Sony A6500 Field Test
Sony A6500 Field Test Part I
All the action from awesome Austin: The A6500 gets a real workout!
In all, I had three cameras on hand to shoot with during the week: The aforementioned A6500, the Translucent Mirror-based Sony A99 II and the pocket-friendly Sony RX100 V compact. With the A99 II in short supply, though, and the RX100 V perhaps not the most ideally-suited to the subjects on hand thanks to a relatively short lens, it was the A6500 with which I did the most shooting.
As is typical on a press experiential, Sony had plenty of great shooting subjects lined up to give all three cameras a good workout. After my first week with the A6500, I have to say that it acquitted itself might well, turning out a whole bunch of shots that I'm absolutely thrilled with!
Sony A6500 Field Test Part II
The Sony A6500 takes on the night lights of Gatlinburg, Tennessee
In this Field Test, I'll be looking at two main areas for which I didn't have enough content from the press experiential: Low-light shooting, and video capture. First of all, a quick recap of my earlier Field Test would probably be helpful for those of you who've not already read it, or who read it at the time but don't remember all of the details. (If you've not read it yet, though, I highly recommend going back and starting from the start.)
Recapping my first Field Test
In my first real-world shoot with the Sony A6500 back in Austin, I came away pretty impressed by this camera and its capabilities. In terms of handling I had few complaints. I found the A6500's body to be pretty comfortable in-hand, even with my larger-than-average hands. Really, about all I'd change on the ergonomic front is the poorly-positioned movie button (something that we'll come back to in a bit), and the lack of a front control dial.