ISO, better AF, and Movie mode, while maintaining fast 10 fps capture
When speed and quality are of the essence, the Canon 1D Mark IV has what the pro photographer needs. Its 16-megapixel sensor gives the Canon 1D Mark IV considerably more pixels than its predecessor, and the dual DIGIC 4 processors allow the camera to retain the 10 frame-per-second capture speed as well as employ better anti-noise processing for greater image quality at higher ISOs. Ranging from 50 to 102,400, the ISO sensitivity of the 1D Mark IV covers an impressive range. Given the trouble many had with the 1D Mark III, perhaps the most important upgrades are to the Autofocus system, which does indeed seem to be improved according to our tests. While the 1D Mark IV is still housed in the same rugged magnesium alloy body, the LCD cover glass is more durable, sporting scratch-resistant tempered glass. There's a lot to recommend this stout shooter, including Full HD movie capture, so click here for our review of the Canon EOS-1D Mark IV. (minimize)

Canon's new flagship full-frame pro SLR is the one to beat... (more)

Canon's new flagship full-frame pro SLR is the one to beat
Canon's curious move paid off, that of merging the 1D and 1Ds lines into one camera that captures very high-res images at a blistering frame rate. While it's not the highest resolution on the pro market, the Canon 1D X really impresses with its high ISO performance, and its 12-frame-per-second burst mode will keep up with athletic events, enabled by its dual DIGIC 5+ processors. Lock up the mirror and you can almost shoot 18-megapixel movies at 14 frames per second. Yet its 18-megapixel resolution is nothing to sneeze at, serving quite well for professional fashion and portrait work. Its 61-point autofocus system covers a good portion of the viewfinder, and includes five high-precision diagonal cross-type points for greater precision with fast lenses, also meeting the needs of the press photographer working in low light. Big and formidable, the Canon 1D X is very much made for pros, and its rugged build is as equal to the job as its impressive image quality. Easily one of the finest cameras on the market, the Canon 1D X is a sure Dave's Pick. (minimize)

Large-sensor image quality in a compact, zoom body... (more)

Large-sensor image quality in a compact, zoom body
Every once in a while, a camera comes along which offers a genuinely different approach to its rivals. Some--like the first mirrorless models--go on to fundamentally change the market. Others aren't quite so successful. Either way, we welcome designs that think outside the box. The PowerShot G1 X is Canon's first large-sensor compact. Its announcement last Spring prompted much speculation: was this Canon's final answer to that blossoming mirrorless market, or a first tentative step towards its own mirrorless debut? The fixed-lens design and narrower-aspect ratio have allowed Canon to create a large-sensor PowerShot with a worthwhile size advantage over mirrorless models, and a night-and-day image quality advantage over small-sensor cameras. Like many first-gen products, the G1 X does show a few rough edges though. Will the advantages of its unusual design outweigh the drawbacks? For the verdict, read our Canon G1 X review! (minimize)

PowerShot flagship stronger than ever after all these years... (more)

PowerShot flagship stronger than ever after all these years
As the longest running line in digital camera history, the G-series has produced its finest camera yet: the Canon PowerShot G12. Though more of a refinement of the G11, the Canon G12 sports a 10-megapixel sensor, a 5x optical zoom ranging from 28-140mm equivalents, and a 2.8-inch swiveling LCD. That LCD is no slouch, either, with 461,000 dots and excellent color. A new electronic level function helps ensure straighter horizons, and a new set of aspect ratio gives you greater control over image shape. 720p HD movie mode is also new to the Canon G12, now with stereo sound as well. And a special HDR Scene mode makes shooting high-dynamic range images pretty easy so long as you shoot them with a tripod. High ISO performance is very good, actually besting the Canon S95, and overall performance is about what we'd expect, making the Canon G12 an excellent all-purpose camera, even if it's not quite shirt or pants pocketable. Click here for more on the Canon G12, one of the best digital cameras you can buy! (minimize)

A retro look, great features and stunning image quality make the Fujifilm X-Pro1 a real winner... (more)

A retro look, great features and stunning image quality make the Fujifilm X-Pro1 a real winner
Quality prime lenses and a tack-sharp sensor come together with a unique hybrid optical viewfinder to form the Fujfilm X-Pro1, a digital camera built exclusively for enthusiast photographers. The X-Pro1 really hits the nail on the head, driving deep into high-ISO territory with tack-sharp images. Its controls and feature set are also ideal for the target market, and its available lenses are reasonably priced, small, well-made, and light weight. We found it to be a terrific photographic tool, easy to control, and a joy to use. Click here for our review of the Fujfilm X-Pro1, or just take our word for it and shop for the Fujfilm X-Pro1 now! (minimize)

A superb manual-focus digital camera with a rich heritage... (more)

A superb manual-focus digital camera with a rich heritage
Shooting with the Leica M9-P and 50mm f/1.4 Summilux-M lens taught us a lot about why people love Leica cameras. But we also learned why most people don't shoot Leica rangefinders, and it isn't just about the very high price tag. Shooting with any manual focus, aperture-priority camera is a little more challenging than most people are used to. Once we got back into the swing of shooting with manual focus and exposure, shooting with the 18-megapixel M9-P was quite fun, and many of our images were stunning. Looking at our lab shots, we found a few nit-picky flaws, too, but not much that would keep us from recommending the Leica M9 wholeheartedly if photography is a hobby for you--and if you have the significant cash to afford one. Click here to see what we thought of the Leica M9-P! (minimize)

An extremely capable SLR gets even better... (more)

An extremely capable SLR gets even better
More of an evolutionary upgrade to the D300, the Nikon D300S sports a faster frame rate, dual-media capability, and HD video capability. While the Nikon D300S has the same 12.3-megapixel sensor as its predecessor, it can now capture up to 7.1 frames per second, which increases to 8 frames per second with the optional battery grip. The new SD/SDHC slot gives the Nikon D300S greater versatility, and it still has a Type I CompactFlash slot to work with the more traditional professional standard. But the big story with the Nikon D300S digital camera is its HD movie mode, capable of capturing 1,280 x 720 pixel videos at 24 frames per second. Though it has a built-in monaural microphone for audio recording, the Nikon D300S also includes a stereo mic-in jack for higher quality recording than was offered with the Nikon D90. Users can frame images via the big, beautiful optical viewfinder or the large, high-resolution LCD in Live view mode, and they can view their images and videos direct from the camera thanks to the Nikon D300S's HDMI-out port. The Nikon D300S is an impressive digital camera. Click here for our full review of the Nikon D300S. (minimize)

Another great family SLR from Nikon... (more)

Another great family SLR from Nikon
Affordable and easy to use, the Nikon D3200 really doesn't disappoint, providing a small body, improved controls, and a remarkably high-resolution 24.2-megapixel APS-C sensor. We found it capable and pleasantly quiet to shoot, and it's still easy to recommend to novice or advanced amateur alike. We wish the lens stood up a little better to the high-resolution sensor, but we think most family photographers will be quite happy with both camera and lens. Click here for our review of the Nikon D3200! (minimize)

Nikon's D3x is the ultimate picture-taking machine, with the highest image quality we've ever measured.... (more)

Nikon's D3x is the ultimate picture-taking machine, with the highest image quality we've ever measured.
The Nikon D3x produces the highest image quality of any camera we've tested to date. Its combination of resolution, color fidelity, and noise performance puts it at the very top of its class. Not only does the Nikon D3x sport an amazing 24.5 megapixels of resolution, it manages to wring more detail out of those pixels (particularly in its NEF-format RAW files) than anything else out there. The D3x also offers surprising speed, capable of 5 frames/second at full resolution, and up to 7.5 frames/second in its 10.5 megapixel DX crop mode. And then there's build quality: The D3x is built like the proverbial tank; capable of handling most anything a busy pro might care to dish out to it. The high-end SLR market often seems like a perpetual game of leapfrog, but for now, the Nikon D3x sits at the top of the heap, as the ultimate digital SLR. Calling it a five-star Dave's Pick is the highest praise we have to offer, but in the case of the D3x, that seems hardly enough... (minimize)

Nikon's latest consumer SLR combines great image quality and a versatile side-mounted tilt/swivel display... (more)

Nikon's latest consumer SLR combines great image quality and a versatile side-mounted tilt/swivel display
Back in 2009, we reviewed Nikon's D5000 consumer SLR, the company's first SLR to include an articulated LCD display. While we loved its image quality and much of its feature set, the bottom-mounted tilt/swivel mechanism seemed like something of a missed opportunity. The followup Nikon D5100 switches to a more versatile side-mounted mechanism that's useful not only for framing shots over your head or low to the ground, but also for self-portraits with the camera on a tripod or convenient level surface--something of an important use case for a consumer camera. Nikon has also brought the D5100's imaging pipeline up to date, and that's good news, because it's based around the same 16.2 megapixel image sensor and image processing algorithms used in the popular D7000 prosumer SLR, bringing much the same image quality to a significantly more affordable camera. The D5100 also brings in-camera high dynamic range imaging to a Nikon SLR for the first time, and expands upon Nikon's selection of in-camera filter effects, applicable either pre- or post-capture. Of these, perhaps the most interesting is a Night Vision mode that allows sensitivity to a maximum of ISO 102,400 equivalent, so long as you're willing to forgo shooting in color. Otherwise, the D5100 provides ISO sensitivities to 25,600 equivalent. Other notable features include a maximum shutter speed of 1/4,000 second, with a rated shutter life of 100,000 cycles, Nikon's 3D Color Matrix Metering and 11-point Multi-CAM 1000 autofocus sensors, and Full HD (1,080p) movie capture capability. For more on this interesting consumer camera, read our Nikon D5100 review. (minimize)

Smaller and lighter full-frame digital SLR is a kick to use... (more)

Smaller and lighter full-frame digital SLR is a kick to use
Nikon leads the way again, with the first "affordable" full-frame digital SLR. Fun to shoot, the Nikon D600 offers as little or as much control as you want, perfect for both amateurs and more advanced photographers; even pros will feel right at home. Its 24.3-megapixel sensor offers excellent detail, and performs well in low light. In addition to stills, the Nikon D600 captures Full HD video at a greater range of frame rates, and includes not only great audio controls and an external mic jack, but a headphone jack to monitor what you're recording. There is a bit of a dust issue with the Nikon D600, which seems to be worse in the first few thousand frames, so users should learn to clean their sensors. Still, the Nikon D600 is an excellent digital SLR with impressive image quality. We have no trouble recommending it highly. Click here for our Nikon D600 review, or click the link to shop now! (minimize)

A superb digital SLR, excellent for anyone serious about photography... (more)

A superb digital SLR, excellent for anyone serious about photography
The Nikon D7000 is a refinement of the already superb D90, a redesign that maintains a small, nimble body while improving nearly every major internal aspect. Its 16.2-megapixel sensor and Expeed 2 processor conspire to output quality images at all ISO settings, from 100 to 25,600, cranking those images out at up to six frames per second. The Nikon D7000's 3-inch LCD sports 921,000 dots, a great place to compose images in Live View mode, as well as check focus. The Nikon D7000's high-res LCD is also excellent for shooting and playing the 1,080p videos that this digital camera captures, and menus are razor sharp. Dual memory card slots, 39 autofocus points, a new color-sensitive meter, a near-100% viewfinder, and in-camera editing round out just a few of the extra features found in the Nikon D7000. Nikon's top enthusiast digital SLR camera is as easy to recommend as a cold glass of lemonade on a hot Summer day, and at least as satisfying. Click here to check out our Nikon D7000 Review! (minimize)

A premium performer that easily earns its selling price... (more)

A premium performer that easily earns its selling price
Shooting with a digital camera like the Nikon D800 is a treat. All the controls are ideally suited for the experienced photographer: Important controls have a button or dial, and there are even a few buttons you can program to work just how you want. Built for the rigors of professional photography, the Nikon D800 is substantial, and its output is weighty as well, putting 36.3 megapixels on your subject for detail most folks have never seen. Naturally there are pluses and minuses to that much resolution: Though you get finer detail than is offered by other cameras, your depth of field can be razor thin when shooting wide open, and the large files can tax all but the latest computer hardware. We don't think the Nikon D800 is a digital camera for everyone, but those who need it will surely love it. Click here to shop for your own Nikon D800. (minimize)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system... (more)

Despite its smaller sensor, the Nikon V1 is part of a unique and capable photographic system
Choosing a smaller sensor, the Nikon V1 didn't earn a lot to praise from the spec hounds at its introduction, but Nikon was aiming at a smaller system overall, including lenses. They certainly achieved that, while maintaining excellent image quality and including impressively fast autofocus speed. Though many were disappointed with the smaller sensor, our test results show the Nikon V1's image quality to be quite good for a 10-megapixel sensor, and optical quality is impressive too. Overall, the Nikon V1 makes a great compact system camera that stands up well against the premium pocket cameras it was designed to challenge. Click here for our Nikon V1 Review! (minimize)

Old and new come together in one high-quality digital camera... (more)

Old and new come together in one high-quality digital camera
Small and light, yet solid and weather-sealed, the Olympus OM-D E-M5 is a lot more capable than its size suggests. Image quality is noticeably improved from past Olympus offerings, rivaling that of APS-C SLRs, and its sensor-shift image stabilization system is the most advanced we've seen. Perhaps most importantly, though, the Olympus E-M5 is a whole lot of fun to use, and the ready availability of great glass adds to the party, making you want to get out and shoot. We also love the E-M5's nostalgic appearance, as well as how it feels and operates when we're out shooting. The whole experience is impressive. Click here for our Olympus E-M5 Review! (minimize)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system... (more)

'FAST' isn't just an acronym, when it comes to the Olympus P3's autofocus system
Although it looks very similar to its previous PEN-series flagships externally, the Olympus PEN E-P3 includes several significant changes. Key among these is a new brand-new autofocus system, branded 'Frequency Acceleration Sensor Technology', or FAST for short. Olympus showed supreme confidence in choosing the name, and it wasn't misplaced: the E-P3's AF performance actually rivals that of many SLRs. The P3 also includes a new touchscreen interface, and a built-in popup flash that addresses one of the main concerns with its predecessor. Tweaks in its imaging pipeline are more subtle, however; the sensor design seems little-changed from that used by its predecessor two years earlier. Are the improvements in other areas enough to compete in today's mirrorless camera market, given how competitive it's become? Read our Olympus PEN E-P3 review, and find out! (minimize)

A new benchmark in compact system cameras... (more)

A new benchmark in compact system cameras
Panasonic has updated their G-series line of compact system cameras, and the new G3 looks like a real winner. We've had hands-on with a beta sample of the new model, and it's impressed us greatly with its handling and image quality. In fact, image noise seems very much on par with that from the larger APS-C size sensors used in full-size DSLRs. The new G3 is noticeably more compact than the G2 that it replaces, and Panasonic also appears to have further improved shutter lag: In field tests, everyone remarked on how fast its shutter response was. The design incorporates a new 16-megapixel image sensor, and the same high-speed Venus Engine FHD image processor as previously featured in the more expensive GH2 model. Other improvements since the earlier camera include a picture-in-picture Manual Focus Assist function, pinpoint focus mode, Full HD (1,920 x 1,080 pixel) movie capture, and two separate Intelligent Auto operating modes that offer varying degrees of user control. Read our Panasonic G3 review for all the details! (minimize)

There's nothing micro about the performance of this compact, lightweight digital camera... (more)

There's nothing micro about the performance of this compact, lightweight digital camera
The Panasonic Lumix G5 takes the highlights from Panasonic's well-regarded G-series of Micro Four Thirds digital cameras and rolls them all into one package. The Lumix G5 feels better thought out than many entry-level DSLRs, including a touchscreen LCD monitor and speedy autofocus, at roughly the same price. Boasting better ergonomics and handling than the previous-model G3, the Panasonic G5 also boosts its video performance by adding Full HD recording at 60p, and a full-range of frame rates that make it perfect for serious photographers and videographers alike. If you want a compact, lightweight, easy-to-operate interchangeable lens camera with a 14-42mm lens that captures high-quality images at an imminently affordable price, then the 16-megapixel Panasonic G5 should place high on your short list. (minimize)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera... (more)

Optimized for stills and video, the Panasonic GH2 is a surprisingly capable camera
Though most of today's digital SLRs and CSCs can do video, only a few are made for video, among them the Panasonic GH2, whose sensor and autofocus system are tuned for both stills and video. Capable of capturing 16-megapixel stills and 1080i HD video, the Panasonic GH2 has a faster sensor and a Venus Engine FHD processor, both tuned for recording video at a faster bit rate than the GH1. Autofocus for stills is blazing fast, especially for a contrast-detect system, easily rivaling SLRs in speed, and that speed is useful in the Panasonic GH2's video recording as well, as one of the few hybrid cameras that can autofocus during recording. With both an articulating, touch-sensitive LCD and a superb Electronic Viewfinder, the Panasonic GH2 offers a little more than most compact system cameras, but it's also a little larger than most, coming close in size to a small consumer SLR. Stereo recording and a high ISO of 12,800 round out the package. Panasonic's selection of excellent lenses, as well as those from other Micro Four Thirds vendors, assures a good selection of available optics, including a special 3D lens which we also try. Click here for more on the Panasonic GH2! (minimize)

One step back, two steps forward: the Panasonic GX1 will please enthusiast photographers... (more)

One step back, two steps forward: the Panasonic GX1 will please enthusiast photographers
As a digital camera made expressly for enthusiasts, the Panasonic GX1 is a little larger than the smallest compact system cameras, but is still small enough to bring along easily. While the GX1 is in some ways a return to an older design, it still includes improvements in resolution and image quality. Its new touchscreen interface also manages to add a bit of utility as well; and an expanding list of compatible lenses make the Panasonic GX1 an appealing digital camera. Click here for more on the Panasonic GX1! (minimize)

Great images and enthusiast features at a price the rest of us can afford... (more)

Great images and enthusiast features at a price the rest of us can afford
Among digital SLRs, there are two kinds of "good". There's the good that makes you think it's time to trade your old SLR in for a newer model, and there's the good that has you seriously considering selling your existing lenses and accessories, and jumping ship to a different lens mount. On paper at least, the Pentax K-30 manages the latter. It takes the imaging pipeline of the well-received K-01 mirrorless camera, and places it in a body that includes several features simply unheard of at its price point. There's a near-100% pentaprism viewfinder, well-considered ergonomics with control dials front and rear, and comprehensive weather sealing throughout. Even if you're not a Pentaxian, the K-30 is a camera that likely has you sitting up and paying attention, and it comes with a pricetag you won't struggle to justify. But does the K-30 live up to all that on-paper promise? Read our Pentax K-30 review, and find out! (minimize)

Whether in snow, or rain, or gloom of night, the Pentax K-5 is designed to excite... (more)

Whether in snow, or rain, or gloom of night, the Pentax K-5 is designed to excite
Two years ago, Pentax unveiled the K-7, a camera that impressed us greatly thanks to a rich prosumer feature set, and a weather-sealed, cold-proofed body barely any larger than the typical consumer SLR. As well as drawing our praise for its great handling, the K-7 grabbed our attention with some really unusual capabilities, many of which have since mirrored by competitors, although a couple--including automatic horizon leveling and composition adjustment--are still unique. The Pentax K5 replaces that camera, leaving it with some pretty mighty shoes to fill. The K-5 retains its predecessor's body design almost unchanged, but brings a wide variety of changes throughout the rest of the design. Key among these is the K5's new 16 megapixel image sensor, believed to be a Sony chip closely related to that in Nikon's D7000. Coupled with Pentax's PRIME II image processor, this allows full-resolution shooting at up to an unusually high ISO 51,200 equivalent, as well as Full HD (1,080p) movie capture, and a manufacturer-claimed seven frames-per-second burst shooting mode. The K5 also updates the K-7's autofocus system, provides an unusually fine degree of control over high ISO noise reduction, adds the ability to disable long exposure noise reduction altogether, adds a second axis to the electronic level gauge, and incorporates a wide number of tweaks and additions to the user interface, including additional User modes and in-camera effects functions. All the new features do come at a cost, though. The Pentax K5's list pricing is almost a quarter higher than that of the K7, and even when considering street pricing, there's quite a premium over its nearest competitors from the likes of Nikon and Canon. With that said, the Pentax K-5 brings in some new features that are rare to completely unique among its peers, so we went into our review with an open mind as to the K5's value proposition. Curious to see if we ended up believing the Pentax K5 to be worthy of its price tag? If so, you'll want to click here and read our full review of Pentax's latest flagship SLR. (minimize)

Pentax's latest enthusiast flagship boasts better low-light autofocus and a more rugged display... (more)

Pentax's latest enthusiast flagship boasts better low-light autofocus and a more rugged display
For the third straight generation, the Pentax K-5 II retains the surprisingly compact body that debuted with 2009's K-7. That's great news because it's still one of our favorites, pairing great ergonomics and a generous array of external controls. The Pentax K-5 II also retains the 16 megapixel image sensor that debuted in the K-5, and while that lags some current rivals in terms of resolution, it still impresses with swift burst shooting, great image quality and a wide sensitivity range. What's new? There's a tweaked AF system that should focus better in low light, and a more rugged tempered glass cover over the main LCD panel. Pentax's enthusiast flagship also carries more sensible list pricing than did the K-5. Sure, it's a relatively modest mid-term update, but given the popularity of its predecessor, that's no bad thing. If you're a still image shooter in the market for an enthusiast SLR, the Pentax K-5 II is a camera we're happy to recommend! Click here for more on the Pentax K-5 II, or click this link to shop! (minimize)

Pixel-peepers of the world, form an orderly queue: the Pentax K-5 IIs was made for you!... (more)

Pixel-peepers of the world, form an orderly queue: the Pentax K-5 IIs was made for you!
Let's be clear from the start: the Pentax K-5 IIs is not a camera for the average photographer. Just as in Nikon's D800E, the lack of an optical low-pass filter in the K-5 IIs maximizes per-pixel detail at the risk of introducing moiré into your images. If you solely shoot subjects such as landscapes where the fine patterns that trigger moiré are rare, though, or you spend all your time in the studio with full control of your subject, that low-pass filter might just be robbing your images of subtle detail for no good reason, and removing its effect might be very desirable indeed. Sadly for you, there aren't many cameras without a low-pass filter, and fewer still of these are SLRs. The Pentax K-5 IIs represents your most affordable OLPF-free option in a weather-sealed DSLR body. In other respects, it's identical to the Pentax K-5 II, itself a Dave's Pick camera. If you have an insatiable desire for per-pixel detail, that makes the Pentax K-5 IIs something of a no-brainer! Click here for more on the Pentax K-5 IIs, or click this link to shop! (minimize)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears... (more)

Pentax's latest consumer SLR keeps its predecessor's great noise performance, while correcting its biggest bugbears
When we reviewed Pentax's K-x consumer SLR last year, we were wowed by its rich feature set and impressive noise performance, but questioned the wisdom of several design choices likely made in the interests of achieving its affordable price tag. With the debut of its followup Pentax K-r, the company has shown that it was listening by answering our biggest criticisms of the earlier model. Key among the changes are the addition of autofocus point indicators in the viewfinder, and a redesigned body with pleasingly retro styling that accommodates a larger, significantly higher resolution LCD panel. A handy increase in burst shooting performance to almost six frames per second ensures that Pentax retains the title of fastest entry-level digital SLR. There's also an interesting new dual power-source design that follows popular demand with a proprietary lithium-ion pack, but--unlike every other SLR manufacturer--still caters to those who prefer AA batteries without a bulky external grip, courtesy of an in-body adapter. Although there are numerous more subtle changes throughout, the 12.4 megapixel K-r is largely similar to its predecessor in other respects, with in-body image stabilization, an 11-point autofocus system, 1/6,000 second top shutter speed, and high-definition 720p video capture capability. A generous selection of creative features such as in-camera HDR, a cross-processing function, numerous pre- and post-capture digital filters, and the ability to develop raw files in-camera combine to make the Pentax K-r particularly well-suited to right-brain types who don't want to spend time fiddling around with post-processing on a computer. Were all this offered at the same pricetag as its predecessor, the Pentax K-r would've been a sure thing, but therein lies the rub: Pentax has also increased its pricing by almost a quarter over that of the K-x. Having specifically called for many of its added features, we went into our review of the Pentax K-r with a certain feeling of having made a rod for our own back. To find out if we stayed resolute in our desire for the changes--added cost notwithstanding--read our full review of Pentax's latest consumer SLR. (minimize)

This entry-level mirrorless is heavy on the features, not on the wallet... (more)

This entry-level mirrorless is heavy on the features, not on the wallet
Affordable is good: money saved on your next mirrorless camera means money to burn on lenses and accessories. The Samsung NX1000 compact system camera sets a new benchmark for NX-series affordability, but unlike some rivals, it's not been pared down to the bare minimum to achieve its $700 pricetag including kit lens. On the contrary, the Samsung NX1000 sports some features that aren't so common at this price point: built-in WiFi Direct wireless networking connectivity, i-Function control over camera settings from the lens, a dual-axis level gauge, and an external flash hot shoe. Not to mention Full HD high-definition video capture capability, complete with support for an optional external microphone -- and incredibly, you can plug your headphones into the mic to monitor audio levels! The Samsung NX1000, then, is a camera that offers a lot more than you'd expect for the price. If that's not worth a Dave's Pick, we don't know what is! Click here for more on the Samsung NX1000, or click this link to shop! (minimize)

Takes great shots and delivers them to social media too, straight from the camera... (more)

Takes great shots and delivers them to social media too, straight from the camera
With an SLR-like appearance and smooth styling, the 20.3-megapixel Samsung NX20 takes up the flagship position in the company's mirrorless lineup, offering interchangeable lenses and an electronic viewfinder. The new camera offers new possibilities with the inclusion of WiFi, complete with backup options, connectivity with smartphones, PCs and tablets, as well as direct hooks into popular social media websites. Image quality is quite good, but the camera has a little trouble with JPEG images at ISO 1,600 or above. We enjoyed shooting with it, as well as shooting via remote control from a tablet, so click here to see what we thought of the Samsung NX20! (minimize)

Samsung's NX200 makes some serious strides, improving both performance and image quality... (more)

Samsung's NX200 makes some serious strides, improving both performance and image quality
With a whole new look on the outside, the Samsung NX200 gets quite a few internal upgrades compared to its predecessor, not the least of which is its 20-megapixel sensor. Combined with a new lens design and a slick menu system, we found the Samsung NX200 a kick to use. We were most impressed with the improved image quality and faster autofocus, and a few of the special Smart Filters were interesting as well. Click here for our Samsung NX200 review! (minimize)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover... (more)

Sony's NEX-5N might borrow the NEX-5's styling, but don't let that fool you; there's a whole new book under this cover
Sony made quite a splash with its aggressively-styled NEX-5 system camera back in mid-2010, and while the succeeding Sony NEX-5N digital camera is no longer the company's flagship system camera, it builds upon its predecessor with quite a selection of upgrades and new features. There's a new image sensor and processor that bring a wider sensitivity range and support for an electronic first-curtain shutter, gifting the NEX-5N with startlingly good shutter lag and burst-shooting performance. Sony has also revisited its accessory terminal design to add support for a new high-res electronic viewfinder, added a touch-screen interface that makes AF-point selection a breeze, and brought videographers fully manual exposure control. Is it time for first-gen NEX owners to consider an upgrade? Click here to read our Sony NEX-5N review, and find out. (minimize)

NEX features and image quality, with a user interface designed to seduce SLR-owners... (more)

NEX features and image quality, with a user interface designed to seduce SLR-owners
Sony's NEX cameras have earned a solid reputation for image quality, while at the same time delivering unique and truly useful features like Handheld Twilight and Sweep Panorama modes. The one obstacle for many enthusiast users has been the NEX series user interface. While the Tri-Navi interface on the NEX-7 is one of the best we've used, it's still different from those on most SLRs, and the novice-oriented interface on the lower-end models is just awkward. Deliberately designed to woo SLR users, the Sony NEX-6 offers a much more conventional UI design, with a traditional mode dial with a surrounding function dial, plus a combination 4-way/rotary control dial on the back and four other control buttons plus a dedicated movie button. The result is indeed a camera that will be more immediately familiar to SLR shooters, while maintaining the excellent image quality and unique features that have made the NEX line such a hit. If you've been considering a move to mirrorless, the Sony NEX-6 deserves to be on your (very) short list. (minimize)

Excellent image quality plus refined controls equal one superb camera.... (more)

Excellent image quality plus refined controls equal one superb camera.
Making quite a leap for compact system cameras both in terms of image quality and camera control, the Sony NEX-7 really impressed us. We used words like "astonishing" and "amazing" when describing image quality, both printed and onscreen, because the NEX-7's images are even sharper than the A77's. And for an APS-C sensor to approach the quality of the Nikon D3X, well, that is saying something. Its Tri-Navi interface takes the NEX-7's camera control beyond the extra dials we find on other enthusiast digital cameras: Just a single button allows the dials to jump from controlling exposure settings to focus, white balance, D-Range, and Creative Style settings. An excellent electronic viewfinder is tucked in the upper left corner, offering a really big view while keeping the top deck nice and flat, unlike most other designs. The result is a camera custom-built for photographers who want the most control combined with the best image quality. Isn't that what we've all been waiting for? Click here for our Sony NEX-7 review! (minimize)

Pro-camera burst performance and full-time AF in a camera that enthusiasts can afford... (more)

Pro-camera burst performance and full-time AF in a camera that enthusiasts can afford
With the Alpha SLT-A77, Sony makes a bold step into pro camera territory by combining an extremely high-res 24 megapixel APS-C image sensor, a speedy Bionz image processor, and its phase detect-friendly Translucent Mirror design. The result? A camera that can shoot at up to an astounding twelve full-resolution frames per second, while still adjusting focus between frames. The Sony A77 also boasts a go-anywhere weather-sealed design, and yet still manages to include a versatile tilting LCD monitor, something not offered by its nearest rivals. Add built-in GPS and Full HD, 60 frames-per-second video with full-time phase detect autofocus, and you've got quite a camera on your hands. Whether you're a sports shooter, an enthusiastic videographer, or you've just got hyperactive kids to keep up with the Sony Alpha A77 should prove more than up to the task. All that at a price tag that an enthusiast can justify makes the Sony A77 an easy Dave's Pick. Click here for our review of the Sony A77, or click this link to shop! (minimize)

Sony delivers a no-excuses full-frame SLR breakthrough... (more)

Sony delivers a no-excuses full-frame SLR breakthrough
Sony's been trying to crack the pro SLR market for years, but with relatively little success till now. With the Sony Alpha SLT-A99, though, it looks like they finally have a winner: It's a blazingly fast shooter, yet delivers 24 megapixels of resolution, while Sony's unique translucent-mirror technology means it can focus rapidly, continuously, and accurately, whether shooting videos or rapid-fire bursts of stills. It's also the only full-frame camera with very effective sensor-based image stabilization built in, providing IS benefits regardless of what lens is attached. The list of the Sony A99's features goes on and on, including a unique range-sensitive AF mode, a super-resolution EVF, built-in GPS, and a rugged magnesium-alloy frame with full weather sealing that's both smaller and lighter than most other high-end full-frame SLRs on the market. If you're looking for a true professional-grade full-frame SLR with unparalleled continuous AF capability, great shooting speed, and a price literally half those of its nearest competitors, look no further than the Sony A99. It offers truly ground-breaking capabilities at a price sure to shake up the pro camera marketplace. (minimize)

Full-frame image quality and a great lens in an astonishingly small package... (more)

Full-frame image quality and a great lens in an astonishingly small package
Full-frame sensors have always meant the highest image quality in handheld cameras, but they've also always meant big, bulky, heavy cameras. The Sony RX1 breaks this mold, though, and not just by a little bit. It's hard to convey just how small the Cyber-shot RX1 is without actually handing you one to hold yourself. It's not much bigger than some high-end digicams, and the same size or smaller than some models in Sony's excellent NEX line of Compact System Cameras when you include one of the kit lenses with the latter. The 24 megapixel full-frame sensor is the same as used in Sony's flagship A99 SLT camera, and it's paired with a 35mm f/2 Carl Zeiss lens with T* optical coatings and superb corner to corner sharpness. The combined package is perfect for "street photography" aficionados, or anyone wanting ultimate optical and sensor quality in a super-portable, beautiful little camera. With an introductory price of $2,800, it clearly won't be the camera for everyone, but even at that price, we think it'll be one of Sony's most popular models. If you're looking for ultimate quality in a "pocket" camera, the Sony RX1 defines the state of the art. (minimize)

Sony RX100 takes the premium pocket camera crown!... (more)

Sony RX100 takes the premium pocket camera crown!
We were so impressed with the Sony RX100's specs, we had to rush and give it a complete review in a hurry to see if it truly measured up. We were not disappointed. The Sony RX100's 1-inch, 20.2-megapixel sensor, f/1.8, 3.6x lens, and small body combine to create a new pocket digital camera benchmark. Sony didn't skimp on special features for amateurs or enthusiasts, either. Click here to see our Sony RX100 review! (minimize)