Hands-on preview: Canon 5D Mark III, Speedlite radio flash system, and more
posted Friday, March 2, 2012 at 12:00 AM EST
When Canon announced the EOS 5D Mark II way back in September 2008, it found itself with something of a hit on its hands. Photographers were thrilled with its full-frame sensor and image quality, and videographers took to it in droves for its small size and relative affordability, when compared to the cameras typically found on professional video shoots. A little over three years later, it's sales figures are still testament to the chord Canon struck with its customers.
Today, that camera has not a replacement, but an impressive new sibling. We've just posted a hands-on preview of the Canon EOS 5D Mark III, including several video clips that will introduce you to some of the new features--and there's quite a bit to cover, as the 5D III brings a number of sigificant upgrades over its predecessor. The older Mark II model will continue as an active product in the company's SLR lineup.
Interestingly, the EOS 5D Mark III's full-frame CMOS image sensor has a resolution of 22.3 megapixels, almost unchanged from that of the Mark II. That decision is at once an indication of Canon's confidence that it's hit the sweet spot in terms of its customers' resolution needs, and also means that any advances in technology will translate directly into improvements in noise performance. And we understand that there are several improvements in the new sensor. Improvements in transistor design, on-chip noise reduction, and the introduction of gapless microlenses will provide around a two-stop improvement in noise levels, says Canon. A switch to eight-channel readout and a new DIGIC 5+ image processor means an increase in burst shooting speed to six frames per second.
The EOS 5D Mark III also has a 61-point autofocus sensor borrowed from the EOS-1D X, and a 63-zone dual layer iFCL metering sensor first seen in the EOS 7D. There's also an uprated viewfinder with 100% coverage, a 3.2-inch high-res LCD panel, and dual flash card slots accepting CompactFlash and Secure Digital cards respectively. The 5D Mark III's body has been reconfigured, and borrows design elements from other more recent Canon SLRs, and is said to have improved weather sealing.
Perhaps key in many buyers' minds will be the video feature set, though, and here there's further good news. The EOS 5D Mark III brings in much the same video feature set as found in the EOS-1D X, and with an important addition: a built-in headset jack for audio levels monitoring.
And that's not all, although we have a feeling many of you will want to pause at this point, to read our Canon 5D Mark III preview. ;-) Read on for the other announcements...
Canon EOS 5D Mark III
|Camera Type||Pro SLR|
|Model Number||North America: 5D Mark III|
6.0 x 4.6 x 3.0 in.
(152 x 116 x 76 mm)
|Weight||33.5 oz (950 g)|
|Planned Availability||March 2012|
35mm (approx. 1.70 in. diagonal)
23.40 megapixels (total)
22.30 megapixels (effective)
|Focal Length Multiplier||1.00|
|Aspect Ratio||16:9, 4:3|
5760 x 3840 (22.1 megapixels)
3840 x 2560 (9.8 megapixels)
2880 x 1920 (5.5 megapixels)
1920 x 1280 (2.5 megapixels)
720 x 480 (0.3 megapixels)
|Capture Speed||Continuous: 6.0 frames per second for 65 frames|
|Image Preview / Review|
|Viewfinder||Yes, SLR type; fixed eye-level pentaprism, 100% coverage, 0.71x magnification, 22mm eyepoint, -3 to +1 diopter, fixed focusing screen, on demand grid|
|LCD||3.2 in. diagonal1,044,000 dots (348,000 px)|
|Playback Zoom||10.0x max|
4.4x optical zoom
77mm lens thread
|Lens Mount||Canon EF|
24.0 - 105.0mm (actual)
24 - 105mm (35mm equivalent)
|Aperture Range||f/4.0 (W/T) - f/22|
Phase Detect : 61-point (up to 41 cross-type points); One to five cross-type AF points at f/2.8, 10 to 20 cross-type AF points at f/4, and 15 to 21 cross-type AF points at f/5.6.
Does not have AF assist lamp
Manual focus possible
|Focusing Range||Normal: 18" - infinity (45 cm - infinity)|
|ISO Sensitivity||Auto, 100-25600 in 1/3 or 1 EV steps, expandable to 50 (L), 51200 (H1) and 102400 (H2)|
|Shutter Speed||30 - 1/8000 second|
|Exposure Modes||Aperture, Shutter, Manual|
|Metering Modes||63-zone Evaluative, Center-weighted, Partial (center, 7.2%), Spot (center, 1.5%)|
|Exposure Compensation||+/- 5.0EV in 0.3EV increments|
|White Balance||Image Sensor - Auto, Daylight, Shade, Cloudy, Tungsten, White Fluorescent, Flash, Custom, Color Temperature|
|Flash Exposure Compensation||+/- 3.0EV in 0.3EV increments|
|Self Timer||Yes, 2, 10 seconds|
.MOV (MPEG-4 AVC / H.264), ALL-I and IPB modes with audio
Max. clip length: 1,799 seconds () / 1,799 seconds ()
|Recording Medium||CompactFlash (type unknown), SD/MMC including SDHC, SDXC|
|File System||Complies with Design Rule for Camera File System (DCF)|
|File Format||RAW, M-RAW (10.5MP), S-RAW (5.5MP); 14-bit CR2, JPEG (EXIF v2.3)|
High definition: Yes (HDMI)
Standard definition: Yes, NTSC / PAL switchable
|Computer||USB 2.0 High Speed|
|Other||Mini HDMI (Type C), Remote Jack, Stereo Mic Jack, Stereo Monitor Jack, PC-Sync Terminal|
|Battery Type||Lithium-ion Rechargeable or BG-E11 battery grip|
|Battery Form Factor||Proprietary LP-E6|
|Software||Canon EOS Digital Solution Disc|
|Battery / Charger||1 x Proprietary LP-E6 Lithium-ion rechargeable battery and charger|
|Digital Print Order Format (DPOF) compliant||Yes|
|Tripod Mount||Yes, Metal|
|Remote Control||Yes, Optional Wired or Wireless|
|Notes||New 22.3-megapixel Full-frame CMOS Sensor, DIGIC 5+ Processor, 61-point AF System, 63-zone iFCL Metering System, 6fps Bursts, Full HD video, 100% OVF, 3.2" 1.04M-dot LCD, Dual Card Slots (SD+CF), HDR Mode, Multiple Exposure Support, Scene Intelligent Auto, Comparative Playback, Dual-Axis Electronic Level, Auto Lighting Optimizer, In-Camera RAW Processing.|
Alongside the 5D Mark III, Canon has also announced two brand-new additions to its Speedlite flash series that bring two-way radio connectivity, with a range of 98.4 feet (30 meters). Yes, two way: you can now trigger the camera's shutter from a remote strobe. The Speedlite 600EX-RT and ST-E3-RT transmitter are the first two products to support the new two-way radio system, and are also backwards-compatible with the older line-of-sight system used by Canon strobes since the late 1990s. The system provides 16 channels, and supports up to 15 strobes on a channel, in as many as five groups, and it's possible to set each group to E-TTL or manual control separately.
And the announcements continue. There's also a new BG-E11 battery grip, a new GP-E2 GPS receiver, and a WFT-E7A wireless file transmitter. This last supports 802.11a/b/g/n wifi and gigabit ethernet, and is compatible not only with the EOS 5D Mark III, but also with the EOS 7D and EOS 60D.
The 5D Mark III should arrive in the US market from the end of March 2012, priced at around US$3,500 body-only, or US$4,300 in a kit with an EF 24-105mm f/4L IS USM lens. More details in our Canon 5D Mark III preview.
The Speedlite 600EX-RT (US$630) and ST-E3-RT transmitter (US$470) should be available at around the same time as the 5D Mark III. Finally, the BG-E11 grip (US$490), WFT-E7A wireless file transmitter (US$850), and GP-E2 GPS receiver (US$390) will all follow from April 2012.
Canon Speedlite 600EX-RT
Canon U.S.A. Announces The Highly Anticipated EOS 5D Mark III Digital SLR Camera
Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features
LAKE SUCCESS, N.Y., March 2, 2012– On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon’s top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon’s answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon’s 25th anniversary celebration of the EOS camera system. Canon’s award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses.
“We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles. The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.
The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.
EOS 5D Mark III Video: The Legacy Continues
The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.
The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production.
The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moiré and color artifacts in scenes with horizontal lines. The video footage produced will exhibit less moiré than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files. Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.
The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.
Newly Developed Canon CMOS Sensor
With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.
The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.
The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.
Canon-Exclusive DIGIC 5+ Imaging Processor
The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.
Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.
High-Performance 61-Point High Density Reticular AF
For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)
All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.
The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.
Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.
Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.
The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ±3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects. Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.
Multiple Exposure Mode
The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.
A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.
Durability, Reliability and Other Features
The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.
The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.
The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.
The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.
The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.
The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.
The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable. With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Di as well as the EOS 5D Mark III.ii
Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.
In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT. The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.
Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT. Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites. The Speedlite features enhanced weather-resistant construction — matching that of the EOS-1D X camera body — and a more reliable electrical contact. The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.
Speedlite Transmitter ST-E3-RT
Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras.
Pricing and Availability
The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.
About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in patent holdings in the U.S. in 2011† and is one of Fortune Magazine's World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.
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†Based on weekly patent counts issued by United States Patent and Trademark Office.
All referenced product names, and other marks, are trademarks of their respective owners.
Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.
When the EOS 7D is used with the GP-E2, the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not work for movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.
In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.
The EOS 5D Mark III requires a firmware upgrade to be compatible with the GPS Receiver GP-E2, which will be available soon.