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Kodak DX4900
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Quick Review
Kodak EasyShare DX4900 Digital Camera
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Camera
QuickLook |
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Review Date
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04/08/02 |
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User Level
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Novice to Experienced
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Product Uses
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Family / Travel / Special Events
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Digicam Design
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Point-and-Shoot, some manual control
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Picture Quality
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Great, 4.0-megapixel
CCD |
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Print Sizes
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4x6, 5x7,
8x10, 11x14 inches |
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Availability
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April, 2002 |
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Suggested Retail Price
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$399 |
Introduction
Eastman Kodak Company has a long history of bringing professional imaging
processes to the everyday consumer. Kodak's EasyShare System is the company's
digital equivalent to its turn-of-the-century Brownie box camera, which came
with pre-loaded film and no manual controls (once users shot all their film,
they simply sent the boxes back to Kodak for processing and printing). While
the first two Kodak EasyShare digicams, the DX3500 and DX3600, were much more
sophisticated than a Brownie, they did feature the same "just press the
button" simplicity, with fully automatic controls and an optional docking
station that takes all of the guesswork out of digital image manipulation,
management, and sharing. As Kodak has evolved the line though, they've introduced
more advanced cameras that do offer a few user options. The latest of these
is the EasyShare 4900, a 4-megapixel camera that offers a surprising range
of options, but also remains true to the EasyShare "just push the button"
ease of use.
The Kodak Picture Software is also extremely easy to use -- walking you through
every step of the uploading, enhancing, and emailing process -- and has a
more graphically intuitive interface than almost any other consumer imaging
software I've seen. It automatically sizes the images for printing or emailing,
stores copies, applies simple effects, and allows you to make image corrections,
such as color, brightness, and contrast adjustments. Overall, the DX4900 and
its lesser cousins are some of the simplest, most goof-proof cameras currently
available. With the DX4900, Kodak has moved the line upmarket to four megapixel
resolution, while remaining true to its "anyone can do it" consumer
roots. - And while maintaining a very attractive price point. (The DX4900
hit the market in April of 2002 at a suggested retail price of only $399.
- At the time, one of the least expensive four megapixel cameras available,
particularly surprising given its rich feature set and 2x optical zoom lens.)
Camera Overview
Small, sleek, and sophisticated, Kodak's new EasyShare DX4900 digital camera
is portable and compact, ready for just about any excursion. As its name implies,
the EasyShare DX4900 was designed to be exactly that - easy. Limited camera
controls and a very short LCD menu make for fast setting changes, and a very
straightforward "plain English" menu structure make the menus understandable
even to novices. Kodak designed the DX4900 to fit into the (optional) EasyShare
camera dock, which provides quick uploading to your computer, rechargeable batteries
and a charger, and very easy photo printing. The DX4900 is a little larger
than most average shirt pockets, but shouldn't have any trouble slipping into
a larger coat pocket or an average purse. A wrist strap comes with the camera,
and Kodak offers a selection of small camera bags as separate accessories. A
nifty power switch on the left side of the camera (when looking from the back)
slides the built-in lens cover out of the way and turns the camera on. With
the lens cover built in, you don't have to worry about accidentally misplacing
the lens cap, and the lens is well-protected when the camera isn't in use. The
DX4900's 4.0-megapixel CCD delivers high quality images, suitable for printing
as large as 11x14 inches, meaning you'll get great-quality 8x10 prints. (Of
more importance than being able to print 11x14s though, is that you'll be able
to crop out just the most interesting parts of your photos, yet still have plenty
of resolution to make a sharp 8x10. Cropping to improve composition is one of
the least-appreciated aspects of digital photography, yet one that can make
the biggest improvement in your printed photos.)
Equipped with a 2x, 7.3-14.6mm lens, the DX4900's optical zoom range is equivalent
to that of a 35-70mm zoom on a 35mm camera. This is a range from a moderate
wide angle to a slight telephoto. Maximum aperture ranges from f/2.8 at full
wide angle to f/4.0 at full telephoto, and is automatically controlled at all
times. Focus ranges from 19.7 inches (500 millimeters) to infinity in normal
AF mode, and from 2.7 to 27.5 inches (70 to 700 millimeters) in Macro mode.
The DX4900 also features an Infinity focus mode, which speeds up shooting times
for distant subjects, so you won't have to wait for the camera to adjust focus
when the subject is more than 30 feet or so away. In addition to the camera's
2x optical zoom, a 3x digital zoom option is available. I always remind readers
that digital zoom decreases the overall image quality because it simply enlarges
the center pixels of the CCD's original image. You thus shouldn't rely on it
if you need sharp details and high image quality. On the other hand, with four
megapixels to work with from the CCD, you can enlarge the image a fair bit (50%
or so) and still get a reasonably sharp image.
For framing your shots, the DX4900 has both a real-image optical viewfinder
and 1.5-inch color LCD monitor. The LCD monitor's information display includes
detailed exposure information, including shutter speed and aperture settings,
so you have an idea of what the exposure will be, even though you don't directly
control either parameter. (This is a feature I really like to see, even on a
fully-automatic camera. As you become more experienced with the camera, knowing
the shutter speed and aperture its chosen lets you know when you need to worry
about camera shake, what to expect in terms of depth of field, etc. Don't worry
though, you don't have to understand these terms to get started with the DX4900
- It's just nice to know that the information is there waiting for you when
you're ready for it.) Besides the information shown on the LCD monitor, a small
status display panel on the camera's top displays the current state of a variety
of camera settings, including file size, flash mode, focus mode, etc.
Exposure is automatically controlled on the DX4900, though the LCD menu offers
a range of manually-set slow shutter speed settings for shooting in low light.
Kodak doesn't report the DX4900's full shutter speed range in the DX4900's manual,
but the slowest speed I found in Auto mode was 1/8, and the fastest was 1/2,000
of a second. However, through the Record menu, you can set the exposure time
from 0.7 to 16 seconds, which gives the camera great low-light shooting capabilities.
(It's really a lot of fun to play with really long exposure times on a camera
like the DX4900: It can take bright, well-balanced photos under conditions where
you actually have a hard time seeing yourself.)
A Mode dial on the top panel puts the camera in either Record, Playback, or
Setup modes. The Record menu offers a handful of adjustable exposure features,
including Exposure Compensation, White Balance, Quality, ISO (light sensitivity),
Metering mode, and Sharpness. Exposure Compensation brightens or darkens the
overall exposure, from -2 to +2 exposure equivalent units (EV) in one-half-step
increments. (An "exposure equivalent unit" corresponds to an increase
or decrease in overall exposure by a factor of two - Thus, a halving or doubling
of the effective "brightness" of the photo for each exposure equivalent
unit.) The White Balance setting adjusts color balance, with settings for Auto,
Daylight, Tungsten, and Fluorescent. A sensitivity adjustment offers 100, 200,
and 400 ISO equivalents, as well as an Auto setting that lets the camera pick
the ISO itself. By default, the DX4900 uses a Multi-Pattern metering mode, which
bases the exposure on the lighting conditions of the entire frame. Also available
are Spot and Center-Weighted Metering options, for more specific exposure readings.
(These are very handy for situations where the subject is darker or brighter
than the rest of the image. A good example is a backlit portrait, where your
subject's face is in shadow, but the rest of the frame bright. Spot metering
will get the exposure right for the subject's face, without being fooled by
the brighter area around it.)
The camera's Sharpness adjustment lets you vary the amount of sharpening applied
to your photos, with settings of Sharp, Standard, and Soft. (In my testing though,
I found relatively little obvious difference between the various sharpness options.)
A Flash button on top of the camera activates either the Auto, Fill, Off, or
Red-Eye Reduction flash modes.
For capturing short bursts of images, the DX4900 features a 1.0-megapixel Burst
mode, which works like a motor drive on a 35mm camera. Burst mode captures as
many as 12 consecutive images while the Shutter button is held down. Resolution
is automatically reduced to 1,224 x 816 pixels so the camera can handle the
data quickly enough. The the actual shot-to-shot cycle time will vary depending
on exposure settings and the amount of image information being recorded, but
averages about three frames per second. (That's pretty fast.) While the maximum
sequence length is about 12 shots, you may find you can't capture that many
shots if your memory card is almost out of space: There has to be enough space
on the memory card to store the shots, or the camera won't snap them. The DX4900
also features a 10-second self-timer, which delays the shutter for about 10
seconds after the Shutter button is pressed, so you can get into your own photos.
A small light on the front of the camera lights continuously for the first eight
seconds of the self-timer countdown, then blinks for the remaining two.
The DX4900 stores images on CompactFlash memory cards, and a 16MB card is included
in the box. Given the DX4900's maximum 2,448 x 1,632-pixel resolution, I highly
recommend purchasing a larger-capacity CompactFlash card right away. Cards are
currently available separately in capacities as large as 1 gigabyte (that's
a thousand megabytes). You can get 64 megabyte cards very cheaply these days
though, and I recommend that as a good, practical size for most people.
The DX-4900 uses either two AA-sized batteries or one CRV3 lithium battery
for power. One lithium batteries comes with the camera. If you purchase the
accessory camera dock, a set of two NiMH rechargeable batteries are included,
and can be charged in the camera while the camera is in the dock. I strongly
advise picking up an additional set of rechargeables, and keeping a freshly-charged
set on-hand. (Read my review
of NiMH batteries to read about the best makes on the market. Also read
the review of my
favorite battery charger, if you decide to not get the DX4900's dock.)
The DX4900 features a USB jack for downloading images to a computer, though
you can also connect the camera to the dock (which in turn is connected to a
computer) and download files with the press of a button. In my tests, the DX4900's
USB port proved to be among the fastest I've tested, transferring data to my
G4 Mac at a speedy 586 KB/second. A software CD accompanies the camera, loaded
with Kodak's Picture Software, compatible with Windows 98/98SE/ME/2000/XP and
Macintosh OS 8.6-X. For connecting to a television set, the DX4900 has a Video
Out jack and comes with a video cable. The DX4900 is also DPOF (Digital Print
Order Format) compatible, with a range of print settings available through the
Playback menu. (DPOF lets you specify how many prints you want of each picture
while your memory card is still in the camera. You can then pop the card into
a DPOF-compatible printer and it'll crank out your photos automatically. The
downside of this is that it's a little cumbersome (IMHO) to specify print quantities
using the tiny camera user interface. Also, DPOF-compatible printers are relatively
few and far between.)
Basic Features
- 4.0-megapixel CCD.
- 1.5-inch color LCD monitor.
- Real-image optical viewfinder.
- Glass, 2x (35-70mm equivalent) zoom lens.
- 3x digital zoom.
- Automatic exposure control with manual slow-shutter settings.
- Maximum aperture of f/2.8 to f/4.0, depending on lens zoom position.
- Shutter speed range from 1/2,000 to 16 seconds.
- Built-in flash with four operating modes.
- CompactFlash memory storage.
- Power supplied by two AA batteries, one CRV3 battery, or optional AC adapter
via camera dock accessory.
Special Features
- Burst and 10-second Self-Timer modes.
- Sharpness adjustment.
- White balance (color) adjustment with four modes.
- ISO adjustment with three ISO equivalents and an Auto setting.
- Multi-Pattern, Center-Weighted, and Spot metering options.
- DPOF (Digital Print Order Format) compatibility.
- USB cable for connection to a computer (driver software included).
- Compatible with the Kodak EasyShare camera dock, for quick connection to
a PC or printer.
Recommendation
The DX4900 is a good camera for people who want simple
operation, good image quality, a nice range of options for when they're feeling
adventurous, and few hassles downloading and printing cameras. I could see it
being a good "family" camera, used by both parents and kids. It might
also be a good choice for an office environment, where you need good print-quality
images, but there may be a number of less experienced users who need to take
photos. Its automatic exposure mode keeps things simple, while the available
slow-shutter and other exposure settings provide some exposure flexibility.
The 4.0-megapixel CCD captures high-resolution images, excellent for printing
to 8x10-inches and larger, or for cropping out important detail without losing
too much resolution. The DX4900's compact design makes it a travel-worthy companion,
and the accessory dock means you can just plop down the camera, transfer images,
and get back to shooting in a matter of minutes. Additionally, the telescoping
lens with self-contained cover does a good job of protecting the lens, while
also keeping the camera body smooth and low-profile when not in use. With its
simple, straightforward user interface and great image quality, the DX4900 is
perfect for novices, as well as more experienced amateurs looking for a hassle-free
point-and-shoot camera to use at the office, or take on vacations, to family
events, etc.
Design
Light and compact, the DX4900's two-toned silver body is a portable size, great
for travel. Measuring 4.6 x 1.7 x 2.6 inches (116 x 42 x 67 millimeters), the
DX4900 should easily fit into coat pockets, purses, and possibly some larger
shirt pockets. The camera's wrist strap is great when holding the camera in-hand,
but I'd recommend a small camera bag for better protection when traveling. An
all-plastic body keeps the DX4900's weight down, at just 7.9 ounces (225 grams),
without batteries. The all-plastic body may be a negative point for some users:
It lacks the substantial "feel" of metal-bodied cameras, so some people
may find it cheap-feeling. In my use, it seemed rugged enough, but I don't know
if it would survive a drop to a hard floor. (Even a metal body won't protect
the delicate optics of most cameras against such a blow though, so this may
not be much of an indictment against the 4900.)

The DX4900's front panel is fairly smooth, with only a few small protrusions.
The telescoping lens is protected by a metal cover, which slides out of the
way whenever the camera is powered on. If the Mode dial is set to Record, the
lens extends out from the camera body slightly less than half an inch when its
turned on. (The lens stays retracted when the camera is turned on in Playback
or Setup modes.) Just inside the lip of the plastic lens barrel, a set of filter
threads accommodates Kodak's accessory lens adapter kits, which provide extended
wide-angle, telephoto, and macro capabilities. (The availability of these lens
kits is another nice touch for a relatively low-cost camera like the 4900: You
usually only see accessory lens kits offered with much more expensive models.)
Sharing the front panel with the lens are the flash, optical viewfinder window,
exposure sensor, and self-timer lamp. A small handgrip on the right side features
an inset rubbery pad, providing a grip for your fingers as they wrap around
the camera.

On the right side of the camera (as viewed from the back) is the memory card
compartment, and an eyelet for attaching the wrist strap. The memory card compartment
door has small ribs on it to make opening it a little easier (you can hook a
nail in one and pull), and slides outward before opening to reveal the CompactFlash
card. The button that actually releases the card is on the bottom panel, which
is slightly inconvenient when using a tripod (though I doubt this will be a
concern for many of the camera's users). Although I wasn't too bothered by the
all-plastic body of the 4900, I have to say that the memory card compartment
door felt pretty flimsy.

The opposite side of the camera features the power switch (which also opens
the lens cover), and a connector compartment. A small, rubbery flap snaps over
the connector compartment, covering the USB and Video Out jacks when not in
use.

The DX4900's sloped top panel holds the oblong Shutter button, Mode dial, and
three other control buttons. I liked the pointed tips of the control buttons,
as they're easy for your fingers to find without looking at the camera. A small
status display panel reports limited information about important camera settings,
such as file size, flash mode, focus mode, etc. I like seeing LCD data readouts
like this because they help conserve battery power by making it easier to shoot
without using the power-hungry LCD monitor.

The remaining camera controls share the back panel with the optical viewfinder
eyepiece and the LCD monitor. Though the optical viewfinder does not feature
a diopter adjustment (for near- or farsighted users), it does have a fairly
high eyepoint, making it pretty usable while wearing eyeglasses. A Four Way
Arrow pad toggles up and down, and left and right, controlling the zoom lens
and navigating through settings menus. Two small control buttons (Select and
Menu) are just below, with protruding teardrop designs that are easy for your
fingers to find.

The DX4900's bottom panel hosts several features, including the dock connector
jack, memory card Eject slider, battery compartment, and tripod mount. A sliding
plastic cover protects the dock jack when not in use. The battery compartment
and Eject slider are side by side, and too close to the tripod mount for easy
access when the camera is attached to a tripod. The plastic tripod mount is
off-center, making it more difficult to shoot multi-shot panoramas, admittedly
a concern for only a small minority of users. The off-center position of the
tripod socket places it directly under the camera's center of gravity though,
making for a more secure mount. A sliding plastic door covers the docking connector,
and snaps securely into place without any locking mechanism.
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