Fujifilm X-T1 Review
|Full model name:||Fujifilm X-T1|
|Kit Lens:||3.06x zoom
|Viewfinder:||EVF / LCD|
|Dimensions:||5.1 x 3.5 x 1.8 in.
(129 x 90 x 47 mm)
|Weight:||27.2 oz (770 g)
includes batteries, kit lens
Fuji X-T1 Review -- Now Shooting
by Mike Tomkins
04/01/2014: Shooter's Report Blog Part 1: Bright lights, big city!
If you've been holding off on buying a Fujifilm X-series mirrorless camera because you weren't a fan of the rangefinder-like form factor, it may be time to reevaluate your decision. The 16.3-megapixel Fuji X-T1 compact system camera takes the X-series in a brand-new direction, ergonomically speaking, and it's aimed at SLR shooters who've so far not made the jump to mirrorless.
Until now, whether they've been based around a hybrid viewfinder, an electronic viewfinder, or no viewfinder at all, Fuji's X-series cameras have all shared a fairly similar, street shooter-friendly form factor and ergonomics. The Fuji T1 takes a different tack, aiming to bring SLR fans into the mirrorless fold with styling that makes them feel more at home -- right down to the pentaprism-esque hump on the top deck.
Look inside the X-T1, though, and you won't find a pentaprism. This is a mirrorless camera through and through; your framing will be done either on the LCD monitor, or on the built-in electronic viewfinder. And oh, what an EVF it is!
Fujifilm clearly recognized that if it wanted to make converts of SLR owners, it needed to provide a compelling argument for the death of the optical viewfinder. Sitting nearer the horizontal center of the body than in the company's rangefinder-like X-series models, the Fuji X-T1's newly-developed, Organic LED-based finder provides both the highest-magnification and the shortest update lag of any compact system camera to date, according to Fujifilm.
As well as the viewfinder, the Fuji X-T1's magnesium body plays host to a profusion of external, manual controls that will doubtless draw comparisons to the Nikon Df, a full-frame digital SLR with a similarly retro aesthetic. And like that camera -- but unlike all of its X-series mirrorless brethren -- the Fuji T1 is fully weather-sealed. It's also freeze and dust-resistant.
At the heart of the Fujifilm X-T1, right behind its X-mount, sits much the same 16.3-megapixel, X-Trans image sensor complete with on-chip phase detection autofocus pixels seen previously in the Fuji X-E2. That yields the same incredibly swift, manufacturer-claimed 0.08-second autofocus response time, but the ISO sensitivity range is even greater than before, thanks to refined circuitry. The X-T1 is capable of shooting at sensitivities from ISO 100 to 51,200 equivalents. It's not just AF that's fast, either: The X-T1 is able to shoot at a whopping eight frames per second.
It's also the first compact system camera that's compatible with UHS-II flash cards, which are even faster than their UHS-I SD predecessors. And Fujifilm has worked on its Wi-Fi connectivity, improving it with support for remote shooting and the ability to adjust most settings remotely as well.
In many respects, the Fuji X-T1 could be seen as a new flagship for the X-series. As you can see, it sports many new features not seen in the X-series before now. Fujifilm tells us that X-Pro1 continues as flagship of the line, though, even if in some ways it's bested by the young upstart. The X-T1, we're told, slots into Fuji's lineup directly above the X-E2.
Available from February 2014, the Fujifilm X-T1 is priced at around US$1,300 body-only. A kit version bundling a non-weather sealed 18-55mm XF lens will be available at the same time, priced at around US$1,700.
A variety of new accessories are also promised, including a weather-sealed vertical battery grip with duplicate controls for portrait-orientation shooting, a hand grip, an all-leather case, and more. Pricing and availability for the accessories hadn't been disclosed at press time.
Without any further ado, let's take a look around the Fuji X-T1's brand-new body.
Walkaround. As mentioned, the Fujifilm X-T1's body is comprehensively sealed for water and dust resistance, and is also freeze-proof to -14°F. Constructed from die-cast magnesium and aluminum alloy, the body includes a total of some 75 weather seals throughout. The top deck is covered by an array of dials, two of them double-decked, and CNC-milled from aluminum. On the rear, the LCD monitor is overlaid by a tempered glass panel for added protection.
Seen from the front, controls include a dial tucked into the top of the hand grip, as well as a programmable function button -- one of six found on the body -- plus the lens-mount release button and focus mode selector switch.
There's also an autofocus assist lamp adjacent to the top of the handgrip, and directly across the top of the lens mount, a flash sync terminal.
Moving to the top deck, we get a better look at all those many dials, which make it quick and easy to confirm the camera's setup without needing to resort to a power-hungry LCD monitor.
On the left shoulder sits an ISO sensitivity dial, above a drive mode dial which we'll see better from the rear of the camera, momentarily. Note that as well as positions from ISO 200 to 6400 equivalents, plus L (100), H1 (12,800), and H2 (25,600) positions, an A (Auto) position lets the camera take control of this variable.
Moving right a little, there's a diopter correction dial on the left flank of the viewfinder housing, and at its top sits a flash hot shoe. The other side of the viewfinder housing is home to a viewfinder button, used to switch between the electronic viewfinder and LCD monitor. Viewfinder switching can also be accomplished automatically, as we'll see in a moment.
Finally, the right shoulder of the Fuji X-T1 is jam-packed with controls. Starting just right of the viewfinder hump, we have the shutter speed control, offering everything from 1/4,000 to one second plus Time, Bulb, and Auto. (There's also a specific marking for the 1/180 second flash sync speed.) This dial sits wedding-cake style above a metering mode dial, and just to its right are a function button and a +/-3.0 EV exposure compensation dial with fixed 1/3 EV steps.
In front of the exposure compensation dial is a movie record button, and just left of that is the shutter button encircled by an on/off switch.
From the rear, first of all note the drive mode and metering mode dials, mentioned previously and sitting beneath other top-deck dials.
Moving down onto the rear of the camera proper, and starting at left above the LCD, we have the delete and playback buttons just left of the viewfinder, as well as the auto-exposure lock button to its right. There's then a second control dial, and the autofocus lock button sits at very top right.
Lining the rightmost side of the LCD monitor are the focus assist and quick menu buttons, the four-way control pad with central menu / OK button, and the display / back button.
There's also a nicely protruding thumbgrip at top right, helping to give a solid purchase on the camera when shooting single-handed.
There's not a whole lot to see at left which we haven't already covered, but this shot nicely shows off the tilting LCD monitor, which can face upwards or downwards, but can't be seen from in front of the camera for self-portraits.
You can also better see the diopter correction dial on the left of the viewfinder hump, and the access panel for the connectivity compartment lines the left side of the camera body.
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Shooting with the Fuji X-T1
By Mike Tomkins
Part I -- Bright lights, big city
As a fan of retro ergonomics, I've been interested in the Fuji X-T1 ever since it was announced at the start of the year. It wasn't until a two-week vacation in my one-time home of Hong Kong came near, though, that I had the perfect excuse to get my hands on what's proven to be a pretty popular camera ever since it arrived at Imaging Resource headquarters. When the trip loomed large and I inquired as to which cameras might be available to take with me, the X-T1 seemed to be the obvious choice. Not only was it a nice match for my shooting style, but it was also pretty compact, and for this trip I would be packing light.
To accompany the X-T1 body, I selected three lenses: the Fujinon XF18-55mmF2.8-4 R LM OIS and Fujinon XF55-200mmF3.5-4.8 R LM OIS zooms, as well as the Fujinon XF35mmF1.4 R prime. The two zooms touched the bases for a broad coverage from wide-angle to telephoto, while the prime seemed ideal as a walkaround, street shooter lens. (Truth be told, I wasn't expecting to need the longer focal lengths of the 55-200mm lens too much. Hong Kong being a densely-populated city, getting far enough from your subject is usually harder than framing up close. Still, it seemed worth taking nonetheless, if only for shooting around the harbor.) I also brought the VG-XT1 vertical battery grip with a spare battery, which never left the camera, as well as the tiny, bundled EF-X8 flash strobe which it turned out I never needed to use.
The savings in weight over a similarly-specified enthusiast DSLR kit -- a Pentax K-3, battery grip, and similar lenses -- is actually only very slight. The Fujifilm gear comes to about 3.9 pounds all-in, where the equivalent Pentax kit would be just a touch under 4.1 pounds. However, Fuji's lenses are all somewhat brighter than their nearest Pentax equivalents, despite a very noticeable savings in size. And honestly, it's size more than weight that matters when I'm packing for overseas travel. I'm not letting my camera gear be put in the hold -- my family worked in the airline industry, and I know what happens to checked bags (!!) -- but space is at a premium in a carry-on bag. Especially one that can fit in the little regional jets that frequent my local airport.
With Hong Kong being densely packed and somewhat hazy at this time of year, I expected to get more use out of my 18-55 zoom and 35mm prime than out of the 55-200mm zoom -- and I was right. Still, I got some very nice shots out of the latter, such as this Hugo Boss-wrapped Star Ferry.
I had a few days to familiarize myself with the X-T1 before leaving for Hong Kong, but it wasn't until I arrived that I had time to really shoot in earnest. Thankfully, I found the little Fuji to be very approachable and quick to come to terms with. Having all those clearly-marked external controls makes for an intuitive experience. And since each control also has an Auto position, there's no need for a Mode dial. The result is much more coherent than another retro shooter I'd recently taken for a spin, the Nikon Df. (And despite being a much smaller camera, the X-T1 somehow feels less cramped than the Df did, as well.) It took me a little while to remember that, with no Mode dial, features like panorama shooting and multiple exposure belonged on the Drive mode dial, but once I got used to that I really fell in love with the X-T1's layout.
The 55-200mm lens also did a nice job with these sea urchin fishermen. You can easily make out the individual, razor-sharp spines of their freshly-gathered catch, emptied from traps just moments before.
There is a slight dichotomy in the lenses, though. The two zooms have fly-by-wire aperture rings and a separate auto / manual aperture switch, where the 35mm prime has a proper, manual aperture ring complete with an "A" position for automatic aperture control. I much prefer the manual ring, which gels better with the overall experience of the X-T1, but honestly I could live with either approach by itself. I find it a bit confusing switching back and forth between the two depending on which lens is in use, however. Were I to buy the X-T1, I'd probably factor the aperture control method into my decision when choosing which lenses to buy, for a more cohesive experience.
Despite a shallower grip than I typically prefer, I find the Fuji X-T1 very comfortable in-hand, and nicely balanced as well. Especially so with the portrait grip attached -- I left this on all the time, and not just for its extra battery, but also for its duplicate portrait-orientation controls. It took quite a while before I could remember to use them, though. Perhaps because the combination of body and grip is still so (relatively) compact, I kept forgetting there was another shutter button, and reaching across the top of the camera to the main button even for portraits. And even now I've gotten used to it, I still sometimes stick to the main shutter button simply because I find its locking switch to be a little bit fiddly.
There's also a slight quirk with the grip's operation with respect to the second battery. The camera will power-cycle itself after you first switch it on if the battery in the grip is flat, and continues to randomly do so every now and then before or after a shot, if you leave the drained cell in the grip. I did, just one time, miss a shot due to this quirk, but it's easy enough to remove the drained battery and slip it in a pocket. I'm hopeful this is something that can be addressed with a firmware update, too.
I also found occasional issues with the camera not waking back up after it had gone to sleep, even if I fully depressed the shutter button. I've yet to figure out a pattern to this -- perhaps there's a certain time duration that has to elapse to trigger the problem -- but power-cycling the camera always brought it straight back to life. And battery life seems reasonable. Only twice during my fortnight in Hong Kong did I shoot enough to drain the entire battery in a single day, and I never came close to draining both batteries in a day's shooting. (But then, I did religiously charge both cells each night.)
Although I've yet to shoot any particularly active subjects, autofocus performance so far seems pretty good, with one exception. Beyond about 135mm, the 55-200mm is a bit on the slow side, autofocus-wise. Even when presented with a high-contrast subject that's already in focus, it will rack all the way from the nearest focus distance to the actual focus distance, taking as much as a second to do so. (Other lenses, and the 55-200mm at nearer focal lengths, show the same focus-racking behavior, but they arrive at the point of focus quickly enough that it doesn't feel like an issue.) I was initially frustrated by the need to dive into the menu to change between multi-point and single-point AF modes, but as soon as I found that I could assign this to the front function button, I was happy once more.
There are a couple of controls on the X-T1's body that I'm not entirely happy with. The rear four-way controller's buttons are very small and don't have a great button-feel when pressed, so they're not the best to operate solely by touch. And after spending a little while shooting with exposure compensation dialed in by accident, I realized that you really have to pay attention to this control. It's simply too easily turned, and needs either a locking button or a stronger click detent. After that first problem, I checked almost every time I went to take a shot, and noticed just in time that the dial had changed on several other occasions. (Typically, when the camera had been in a bag, but I also noticed it changing a couple of times after I'd been wearing it around my neck on bumpy minibus rides.)
I'm a big fan of optical viewfinders, and have yet to find an electronic viewfinder that has persuaded me to convert. The Fuji X-T1's viewfinder is the closest yet, though. There are a couple of things I very much like about it. For one thing, it's very roomy. I'm also starting to realize that one of my key complaints with electronic viewfinders is the lag between the real world, and what my eye sees. It might be barely perceptible on most cameras, but it's still a disconnect from my subject. The X-T1's viewfinder is much faster than most -- and for that reason it feels more natural to me.
It could stand to be a bit brighter, but I only really had difficulty with it under harsh sunlight, and even then mostly because of its viewfinder eyepiece, which has a very shallow cup. Shielding the top or side of the camera with my free hand does the trick, but if I were to buy this camera, I'd probably take a trip to my local camera store to see if I could find a more generous viewfinder eyecup that fit. (Fuji doesn't make one, and although I tried eyecups from Canon, Pentax and Sony, none of them fit either.) I also noticed its eye sensor has a range of several inches, which is enough that when holding the camera in my right hand with a heavier lens attached and using my left hand to fiddle around in menus, causes the screen to randomly turn off and on. The solution's pretty simple -- don't use my left hand to reach across the camera.
The menu system is pretty straightforward, if a bit plain. (But then I must admit I tend to prefer plain over showy when it comes to menus.) There are a few places it could use better organization -- I'm not entirely sure why there are two separate sections on far-distant tabs of the menu related to Wi-Fi connectivity, for example -- but it's probably as good as (or better than) most in this respect.
The only way to isolate this old Triumph motorcycle from a rather distracting background was to shoot from ankle-height. The Fuji X-T1's handy, tilting LCD monitor helped me get really, really low.
Speaking of Wi-Fi, I found myself using this a lot more than I do with most cameras. That's perhaps in part because I was on a trip home, and many of my Facebook friends wanted to see the pictures too. Still, it's also because once set up, it's a pretty painless process: just press the top-deck Wi-Fi button, open the Photo Receiver app on my phone, and wait ten or fifteen seconds before choosing a few photos to transfer. The only real annoyance is that I tend to leave Wi-Fi disabled on my phone to save on battery life, but Fuji's app (for Android, at least) leaves the Wi-Fi connection active when it's finished with it, rather than returning it to its original state.That caused a flat phone battery once, when I wasn't aware of the behavior -- but I quickly learned to disable Wi-Fi manually whenever I was done. I've not used the more complex Camera Remote app (which allows remote control and geotagging) very much yet, so expect more on that in a later Shooter's Report.
The Fuji X-T1 occasionally struggled with the complex mixture of light sources on offer in Hong Kong. It's easily fixed, though -- Photoshop's Auto Color tool corrects the excessive warmth nicely. Add a touch of saturation/vibrance, and this shot in Choi Hung's wet market matches my memory nicely.
While I was in Hong Kong, I didn't have much opportunity to assess image quality, as my laptop screen -- while bright -- is not the best in terms of color rendition. Now that I'm back in the office, I've taken a look on my calibrated Dell UltraSharp U2410 monitor, though, and I like what I see from out-of-camera JPEGs. (I've not yet had a chance to try fiddling with raw files from the X-T1.) Colors are accurate and very much as I remember them, if perhaps just a little muted. White balance can tend to struggle a bit with Hong Kong's wildly-varying light sources, though, occasionally rendering night scenes either warm, or with a somewhat sickly green cast. Exposures were likewise pretty accurate. Sharpness seems fairly good as well, considering that the sensor resolution does lag what's available from APS-C rivals these days.
Another feature of the X-T1 that I found myself playing with quite a bit is it's panorama feature, Hong Kong being a place which lends itself to a good pano. It's pretty straightforward to use, and interesting in that it provides a choice not just of how wide the pano should be, but also of which direction it should run in. It doesn't handle moving subjects very gracefully, though, and when presented with Hong Kong's twinkling lights at night, had a tendency to produce some fairly heavy banding in the sky as lights pulsed on and off between frames. Still, presented with a more static subject it yielded some pretty nice results, and after a dozen or so tries, I got one handheld panorama of the Hong Kong harbor at dusk that I'll likely put on my wall, after a little tweaking.
One last feature that's an absolute delight is the Fuji X-T1's playback mode, which allows you to review images while they're still being written to the Secure Digital card. Initially, we'd understood that feature to be reliant on using the swifter UHS-II Secure Digital cards, which feature a second row of contacts for increased bandwidth. Although I've not done a lot of burst-shooting yet, I've tried a few lengthy bursts of images both on UHS-II and UHS-I cards, and the speed with which you can start reviewing images on either is seriously impressive. After a burst of a couple of dozen images in raw+JPEG format, there's a delay of just a few seconds until you can start reviewing those images, unlike most cameras which make you wait until the entire burst has finished writing to storage. That one change makes the camera feel much more responsive -- and you don't even have to shell out for a UHS-II card to get it! Very cool indeed.
For my next Shooter's Report, I'm planning on taking a look at the camera's performance with some more active subjects, as well as getting to the bottom of its more fully-featured Wi-Fi app on the Android platform, and trying my hands at some raw processing. If you have any requests for Shooter's Report two, be sure to leave them in the comments at the end of this review!
This lion dancer's mask, believe it or not, is even richer and more colorful in person. A little boost in saturation from the default easily fixes that, though, and the default colors do seem quite accurate.
Fuji X-T1 Review -- Technical Info
by Mike Tomkins
Sensor. At the heart of the Fujifilm X-T1 compact system camera sits the very same 16.3-megapixel, APS-C sized, X-Trans CMOS II image sensor seen previously in the Fuji X-E2. Total resolution is 16.7 megapixels, and the chip has dimensions of 23.6 x 15.6mm.
Compared to a standard CMOS imager with Bayer color filter array, X-Trans chips better resist moiré and false color artifacts, allowing Fujifilm to remove the resolution-robbing optical low-pass filter. The latest-generation X-Trans CMOS II sensors add on-chip phase detection pixels, improving autofocus performance in the process.
An ultrasonic vibration system is included to remove dust from the image sensor.
Processor. Output from the image sensor is handled by Fuji's EXR Processor II, which is also featured in the X-E2.
Performance. Performance of the pairing is, according to Fujifilm, just a little faster than in that camera, however. The Fuji X-T1 is said to be capable of shooting eight full-resolution frames per second with motion-predictive, tracking autofocus, up from 7 fps in the X-E2.
Autofocus is also swift, with a manufacturer-rated response time of just 0.08 seconds when using the XF14mm F2.8 R lens in High Performance mode, a figure that's unchanged from the earlier camera. Shutter lag is rated at 0.05 seconds, and startup time is said to be 0.5 seconds with the XF27mm F2.8 lens in High Performance mode.
It's worth noting, though, that in this mode the camera isn't truly "starting up", but rather awakening from sleep. Assuming the same timing as in earlier models, the X-T1 will continue to burn through its battery -- albeit at a reduced rate -- for as long as 24 minutes after it is switched off. If the threshold is exceeded, the camera will not continue to drain its battery, but will take a longer, unspecified time to start up.
ISO. Although both sensor and processor are unchanged, the Fujifilm X-T1 extracts better high-ISO performance than does the X-E2, according to its maker. This is said to have been achieved thanks to a redesigned circuit board which, presumably, induces lower noise during readout.
The result is a sensitivity range of ISO 200 to 6400 equivalents, expandable to encompass everything from ISO 100 to 51,200 equivalents.
There's also an Auto ISO function, and you can specify an upper limit on sensitivity between ISO 400 and 6400 equivalents.
Electronic viewfinder. The huge news about the Fuji X-T1 -- literally -- is its electronic viewfinder.
For one thing, it has the highest magnification seen on any digital camera to date, besting even the Olympus E-M1. That camera, by way of comparison, has a 0.74x magnification, whereas the Fuji X-T1's finder boasts 0.77x magnification. (The figure is said to be measured with a 50mm-equivalent lens set to infinity at -1 diopters.)
For another, it's not just big but also fast. According to Fujifilm, it has a viewfinder lag of just 0.005 seconds, a figure our inner geeks are already getting excited about verifying in the lab. ;-) According to Fujifilm, that's less than 1/10th the lag of existing models, and is achieved by displaying the live view feed on the viewfinder at the same time that subsequent pixels are being read from the sensor.
The viewfinder is based around an Organic LED monitor with a resolution of some 2.36 million dots. (That equates to roughly a 1,024 x 768 pixel array, with separate red, green, and blue dots for each pixel.) Angle of view is 38 degrees diagonally, and 31 degrees horizontally.
User interface. To make best advantage of the new electronic viewfinder, Fuji has also reworked its graphical user interface. There are, depending upon how you look at these things, somewhere between three and five operating modes.
In Full mode, the viewfinder shows shooting information above and below the live view image, to avoid distraction when framing. Normal mode shows more shooting information, but some of this is overlaid on the live view image. Dual mode adds a second, smaller display that is zoomed in to show focus peaking highlights or a digital split-image effect at the point of manual focus, helping you get your subject sharp while keeping tabs on framing. And finally, both full and normal modes can rearrange themselves appropriately during portrait framing.
Monitor. Having a great electronic viewfinder is a big deal for DSLR shooters making the leap to mirrorless, but there will always be times when you'll need to use the LCD instead, whether it's shooting from an awkward angle, or just chimping your shots with family and friends.
The Fuji X-T1 has a 3.0-inch LCD monitor with 1.04-million dot resolution, equating to some 720 x 480 pixels with three dots per pixel.
The display is overlaid with tempered glass to help protect from minor knocks and scratches. That's harder and more scratch-resistant than plastic and non-tempered glass, but not as strong as the Gorilla Glass or Sapphire Glass used in a handful of cameras.
Tilting mechanism. The Fuji X-T1's display is articulated, and can tilt upwards or downwards. We don't have a precise spec for either direction, as yet, but do know that the screen can't be viewed from in front of the camera, and nor can it be folded inwards for protection as in some tilt/swivel designs.
Optics. Fuji's X-mount lens lineup is quickly maturing, with quite a generous selection of very nice optics already on offer -- especially if you're a prime shooter -- and much more promised over the next couple of years. Ten lenses are already available, with two more expected to arrive imminently. Among those are seven primes (six shipping), and five zooms (four shipping.)
And if that's not enough to get you going, another five optics (four zooms and a prime) were recently promised on Fuji's X-mount lens roadmap, which covers the next two years or thereabouts. More details about three of these lenses were revealed alongside the Fujifilm X-T1, and all are promised during 2014. These include the XF18-135mm F3.5-5.6 R OIS WR, XF16-55mm F2.8 R OIS WR and the XF50-140mm F2.8 R OIS WR -- the first three weather-sealed X-mount optics on offer.
Clearly, given the weather-sealed body, these three optics represent the most versatile pairing, but if you don't need weather sealing, you have (or will soon have) around 16 lenses to choose from.
In-camera Lens Modulation Optimizer technology will, says Fuji, maximize each lens’ performance.
Focusing. We've already touched on the Fuji X-T1's autofocus system, but briefly, this is much the same as in the previous X-E2. It's a hybrid system coupling both contrast detection and phase detection, with the latter using information derived from PDAF pixels on the image sensor itself.
Fuji rates the system as capable of a 0.08 second autofocus response time with the XF14mm F2.8 R lens in High Performance mode, and claims it to be the fastest in its market segment.
You can, of course, focus manually too -- and should you choose to do so, Fuji includes both focus peaking and its clever digital split image function to help you get the shot with focus where you want it.
Exposure. Available exposure modes in the Fuji X-T1 include Program, Aperture-priority, Shutter-priority, and Manual. As befits a camera aimed at enthusiasts and experienced photographers, there are no hand-holding scene or Auto modes here.
Metering. Metering modes are selected with a physical dial on the X-T1's top deck, and include 256-zone TTL Multi, Average, and Spot.
Shutter. Shutter speeds range from 1/4,000 to 30 seconds, and are set with a physical dial. They're controlled with a focal plane shutter, and in addition to these speeds, you can also opt for Time or Bulb exposures, with the latter confined to a one-hour exposure or less.
X-sync is at 1/180 second or slower.
Flash. The Fuji X-T1 doesn't include a built-in flash, but again, that's not surprising given the target market. (And nor is there really space for one.)
What it does feature is a hot shoe and sync terminal, and an included EF-X8 flash strobe sits in that hot shoe. It has a guide number of 8 meters at ISO 100.
Flash modes include Auto, On, Off, Slow-sync (first / second curtain), and commander. A red-eye reduction function is available.
Creative. Among the X-T1's creative options are an interval timer function, a selection of ten film simulation modes that recreate the look of various Fujifilm and generic film types on JPEG images, eight different digital filters, and a dynamic range control. You can also process raw images in-camera.
The interval timer function allows intervals between one second and 24 hours, and has a maximum limit of 999 frames.
Movies. The Fuji X-T1 can shoot Full HD 1080p (1920x1080) or HD 720p (1280x720) movies, both at frame rates of 60fps or 30fps using H.264 video compression with linear PCM stereo audio in a MOV container. To maximize creative expression, Fujifilm's classic film simulation settings can be applied during movie recording, and so can exposure compensation of ±2 EV.
Wireless networking. Fujifilm has included 802.11b/g/n Wi-Fi wireless networking connectivity in the X-T1 compact system camera, and this allows remote live view and control from a compatible smartphone or tablet using the Fujifilm Camera Remote app.
The updated Wi-Fi functionality will now allow remote capture and settings control for most functions, including exposure (shutter, aperture, ISO sensitivity), white balance, flash mode, macro, and self-timer functions.
You can also transfer images to your smartphone or tablet, automatically save them to your PC, and piggyback off your phone's GPS to geotag images with their capture location. (The latter will, however, drain your phone's battery life.)
Connectivity. Fujifilm has also included several wired connectivity options in the X-T1 camera body. These include a Micro USB 2.0 High Speed data connection (also compatible with the optional RR-90 remote release cable), a Type-C Mini HDMI connector, and a 2.5mm stereo microphone jack. The latter also acts as a shutter release input.
Storage. An interesting first for the Fuji X-T1 is that it supports the latest UHS-II Secure Digital cards, which offer even higher transfer rates than the existing UHS-I high-speed cards. According to Fuji, no other compact system camera to date has included UHS-II support.
Fuji says transfer rates with UHS-II cards are approximately double those of conventional cards, and allow the X-T1 to review images simultaneously with writing the buffer memory to flash, so you don't have to hang around waiting to see your shots. Very cool!
Of course, higher-capacity SDHC and SDXC cards are also supported.
Power. The Fuji X-T1 draws power from an NP-W126 lithium-ion rechargeable battery, said to be good for 350 shots on a charge.
If you need longer -- or want better ergonomics for portrait-orientation shooting -- then an optional VG-XT1 vertical battery grip should be on your wishlist. With this installed, you'll be able to shoot 700 shots before needing to change batteries. Importantly, the grip is weather-sealed to the same standard as the X-T1 camera body.
Accessories. A variety of other accessories will be offered for the Fuji X-T1 camera. These include a non-powered MHG-XT hand grip, a dedicated all-leather BLC-XT1 case, a CP-W126 DC coupler, an AC-9V AC adapter, an MIC-ST1 stereo microphone, and a variety of flash strobes, filters, and adapters.
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454g (41% lighter)
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Note: For details, test results, and analysis of the many tests done with this camera, please click on the tabs at the beginning of the review or below.