Digital Cameras - Konica Minolta DiMAGE Z20 Test Images
I've begun including links in our reviews to a Thumbnail
index page for the test shots. The data on this page includes a host
of information on the images, including shutter speed, ISO setting, compression
setting, etc. Rather than clutter the page below with all that detail,
we're posting the thumbnail index so only those interested in the information
need wade through it!
"Sunlit" Portrait: (This is my new "Outdoor" Portrait test - read more about
it here.)
High resolution and strong detail, with great color. Contrast is a
little high, but pretty good detail in the highlights and midtones.
Exposure compensation: +1.0 EV, about average.
Contrast/Tone: High, some highlight detail lost,
even with low contrast setting and slightly dark midtones
White Balance: Auto
most accurate overall, Daylight was cool
and Manual reddish.
Color accuracy: Quite good, blues are very good.
Accurate reds, yellows, and greens.
Skin tones: Pretty good, although slightly pinkish.
Resolution/sharpness: High, good definition
Shadow detail: Slightly limited, though low noise
To view the entire exposure series from zero to +1.3 EV, see files Z20OUTAP0.HTM
through Z20OUTAP4.HTM on the thumbnail index page.
Contrast Series: An effective contrast adjustment, that almost handles the tough
lighting of this test. Good too, in that it has little effect on color
saturation.
Flash balance with room lighting?: Moderate with
the normal flash mode, color balance is warm and reddish. Slow-Sync
mode results in a stronger warm cast.
Color: Pretty good, though slightly dark.
To view the entire exposure series from zero to +1.3 EV in the normal
flash mode, see files Z20INFP0.HTM through Z20INFP4.HTM on the thumbnail
index page.
To view the entire exposure series from zero to +1.3 EV in the Slow-Sync
flash mode, see files Z20INSFP0.HTM through Z20INSFP4.HTM on the thumbnail
index page.
Good to excellent color with all white balance settings, though slightly
higher than average exposure compensation required.
Exposure: +1.3 EV adjustment
needed, slightly higher than average
White Balance:Manual
and Incandescent very good, Auto
slightly reddish, but still very good.
Color: Skin tones pretty good, blue flowers a little
dark, others flowers dark as well. (Good, given the tough light source.)
To view the entire exposure series from zero to +1.3 EV, see files Z20INMP0.HTM
through Z20INMP4.HTM on the thumbnail index page.
ISO Series:
The Z20 produces low image noise at its 50 and 100 ISO settings, and only
marginally increases the noise level at ISO 200. Starting at ISO 200 though,
anti-noise processing begins to take a noticeable toll on fine detail.
Still, even ISO 320 shots are acceptable when printed as large as 8x10
inches, and are quite good at 5x7 inches and below.
Slight underexposure but high contrast slightly limits dynamic range.
However, high resolution and very strong detail.
This image is shot at infinity to test far-field
lens performance, and to present a near-infinite range of detail to the
camera. NOTE that this image cannot be directly compared to the other
"house" shot, which is a poster, shot in the studio.
Sharpness/Detail: Very good, a lot of fine detail.
Sharpness in Corners: Very good, much better than
average.
Color: Good.
Dynamic Range: Slightly limited by high contrast,
but still good detail in the highlights, fairly good in shadows.
Detail lost to anti-noise processing?: Little or
none in this particular shot.
ISO Series: (Same as above in Indoor Portrait shot: Low noise at ISO 100 and below,
some fine detail lost to anti-noise processing at ISO 200 and above.)
Sharpness Series: A good range of sharpening adjustment. Low setting leaves some sharpening
there, but the resulting images take strong/tight unsharp masking in Photoshop(tm)
very well. High setting is crisp without too many artifacts, good for
inkjet printing at 5x7 and below. Normal setting is good compromise, the
images appearing fairly crisp with low artifacts.
The Z20's focal length range of 36-290mm equivalents is much larger than
that of most point & shoot digital cameras. It corresponds to a moderate
wide angle to a pretty substantial telephoto.
White balance: Manual
most accurate overall, Auto slightly red,
and Daylight a hint green.
Color Accuracy: Generally good, with good saturation.
Blues are shifted slightly toward cyan, other colors are hue-accurate.
Yellow-greens and yellows are a little undersaturated, reds are somewhat
oversaturated. Better than average accuracy, and generally very pleasing,
though.
Shadow detail and noise: Good detail in the briquettes,
moderately low noise.
The results in the tests below mirror those seen above in other test
shots. The test series are repeated here without further comment, for
the benefit of our more quantitatively-oriented readers.
Slightly limited low-light capabilities, but sensitive enough for
average city street lighting at night. Autofocus works down to about 1/3
the level of typical city street lighting. Good color and low noise overall.
Exposure limit: 1/4 foot-candle at ISO 200 and
320. (About 1/4 as bright as typical city street lighting at night.)
1/2 foot-candle at ISO 100, and one foot-candle at ISO 50.
Autofocus Limit: A bit less than 1/2 foot-candle.
(About 1/3 the brightness of typical city street lighting.)
White Balance: Good.
Noise Levels: Moderately high, at the higher sensitivities
and lower light levels.
Detail loss to anti-noise processing?: Surprisingly
little.
General Notes: The Konica Minolta Z20 did pretty
well at low light levels. It doesn't go as dark as some cameras do,
but certainly dark enough for typical city night scenes. Color and detail
are good, noise is moderate, and the autofocus system works down to
just a bit brighter than the camera can capture an image at.
(Note: If you'd like to use a light meter to
check light levels for subjects you might be interested in shooting, a
light level of one foot-candle corresponds to a normal exposure of two
seconds at f/2.8 and ISO 100.)
1 fc
11 lux
1/2 fc
5.5 lux
1/4 fc
2.7 lux
1/8 fc
1.3 lux
1/16 fc
0.67 lux
ISO
50
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
ISO
100
2.5 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
ISO
200
1.3 sec
f3.2
2.5 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
ISO
320
1/1 sec
f3.2
1.6 sec
f3.2
4 sec
f3.2
4 sec
f3.2
4 sec
f3.2
Flash Range Test
A bright flash, with good intensity to about 13 feet, though still
bright at 14 feet.
Flash range at telephoto lens setting: 13 feet (Excellent)
Good resolution for its 5-megapixel class, 1,250 - 1,300 lines of
"strong detail." High barrel distortion at wide angle, and a
fair amount of pincushion at telephoto. Strong chromatic aberration at
telephoto, moderate at wide angle. Good corner sharpness at normal and
tele lens settings, slight softness at wide angle.
Resolution: 1,250-1,300 lines both vertically and
horizontally
Artifacts begin at: ~1,100 lines
Extinction point: ~1600 lines
Barrel/Pincushion distortion: 1.1 percent barrel
at wide angle, 0.6 percent pincushion at telephoto
Chromatic Aberration: Moderate at wide angle, strong
at telephoto
Accurate EVF and LCD monitor. (Slight room for improvement though.)
Electronic Optical Viewfinder Accuracy: 96 percent
at wide angle, and presumably about the same at telephoto (top measurement
line was just cut off). Very good, but not quite the 100% I'd like
to see.
LCD Viewfinder Accuracy: Same results.
Flash Uniformity: Slight falloff at wide angle
(better than average though), even less at telephoto.