Full manual exposure control, with an abundance
of custom camera settings and fine tuning for image adjustment.
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Manufacturer Overview
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The Konica Minolta Maxxum 7D is arguably one of the most eagerly-awaited digital
cameras announced in the last year or so. Minolta was one of the leading manufacturers
of film-based SLRs back in the heyday of that format, in the early- and middle-1970s.
As a result, there are literally millions of existing Minolta film SLR owners
who have been waiting for a digital model to use their extensive collections
of Minolta lenses with. Technically labeled the "Dynax" 7D, most of
its fans are likely to simply refer to it as a Minolta Maxxum 7D or just Minolta
7D, given their long familiarity with the Minolta name, dating back well before
the merger of Konica and Minolta a couple of years ago.
For Maxxum fans, the new Maxxum 7D will seem immediately familiar and comfortable,
as many of its operating controls are carried forward from previous Maxxum film
models. The Konica Minolta Maxxum 7D is a true digital SLR though, aimed at
professionals and experienced amateurs serious about digital photography. As
noted, the camera's wealth of external exposure controls and overall styling
match those of earlier Maxxum designs, so many users will immediately feel at
home. The Maxxum 7D offers a 6.1-megapixel sensor yielding images as large as
3,008 x 2,000 pixels. In a market increasingly crowded with "me-too"
models though, the Konica Minolta Maxxum 7D stands out, thanks to one of its
unique body-based anti-shake technology. This one feature adds tremendous value,
effectively turning family of high-end DiMAGE digicams brought professional
camera design to the consumer, marrying the benefits of full exposure control
with the ease of automatic and preset shooting modes. Models like the DiMAGE
7 series and the A2 presented pro-level control over the full image (from exposure
to attributes such as sharpness, contrast, etc.), but in a package that appealed
to experienced amateurs and novices alike, without compromising quality or performance.
all your Minolta autofocus lenses into image-stabilized models. With
conventional anti-shake lenses typically costing hundreds of dollars more than
models without anti-shake, the built-in anti-shake capability of the Konica
Minolta Maxxum 7D could easily be worth thousands of dollars to a shooter with
a large lens collection.
Other characteristics and specifications of the Konica Minolta Maxxum 7D are
fairly typical for a camera of its class, with all the features you'd expect
in a basic digital SLR, but wrapped in a uniquely "Minolta" package.
The plethora of external buttons and knobs may appear intimidating to some users
at first approach, but a very modest amount of time spent learning the camera's
interface will leave you appreciating the speed and fluidity that all the external
buttons bring to the Maxxum 7D's operation.
With the price of digital SLRs finally within reach, should you stick
with the All-in-one digicam or move up to an SLR? Why buy a high-end
digicam when digital SLRs are so close in price? Do digicams still have
a purpose? What are the pros and cons? An avid photographer, I spent
some time thinking about that myself. Come see what I discovered about
digital SLRs versus all-in-one digicams.
6.1-megapixel APS-C interline primary-color CCD delivering resolutions as
high as 3,008 x 2,000 pixels.
12-Bit A/D conversion.
Digital SLR design for a true optical viewfinder.
2.5-inch TFT color LCD monitor for image and menu review.
Interchangeable A-type bayonet lens mount accommodates a wide range of Konica
Minolta AF lenses.
Auto and Manual focus options, with adjustable nine-point AF area and Single
and Continuous AF modes.
Auto, Program AE (with Program Shift), Aperture Priority, Shutter Priority,
and Manual shooting modes.
Shutter speeds from 1/4,000 to 30 seconds, with a Bulb setting for manual
control of long exposures.
14-segment honeycomb pattern metering, Center-Weighted, and Spot metering
options, with AE Lock function.
Adjustable ISO from 100 to 3,200 equivalents, with an Auto setting.
Built-in, pop-up flash with four main operating modes and a Slow-Sync function.
External flash hot-shoe for Konica Minolta accessory flash units.
External PC-style flash sync terminal.
Built-in support for wireless TTL flash exposure with
certain Konica Minolta flashes.
Continuous Advance and Interval shooting modes.
Digital Effects option controls contrast, saturation, sharpness, and hue
adjustment.
Adjustable White Balance setting with a manual option and full range of
Kelvin temperature settings.
Color modes include Natural (sRGB), Natural Plus (sRGB), Adobe RGB with
embedded color profile.
RAW and JPEG file formats.
Images saved on CompactFlash Type I or II memory cards, Microdrive compatible.
"Storage-Class" USB 2.0 High-Speed interface.
USB 2.0 High-Speed cable and interface software for
connecting to a computer and downloading images.
NTSC or PAL selectable video output signal, with cable included.
Power supplied by a single high-capacity lithium-ion battery pack or separate
AC adapter (available as an accessory).
Optional vertical handgrip and wired remote control
accessories.
DPOF (Digital Print Order Format) and PictBridge compliant.