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Minolta E323
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Quick Review
Konica Minolta DiMAGE E323 Digital Camera
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Camera
QuickLook |
|
Review Date |
03/17/2004 |
|
User Level |
Novice to Experienced |
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Product Uses |
Family
/ Travel |
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Digicam Design |
Point and Shoot |
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Picture Quality |
Very
Good, 3.2-megapixel CCD (with interpolation to 6.0 megapixels) |
|
Print Sizes |
4x6
to 8x10 inches, 11x17 inches with interpolation |
|
Availability |
Now |
| Suggested
Retail Price
(At introduction) |
$249 |
Introduction
The Konica Minolta DiMAGE E323 is the latest entry-level digicam from Minolta.
While the E323 marks the entry point for the Konica Minolta digital camera lineup,
it's by no means a stripped-down model. - And despite it's largely automatic operation,
the DiMAGE E323 can handle a surprisingly wide range of applications and shooting
conditions. While not the most compact of the line, the Konica Minolta E323 is
small and portable, with a stylish body that should satisfy the tastes of more
fashionable users. With a 3x optical zoom lens and 3.2-megapixel CCD that interpolates
to six megapixels, the E323 is a fun, versatile digicam. Read on for all the details!
Camera Overview
Housed in a compact, lightweight case, Konica Minolta's
DiMAGE E323 is one of the smaller members of the DiMAGE line (though not
as tiny as the DiMAGE X series). With a stylish, silver body accented by
a light blue front panel, the E323 is fashionable as well as portable. Measuring
3.9 x 2.4 x 1.4 inches (99 x 62 x 35 millimeters) and weighing 5.1 ounces
(145 grams) without the battery or SD memory card, the E323 should fit into
shirt pockets and most purses. A wrist strap comes with the camera, to provide
a little extra security when leaning over railings or taking pictures on
unstable ground. The E323 features a 3.2-megapixel CCD that interpolates
to 6.0 megapixels for printing larger images. (There are also smaller resolution
settings more friendly for general purpose photography and email attachments.)
The camera's 3x telescoping lens is protected by a built-in, shutter-like
lens cover, that automatically opens when the camera is powered on. With
its fairly flat body panels and trim design, the E323 should be quick on
the draw, less likely to hang on pockets.
Built into the DiMAGE E323 is a 3x, 5.6-16.8mm lens (the
equivalent of a 36-108mm lens on a 35mm camera), made up of seven elements
in six groups. Maximum aperture ranges from f/2.8 to f/4.9, depending on
the lens zoom position. Focus ranges from 4.3 inches (11 centimeters) to
infinity in normal mode, with the macro setting ranging from 4.3 to 19.7
inches (11 to 50 centimeters). The E323 uses a multi-area AF system, which
automatically bases focus on the part of the subject closest to the lens.
The selected area is then highlighted on the LCD display when the Shutter
button is halfway pressed. There's also a Landscape mode, which fixes focus
at infinity. In addition to the 3x optical zoom, the E323 also offers as
much as 4x digital zoom, effectively increasing the camera's zoom capabilities
to 12x. (Although I always remind readers that digital zoom always decreases
the overall image quality because it simply enlarges the central pixels of
the CCD's image; you can get the same result by simply cropping the image
in a computer after capture.) The E323 has a real image optical viewfinder,
as well as a 1.6-inch LCD monitor for composing images. The LCD display reports
the frame number, camera mode, selected focus area, and battery level.
Exposure remains under automatic control on the E323,
though the camera does offer a handful of scene modes for special shooting
situations. A basic Mode switch on the rear panel controls whether the camera
is in Playback or Record modes, as well as whether or not the LCD display
is on. By default, the camera is automatically placed into Auto record mode
when powered on. Through the Record menu, however, you can select Sports,
Portrait, Landscape, Night View, Cosmetic, or Slim preset scene modes. Regardless
of mode, the camera remains in charge of aperture and shutter speed (which
ranges from 1/2,000 to two seconds). Sports mode employs faster shutter speeds,
to freeze fast moving action. Portrait mode uses a larger aperture setting
for decreased depth of field, which results in a sharply-focused subject
in front of a slightly blurred background. Landscape mode fixes focus at
infinity and increases the depth of field so that the background and foreground
are in sharp focus. Night View mode balances the flash with the ambient exposure
to get good night portraits with plenty of background detail. (You can disable
the flash as well, for night scenes.) Cosmetic mode optimizes the camera
for more appealing portraits, and lowers the in-camera sharpening just slightly,
for softer skin tones. Finally, Slim mode changes the horizontal or vertical
proportions of the subject, using digital zoom to "stretch" the
image, thus making your subjects look like they lost a few pounds. (This
is the first time I can recall seeing this particular feature on a digicam
- Makes me want to keep an E323 in my bathroom, next to the scales!)
Though you can't directly select the shutter speed or
aperture, you can increase or decrease the exposure from -2 to +2 exposure
equivalents (EV) in one-third-step increments by pressing the right and left
arrow keys on the rear panel. (You can also change the setting through the
Record menu.) The E323 doesn't offer a manual sensitivity setting, but the
camera automatically adjusts the ISO value from 50 to 200, depending on the
available light. White Balance options include Auto, Daylight, Cloudy, Incandescent,
and Fluorescent settings, which adjust the color balance for most commonly-encountered
lighting conditions. The DiMAGE E323's built-in flash operates in Auto, Red-Eye
Reduction, Fill-Flash, or Suppressed. (In Night View mode, the camera automatically
times the flash with the slower exposure, similar to the Slow-Sync setting
on other digicams.) Konica Minolta rates the E323's flash as useful from
0.4 to 9.8 feet (0.11 to 3.0 meters), depending on the lens zoom position.
In Movie exposure mode, the camera captures 320 x 240
or 160 x 120-pixel resolution moving images (without sound), for as long
as the memory card has available space. The camera's Self-Timer mode provides
either a two- or 10-second delay between the time the Shutter button is pressed
and the time that the camera actually takes the picture, allowing you to
get into your own shots. For shooting fast action subjects, the DiMAGE E323's
Standard and Best Select Continuous Advance modes capture a rapid series
of images while you hold down the Shutter button, much like a motor drive
on a traditional 35mm camera. The number of images in a series and the actual
frame rate of capture will vary depending on the resolution and quality settings,
as well as the amount of available memory card space. The Best Select option
captures a maximum of four images in quick succession, then lets you select
the best one of the four to save. (The remaining three are deleted.) Both
Movie and Continuous Advance modes offer a limited selection of preset scene
modes as well.
The DiMAGE E323 stores its images on SD/MMC memory cards,
and a 16MB SD card accompanies the camera. I highly recommend picking up
a larger capacity card right away, so you don't miss any important shots,
especially given the camera's 6.0-megapixel interpolated resolution setting.
This card will only hold five to six images at this setting. Connection to
a host computer for image download is via USB, and the necessary cable
accompanies the camera. The camera utilizes either two AA-type batteries
or a single CR-V3 battery for power, and a set of single-use alkaline batteries
accompanies the camera. As always, I recommend picking up an additional set
of rechargeable NiMH batteries and a good charger, and keeping a set freshly
charged at all times. Click here
to read my "battery shootout" page to see which batteries currently
on the market are best, or here
for my review of the Maha C-204F charger, my long-time favorite. That said,
the E323 does offer extensive power-save settings, letting you select separate
shutdown times for when the camera's in record mode, playback
mode, and when using the optional AC adapter. The optional AC adapter is
also useful for preserving battery power when reviewing and downloading images,
or when viewing images and movies on a television via the supplied video
cable.
Basic Features
- 3.2-megapixel CCD for a maximum resolution of 2,048 x 1,536 pixels (interpolates
to 6.0 megapixels, or 2,880 x 2,160 pixels).
- Real-image optical viewfinder.
- 1.6-inch color TFT LCD monitor.
- 3x, 5.6-16.8mm lens, equivalent to a 36-108mm lens on a 35mm camera.
- 4x digital zoom.
- Automatic exposure control, plus six preset scene modes.
- Shutter speeds from 1/2,000 to two seconds.
- Maximum aperture f/2.8 to f/4.9, depending on lens zoom position.
- Built-in flash with four modes.
- SD/MMC memory card storage, 16MB SD card included.
- Images saved as JPEG files.
- Power supplied by two AA-type batteries, one CR-V3 battery, or optional
AC adapter.
- DiMAGE Viewer software, QuickTime Viewer, and USB drivers included for
both Windows and Mac platforms.
Special Features
- Movie recording mode (without sound).
- Standard and Best Select Continuous Advance shooting modes.
- Two- and 10-second Self-Timer modes for delayed shutter release.
- White balance (color) adjustment with five modes.
- USB Direct-Print capability.
- Video cable for connection to a television set.
- USB cable for connection to a computer (driver software included).
Recommendation
Small, sleek, and very portable, the DiMAGE E323 is
the newest addition to the point-and-shoot end of Konica Minolta's DiMAGE
line. With automatic exposure control, the E323's point-and-shoot style will
appeal to novices who want to keep things simple, while offering a range
of preset scene modes for more challenging situations. The 3.2-megapixel
CCD delivers good quality images, with enough resolution to make sharp 8x10
prints, and interpolates to 6.0 megapixels for prints as large as 11x17 inches,
although the interpolated images don't really gain any additional resolution.
Smaller image size settings are available for general use or email distribution.
The E323 is compact enough for travel, and has enough flexibility to handle
most average shooting situations well.
Design
Konica Minolta's DiMAGE series of digicams is known for quality and technological
innovation, offering an array of digital cameras to suit a wide range of
experience levels and price points. Coming in at the point-and-shoot end
of the line is the DiMAGE E323, with full automatic exposure control and
only a handful of features. Though not as compact as the DiMAGE X series
of digicams, the E323 is small and sleek, with smooth panels to make it pocket
friendly. The E323's rectangular body doesn't offer much of a hand grip,
but a raised bump on the front panel provides a small finger grip, balanced
by a series of smaller raised bumps on the rear panel. Measuring 3.9
x 2.4 x 1.4 inches (99 x 62 x 35 millimeters), the DiMAGE E323 should
fit into larger shirt pockets without trouble. The camera's plastic body
helps keep the weight down, at 5.1 ounces (145 grams)
without the batteries and memory card. A wrist strap accompanies the
camera for easy toting, but I'd recommend picking up a small camera case
to protect the matte-silver finish when traveling.

The E323's front panel is distinguished by a light blue accent piece at the
very top, which blends well with the light silver body and gives it a retro
1960's or 70's feel. The lens, flash, optical viewfinder window, and self-timer
LED are the only features on the front panel. When powered on, the lens extends
just a little over half an inch from the camera front, but retracts flush
with the front panel when powered off. A shutter-like lens cover automatically
slides out of the way to reveal the lens, and eliminates the need for a lens
cap. In the lower right corner is the raised bump that serves as a moderately
effective finger grip.

The right side of the E323 (as viewed from the rear) simply features the wrist
strap attachment eyelet.

On the opposite side of the camera are the DC In and Video Out/USB jacks. They
are not protected by a rubber door, as has become common among digital cameras,
so it should be protected from dust, dirt, and debris with a case if it's
going to ride around in a bag or backpack.

The DiMAGE E323's top panel holds only the Power and Shutter buttons, both
on a slightly raised panel.

The remaining camera controls are on the rear panel, along with the optical
viewfinder and 1.6-inch color LCD monitor. Lining
up on the right side of the LCD monitor are the Mode switch, Menu, and Flash
/ DPOF buttons. The Zoom buttons are in the top right corner, with the Four-Way
Arrow pad and OK button directly below. A small LED light next to the viewfinder
eyepiece lights or flashes to indicate camera status, such as when the flash
is charging or the autofocus system is having trouble. Also on the rear panel
is a line of raised bumps that serves as a mild thumb grip when holding the
camera in your right hand.

The E323's bottom panel is flat, with a plastic threaded tripod mount just
about center, and the battery and memory card compartment on the right. Unfortunately,
the tripod mount is too close to the battery compartment to allow quick battery
changes while working on a tripod. Though this won't likely pose a problem
for most of the E323's users, I do generally appreciate being able to quickly
change out batteries or the memory card when working with a tripod. Still,
the side access of the DC In jack means you could quickly connect the accessory
AC adapter when in a bind. The battery door is a little on the cheap side,
with molded plastic parts for retention, so users should be careful when
opening and closing this door.
Camera Operation
With only a handful of external controls and a concise LCD menu system, the
DiMAGE E323's user interface is straightforward and easy to grasp, with nice
little assistant windows to more fully explain a given item. The Mode switch
on the rear panel controls the camera's main operating mode (as well as the
status of the LCD display), while a very short LCD menu offers basic camera
settings. Features like optical zoom, flash mode, Exposure Compensation,
Macro mode, and the Self-Timer can be accessed externally, while the remaining
settings require the LCD menu. Once activated, the LCD menu is actually quite
short, and doesn't require too much effort to navigate. Additionally, the
Setup menu is available at all times, so you can quickly access main camera
settings. Given the camera's straightforward setup and user-friendly design,
most users should be able to operate the camera right out of the box, referring
to the manual only for more complex operations. I especially like how easy
it is to change EV settings in any record mode: just press the left and right
nav buttons and the EV selector bar appears across the bottom of the screen.
If other cameras had this feature so readily available, photographers would
be more likely to use it.
Record-Mode
Viewfinder Display: In Record mode, options for the LCD display are simply
on or off:, there are no options for more or less information in the display.
With the mode selector switch at the top, you're in LCD capture mode; with
it set in the middle, or "VF" mode, you're in optical viewfinder
only mode, meaning that the LCD will be off. Information shown in LCD capture
mode includes camera mode, exposure mode, flash status, exposure compensation
(if a compensation adjustment has been made), white balance setting (if something
other than "Auto" is selected), image size and quality setting,
drive mode (single, continuous, movie, etc.), and the number of shots remaining
on the memory card. The selected AF area appears when the Shutter button
is halfway pressed. Overall, the viewfinder display information is clear
and smartly arrayed for a very good interface.
Playback-Mode
Viewfinder Display: In Playback mode, the LCD display reports only the
date of the captured image. You can use the Zoom buttons to enlarge the captured
image, or display a nine-image index of the images on the memory card. (Image
numbers are displayed during the index display.) You can also capture a snapshot
of an image by zooming in as far as you like and pressing the shutter button.
A new image is then saved.
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