Color depth refers to the number of unique colors that a sensor can faithfully capture. Cameras with better color depth will demonstrate smoother transitions from one color to the next, and avoid "banding" in areas with subtle shading. (Blue skies are an example of where you might see color banding.)
More color depth is generally better, but you'll struggle to notice a difference between two cameras with less than 1 bit of difference. Color depth above 22 bits is considered excellent.
Want to learn more? Head over to our full glossary entry on color depth
Color depth test data courtesy of DxO Mark.
K-5 test data on DxO Mark EX2F test data on DxO MarkMaximum effective ISO is an estimate of the highest sensitivity at which a camera can capture excellent quality photos.
Cameras with higher effective ISO will be better choices for indoor photography, night shooting, and indoor sports photography, especially if you intend to make large prints.
You can learn more at our glossary entry.
Maximum effective ISO test data courtesy of DxO Mark.
K-5 test data on DxO Mark EX2F test data on DxO MarkCameras with more dynamic range allow you to take photos with dramatic differences in highlight and shadow areas while retaining detail in both.
Think of a brilliant sunset on a rocky beach: Bright sunset in the background, with dark rocks in the foreground. High dynamic range means more of the extremes will be faithfully reproduced.
Dynamic range test data courtesy of DxO Mark.
K-5 test data on DxO Mark EX2F test data on DxO MarkCameras with longer battery life can take more photos before exhausting their batteries.
Special note: The measurement standard for battery life stipulates that if a camera has an internal flash, it must be used for 50% of photos taken. For this reason, comparisons of one camera with an internal flash to another without will not be comparable
Excellent high ISO performance, one of the best APS-C sensors yet; 6.5 fps burst mode has very good buffer depths; Weather, dust, and cold resistant; In-body Shake Reduction corrects not only horizontal / vertical, but also rotational motion.
Default saturation and contrast a bit high; Auto white balance too warm in tungsten light; Fewer AF points than main competitors; Only a single card slot, and no UHS-I card support (slow buffer clearing).
Good (modern, not retro!) looks and solid build; f/1.4 Schneider-Kreuznach lens starting at a wide 24mm equivalent with excellent low-light capabilities; Advanced photographic controls and RAW capture; 3-inch, articulated AMOLED monitor.
Limited telephoto reach; Inconsistent and disappointing JPEG images; Some corner blurring at both wide and tele; Noise suppression too strong at ISO 800 and above, robbing detail.
