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Olympus C-5050 Zoom

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Page 5:Optics

Review First Posted: 01/09/2003

Optics
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The Olympus C-5050 Zoom has an all-glass, aspheric lens design, with eight elements in six groups. The 3x, 7.1-21.3mm lens provides a focal range equivalent to that of a 35-105mm zoom on a 35mm film camera. I was very pleased by the speed of the lens (measured by its maximum apertures), an impressive f/1.8 at the wide-angle setting, and f/2.6 at telephoto. This doubtless contributes to the camera's excellent low-light performance, and would be a big help in shooting fast sports action under more normal lighting. The larger than average maximum aperture also makes it easier to isolate your subjects from the background, by limiting depth of field.

Focusing distances range from 2.6 feet (0.8 meters) to infinity in Normal mode, and 7.8 inches to 2.6 feet (0.2 to 0.8 meters) in Macro mode. A Super Macro mode lets you get even closer to your subject, as close as 1.2 inches (3.0 centimeters), an impressive performance. Autofocus is determined through the lens, using a contrast detection method. This means that the autofocus will work properly with auxiliary lenses, such as the excellent wide- and telephoto adapters offered by Olympus themselves. The green LED next to the optical viewfinder glows solid as soon as the subject is in focus (flashing means there's a problem focusing and you may need to switch to Manual Focus or Macro mode). Though the C-5050 Zoom doesn't feature an automatic focus lock, you can manually lock it by centering the target portion of the subject in the frame, pressing the Shutter button halfway, and then recomposing the image while continuing to hold the Shutter button halfway down. An AF assist lamp helps the camera focus in dark shooting conditions, and I found it to be extremely accurate in my low-light shooting test. (The Olympus C-2100 UltraZoom and C-2500 Zoom had AF assist lamps, but the feature has been missing from the Olympus lineup for a long time now. Its return on the C-5050 is very welcome!)

The Focus button on the top panel of the camera accesses the normal AF mode, as well as both macro modes and the manual focus settings. (Pressing the button and turning the Command dial rotates the available focus options across the LCD screen.) In manual focus mode, a distance scale appears on the LCD monitor, showing distances in meters or feet. Pressing the up and down arrow buttons adjusts focus when manual focus is enabled. As you focus, the image is automatically enlarged in the LCD monitor to better see small details. The manual focus option includes two modes, a normal one, with the focus range extending from infinity down to 8 inches, and a super-macro manual focus mode, which extends the focusing range down to 1.2 inches, while still permitting focusing all the way out to infinity. Once the focus is set manually, you can save the focus setting by pressing the Menu / OK button.

A Full-Time AF mode, selected through the Shooting menu, keeps the autofocus constantly engaged as you move the camera from subject to subject, instead of waiting for the Shutter button to be depressed halfway. This might be useful for action photography like fast-paced sports or children playing, but it is an additional drain on the battery because the focusing mechanism is constantly at work. (Then too, practically speaking, the AF speed isn't really sufficient to track any rapidly-moving object, leading me to question the actual utility of the Full-Time AF option.) You can also designate whether the camera determines focus from the center of the image (Spot) or the entire image area (iESP), by choosing the appropriate AF Mode option in the Shooting menu. Once in Spot AF mode, you can move the AF target by holding down the Focus button and using the arrow keys to move the target around on the LCD monitor. (To reset the AF mark to center, press the Menu / OK and Focus buttons simultaneously.)

The C-5050 Zoom's exterior lens barrel has a set of 41mm filter accessory threads that couple to Olympus' lens adapter tube, the CLA-1. This optional adapter extends the threads outward (and increases their diameter to 43mm), so they are flush with the front of the lens when it's fully extended. It's important to note though, that this adapter is made to work with Olympus' own accessory lenses, all of which use an additional adapter ring to step up the threads to the diameter needed by the auxiliary lenses. The consequence of this is that the CLA-1 design requires another threaded adapter ring, because it doesn't extend far enough for 43mm filters to clear the lens barrel. The 43mm filters will interfere with proper lens operation, and could damage the lens mechanism itself. Therefore, if you buy a CLA-1 adapter unit, be sure to also buy a step-up ring to whatever filter size you use, just to give you the extra millimeter or two necessary for the glass of the filter (or accessory lens) to clear the front of the lens barrel.

The C-5050 Zoom also provides up to 3.4x digital zoom, which can be enabled via the Shooting menu. Once activated, the Zoom scale on the right side of the monitor changes to accommodate the expanded range for the digital zoom. The bottom half of the scale (colored white) indicates the optical zoom range, while the top half (colored red) specifies the digital zoom. The digital zoom is only accessible when the LCD monitor is engaged; when the LCD is turned off, the digital zoom returns to the 1x setting. It also cannot be used with the uncompressed TIFF or RAW modes.

Optical distortion on the C-5050 Zoom was fairly high at the wide-angle end, where I measured an approximate 1.0 percent barrel distortion. The telephoto end fared much better, as I measured only a 0.1 percent pincushion distortion. Chromatic aberration was also rather high, showing about seven or eight pixels of coloration on either side of the res target details in the corners of the frame, and emphasized by some slight corner softness. (This distortion is visible as a slight colored fringe around the objects at the edges of the field of view on the resolution target.)


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