Lab ReviewHands-on report plus lab tests for sharpness, chromatic aberration, vignetting and distortion

Tamron 90mm f/2.8 Di Macro 1:1 SP AF

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Tamron SP AF 90mm f/2.8 Di Macro 1:1
90mmFocal length
f/2.8Max aperture
35mmFormat
405g / 14.3 ozWeight

In this review

Overview

(From Tamron lens literature) Tamron introduces a new version of the famous 90mm macro lens
for film and digital photography. Tamron’s 90mm macro lens, often referred to
as “the portrait macro”; and loved by photographers all over the world,
is now reborn as a Di lens that is perfect for use with both film and digital
cameras.

Test Notes
I have to admit that I really love macro lenses, and this Tamron 90mm f/2.8 seems like a real winner, particularly at its price point. Let’s take a closer look:

Chromatic Aberration
The Tamron 90mm f/2.8 also does very well in terms of Chromatic Aberration, with low to moderate maximum CA and low average CA.

Shading (“Vignetting”)
On a sub-frame camera, light uniformity is excellent across the board. Shading hits a maximum of only 0.2 EV wide open, and drops to more or less unmeasurable levels at f/4 and higher.

Distortion
This focal length seems to be a nearly ideal one for lens designers to minimize distortion: The most distortion the Tamron 90mm f/2.8 shows just 0.04% pincushion, and average distortion is less than half that value.

AF Operation
The Tamron 90mm f/2.8 uses a conventional (as opposed to ultrasonic) motor, so isn’t quite as fast nor as quiet as lenses powered by the more advanced technology. It doesn’t do bad though, taking about 1.8 seconds to slew from closest focus to infinity, or a bit under a second when the focus-range switch on the side of the barrel is set to its “Limit” position (which limits the closest focusing distance to about 10-11 inches from the front of the lens). On our EOS-20D test body, focus acquisition and tracking seemed precise and sure-footed.

Build Quality and Handling
The Tamron 90mm f/2.8 doesn’t rise to the “built like a tank” quality of some manufacturer’s primes, but its plastic barrel feels sturdy and solid, and manual focus operation is very smooth. The plastic construction does help a little with weight too, so this lens doesn’t unbalance the camera to the extent some lenses built with more metal might.

The aforementioned focus limit switch is helpful when you’re shooting at subject distances greater than a foot or so, as it greatly reduces the amount of time the camera could spend hunting for correct focus. At a range of ~11 inches from the front of the lens, and mounted on a 1.6x crop factor DSLR, the field of view is about 2.6 inches (67mm). With the focus limit disabled, the minimum field of view is about 0.87 inches (22mm), with a working distance of about 3.5 inches (~9 cm) from the front of the lens.

Speaking of working distance, for some reason, the front element of this lens is recessed into the barrel about 1.5 inches (~4cm). This decreases the working distance by that amount, but may also eliminate the need to use the included lens hood in all but the most extreme flare conditions. In common with other non-IF (Internal Focusing) lenses, the barrel of the Tamron 90mm f/2.8 extends quite a distance (about 2 inches, or 5 cm) as you focus closer.

This lens also has a different way of switching between manual and automatic focusing, which is accomplished by sliding the focus ring forward or back on the lens barrel. We found this much more convenient than the usual small slide switch most lenses use. As a visual cue that you’re in manual focus mode, a blue ring around the end of the lens barrel is revealed when the focus ring is slid back to the manual position.

The Competition
Prime macro lenses in the ~100mm range tend to be pretty darn good, regardless of who builds them, so competition for the Tamron 90mm f/2.8 is pretty stiff. It holds its own pretty well though. As of this writing in mid-November, 2006, other lenses we’ve tested in this range include the Canon 100mm f/2.8, the Nikon 105mm f/2.8, in both its original and recent VR-equipped versions, and the Sigma 105mm f/2.8. In terms of sharpness, the Tamron 90mm does very well, and may in fact be the sharpest of the group, from about f/4 through f/11. (The Sigma may be almost imperceptibly sharper at f/11 and f/16.) All four lenses show very low shading and distortion. In terms of CA, the Sigma wins out over the other three, and the Tamron is slightly worse than the two manufacturer primes.(Although the differences there are small enough that they may be inconsequential.) Price-wise, the Tamron and Sigma are almost a toss-up, both running about a hundred dollars below the price of the manufacturer’s lenses. (Except the new Nikkor 105mm f/2.8 VR lens, which is a bit over twice the cost of the Tamron, due in part to its inclusion of Vibration Reduction technology.)

Conclusion
At the end of the day, the Tamron 90mm f/2.8 macro stacks up very well against its competition. It’s tack sharp, with very low distortion and shading, and has chromatic aberration comparable to that of competing manufacturer’s lenses. Against its most direct competitor, the Sigma 105mm f/2.8, the Tamron is noticeably sharper at f/4, and slightly sharper from f/2.8 – f/8, but has slightly higher chromatic aberration. Bottom line, this is an excellent macro lens at a very attractive price, and available in a wide range of lens mounts (Canon, Minolta/Sony, Nikon, and Pentax).

Update 09/02/08: Tamron has announced that the Nikon mount version will be available with built-in AF motor (Model 272E) , for use with the Nikon D40, D40x and D60 SLRs.

Full-Frame Test Notes:

The full-frame test results for the Tamron 90mm f/2.8 macro lens look very similar to its sub-frame results, with the usual slight improvements from the larger pixels on our EOS-5D test body, and slight decreases in performance in the corners of the frame

Thanks to the 5D’s larger pixels, the Tamron 90mm f/2.8’s sweet spot extends from f/4 all the way to f/16, but there was some noticeable blurring in the upper corners of the frame wide open at f/2.8. Shading does increase to a bit over a half a stop at f/2.8 and a quarter stop at f/4, but drops to about 0.15 EV at f/5.6 and higher. Geometric distortion increases only a tiny amount, to 0.05% pincushion, while Chromatic Aberration drops just slightly relative to the sub-frame results on the 20D body.

The larger full-frame image circle presents a challenge to some lenses, but the Tamron 90mm f/2.8 takes it in stride quite easily, making this an excellent lens for full-frame macro work.

Lab Test Results

Our standard lens lab tests, shot on full-frame and sub-frame bodies. Pick a focal length and aperture to see the result.

Sharpness (blur index)

Blur across the frame: lower and flatter is sharper. Change focal length and aperture to see how it improves when stopped down.

Focal length
Aperture
Tamron 90mm f/2.8 Di Macro 1:1 SP AF blur chart, 90mm f/2.8, full-frame
90mm at f/2.8

Chromatic aberration

Colour fringing in the corners at each focal length.

Tamron 90mm f/2.8 Di Macro 1:1 SP AF chromatic aberration, 90mm
90mm

Vignetting (corner shading)

How much darker the corners are than the centre, by aperture and focal length.

Tamron 90mm f/2.8 Di Macro 1:1 SP AF vignetting (corner shading), full-frame

Geometric distortion

Barrel (positive) or pincushion (negative) distortion across the zoom range.

Tamron 90mm f/2.8 Di Macro 1:1 SP AF geometric distortion, full-frame

Reader Reviews

8.3/10average of 27 reader reviews
Image quality
9/10
Build quality
6.9/10
Recommend it
82%
  1. 5/10Not recommendedby Beaversman · March 22 2017 · paid $400

    Pros: Good image quality Lightweight Price

    Cons: Colour profile noisy poor auto focus

    I will admit this lens produces some good quality, sharp picture. Both macro and portrait. And yes, it less than half the price of the Nikon 105. However, the poor autofocus is a real disappointment. Sometimes near impossible to focus in dim lighting, and even if good sunlight it has a tendency to search though its entire range and even then still needs fine tuning. Yes it is sharp, but colours are a bit off compared to almost every other lens I own.

    Would I recommend it? No, unless your on a very tight budget and no other option. Good glass is forever, this lens is a one night stand.

  2. 5/10Not recommendedby syousef · March 14 2016 · paid $389

    Pros: With AF fine tuning maxed out it is very sharp for portraits. Excellent macro results if focused manually

    Cons: Focus completely off and only corrected with maximum AF fine-tune. Not usable on my older DSLRs. Concerns dismissed by Ebay seller and Tamron support. Not economical to fix so must use as is.

    It is extremely disappointing that the AF is so badly off because if my copy wasn't so miscalculated it would be a great lens. Once AF fine tune is maxed out on my D7100, the lens is good. I initially bought the non-Di version and had a lot of trouble with it, so returned that copy. I then bought this Di lens through grey import channels at a reasonable price. That turned out to be a mistake. My communication with the seller was pointless and I was directed to email Tamron in Australia and Japan. On communicating with Tamron that I was having issues getting a sharp image especially in portraits I was told that this is not a portrait lens and that I should use it only for macro. At the time of my communication I only had Nikon D70s and D90 bodies, which do not support AF fine tune. The lens went into the cupboard for 2-3 years until I eventually bought a D7100. On fiddling with the fine tune, eventually maxing it out, I found I could reliably get sharp images at any distance. Please note that I own other f/1.8 glass (35mm and 50mm) and that I have no trouble nailing focus with those lenses wide open with a decent keeper rate. I now own three Tamron lenses and I will be very reluctant to purchase a fourth. Buying this lens is a gamble unless you know you can return it for full refund without jumping through hoops. Camera and lens service being what it is in Australia doesn't help the situation.

  3. 1/10Not recommendedby Trvthseeker · September 20 2014 · paid $250

    Cons: Lerns fell apart

    Purchased the older (Non=Di) model used. Had it mounted on the camera on a tripod, with the lens pointed at the floor. The lens fell apart. The entire telescoping part fell out. I have never had a lens of any price from anyone fall apart. This has to be the ultimate in poor design. The camera store said I would have to send it to Tamron for repair, at $160.00 and up. They also offered to sell me the new Di model for $499.00. With a design flaw like this, I felt it would be sending good money after bad, and did not buy another Tamron. It won't even work as a boat anchor, it is too light. As you can tell, I am really upset.

  4. 9/10Recommendedby robberstea · December 5 2012 · paid $400

    Pros: sharpness, smooth bokeh, bargain price, handling, focus limit switch, weight

    Cons: minimum focus distance, kit lens build quality

    I love this lens. It does everything I need it to do and never gets in my way. The lens has all the features I need and offers flawless handling. The optical performance leaves nothing to be desired. The wonderful bokeh, focal length and focus limit switch make what could be a specialized lens highly adaptable. Whether I’m doing product shoots, taking a stroll through the woods or documenting a wedding this lens is always on hand. With its small size and light weight, there is no reason not to have it in your camera bag. In the less than one year I’ve owned it, it has captured some of my favorite images. All this from one of the cheapest macro lenses available. It’s a no-brainer for me to recommend this lens.

    View my full review (including pictures) at: http://jeffreypalmerphoto.com/photoblog/?p=1041

  5. 7/10Not recommendedby tclune · December 1 2010 · paid $410

    Pros: Extremely sharp, creamy bokeh

    Cons: CA, too cramped macro focal distance

    I picked up the Tamron 90mm f/2.8 1:1 macro lens while the Tamron $50 rebate is still in effect (good through the end of year). I am pretty much limited to lenses that are $500 or less, and have a Nikon D5000, so I was interested in a lens with a focusing motor. This lens, after rebate, was just over $400. One of the things that I wanted was to use the lens for indoor photos of school plays and the like, so I wanted it to be as bright as possible. I don't currently have a macro lens, so that was a plus -- although I am not really into macro photography, and have the Kenko 3 extension tubes set that has met what little need I have for such things so far.

    I am very favorably impressed with many aspects of this lens. It is sharper and brighter than the Nikon 85mm f/3.5 micro lens which was also in my price-range. This Tamron is just about as sharp as a lens can possibly be. Its color rendition, contrast, and bokeh are very pleasing. The motor is not silent, but close enough for me. The speed of focus is adequate for my purposes -- I don't do sports shooting and the like. Truth to tell, I don't have the chops for anything that won't sit still for me to figure out what I need to do.

    Two aspects of the lens were disappointing, however. First, there is a lot more chromatic aberration (CA) than I was expecting, especially given SlrGear's assessment of CA on this lens. I use the auto-lateral CA removal with Capture NX2 and I never see any CA after that on any other lens I own -- even those that are known for their tendencies in this direction (my other lenses include the Tokina 12-24 f/4 DX II and the Nikon 35mm f/1.8). This lens, however, showed very obvious CA, especially wide open, even after removing lateral CA. The good news is that I am able to fully remove the CA using Capture NX2's axial CA removal slider. I just wasn't expecting to have to.

    Second, the clearance distance between the lens and subject at 1:1 is stunningly short. Because the lens trombones and is recessed into its housing, at 1:1 the front of the lens housing is not much more than one inch from the focal point. I was expecting much better working distances from a 90mm lens. Macro isn't that important to me, so this isn't that big a deal. But, if I were actually caught up in macro (which I imagine the target market is) this lens would make me uncomfortable for that use. And it would not be possible to add one of the Kenko extenders to increase the magnification of this lens.

    Overall, I am quite happy so far with this lens. It is a very good bargain. But it is not an unalloyed blessing.

    I have a small gallery of photos that I took while evaluating this lens that shows the CA issue as well as the wonderful sharpness and creamy bokeh here: http://www.dpreview.com/galleries/6370541681/invite/77B3D176D43E47D6ADAFBF306EC04A51 In addition, the gallery may illustrate a problem that I have heard others mention -- on smooth focal regions, the focusing system does not seem to function as well as many other lenses do. But, as I comment in the gallery, I'm not absolutely sure that the back-focusing on one of the images was the fault of the lens and not "cockpit error." I don't think so, but I can't be positive.

    ETA: Having lived with this lens for a year or so now, I wouldn't buy it again. I don't use it much anymore because of the LoCA and its tendency to miss focus at mid distance. I will still use it for macro photography, although I wish it had a better working distance. And, if I am specifically shooting portraits outdoors, I will include this lens in my bag. But, for the most part, it just sits at home. So I've changed my recommendation to a "no," even though the facts about the lens haven't changed over the last year. The lens isn't awful, but it is the only lens that I own that I have such luke-warm feelings about using.

  6. 9/10Recommendedby Mac_In_FL · July 23 2010 · paid $325

    Pros: A bargain. Can serve as macro and portrait. Sharp wide open ... stop it down and it just gets better.

    Cons: Focus is slow but not unusual with macro lens. Build quailty is not top tier but good for price.

    I continue to be amazed at the quality this lens can provide. It was one of the first I picked up when migrating to Nikon system. In addition to being an excellent macro lens, I have heard the Tamron 90/2.8 called the "poor man's portrait lens" and indeed it can wear two hats.

    As a straight macro lens, it leaves little to be desired. Performance is good wide open and continues to improve until around f11 or so. I think the photographers technique will be the only limitation when using this lens.

    The Tamron can also serve as a good portrait lens, though a little long on DX sensor. The only drawback is the focus can be a little slow and noisy compared to an AF-S lens but is to be expected considering the wide focusing radius on a macro lens.

    To underscore how good this lens is, I later upgraded to the Nikon 105/2.8 AF-S VR. The Nikon is a fine lens and has its own unique advantages but I was surprised to find that the Tamron out performed the Nikon at every aperture regarding sharpness, especially wide open f2.8. I planned to sell the Tamron to cover the cost of the Nikon upgrade but after a year, I still have the Tamron. Considering how little I have in the lens, doubt that I will ever sell it. It is that good.

    Very few downsides:

    - the lens barrel extends out quite a bit when close focusing.

    - build quality is a not professional grade but it doesn't cost $$$ so a fair trade-off.

    - focusing is way under-damped. When disconnected from a camera body, the lens barrel will extend if held vertical.

    I highly recommend this lens, especially if you are starting a a new system on a budget. Great lens!

  7. 8/10Recommendedby lightknight · February 5 2010 · paid $400

    Pros: very sharp, good focal length

    Cons: build quality

    This is a very sharp lens and it is highly competitive with almost any other, whether for macro or landscape: see the following landscape:

    http://www.flickr.com/photos/lightknight/670141328/sizes/o/

    Macro

    http://www.flickr.com/photos/lightknight/607325830/sizes/o/

    I would have any number of these and I know that comparing them with other lenses that I have they are around as good as one can get sharpness wise.

    The main issue with it for me is that its build quality, while smartly presented (which is why I have given it 6) , leads to it being too unreliable as a day to day lens for a semi or pro photographer. As the lens trombones out during close focusing it has twice broken its internal plastic retaining lugs allowing the object lens to literal fall out. The fist time this cost me about $250 to repair, but the second time I have given up and it now sits in my cupboard unused and unloved. This is a shame.

  8. 7/10Not recommendedby yanjianh · October 7 2009 · paid $460

    Pros: Lightweight, sharp

    Cons: too easy to get sand in, very special serice

    I need a lens for portrait and macro. I narrowed down two choices: Nikon 105mm f/2.8G ED IF AF-S VR or Tamron 90mm f/2.8 Di. I searched the internet. Thom Hogan says ” The big difference is this (between the Nikon and tamron): for $400 less money, you give up VR, focus speed, and a bit of build quality from the Nikon 105mm. That's about it. The Tamron 90mm is the poor man's mid-range macro.” (http://www.bythom.com/105AFSlens.htm). I learned the Nikon is bulkier, heavier and cost much more, the tamron is cheaper, optic quality if not better, at least as good as the Nikon, I also learned from somewhere Tamron’s service is good, fast, six years. I am not a professional, not going to use it a lot, so I ordered the Tamron from B&H in May15, 2009.

    I tried the lens to shoot a quarter; it IS sharper than my Nikon 28-105mm D. it is summer time, I bring my boy to North Beach in Chicago. I quickly found that the lens refuse to focus automatically without any warnings. It just won’t focus when I press the shutter bottom. But if I power the D200 off and on, or unscrew the lens off the body and put back again, the focus will be back. Tamron uses a push and pull mechanism to switch from manual focus to automatic focus, actually I like this, but the problem is the switch is not smooth. Sometimes I have to first turn the lens about 45 degree before I can pull it back.

    I remembered I read somewhere some one is saying it has the same problem. I want the lens, don’t want to return it. Summer is good, I used it for about three to five times on the beach, but the problems are getting worse. So I decided to send it back to Tamron for a check.

    Tamron mailed back. Saying it needs 160.0$ to repair and it is not under warranty. The repair listed is

    “ SK Evidence of shock damage

    F Focus defect or poor image quality

    Z Zoom defect

    1 General check, clean, and adjust

    2 ETA:10, Business days depending on volume”

    This morning (Oct 6, 2009) I called 1-800-827 8880. A gentleman answered. I said I just used the lens four to five times, and I never dropped or bumped the lens, how could it be shock damage” He asked me to wait him to get the lens. He came back saying the lens has sand in it, it is the sand causing the problems, so not covered by warranty. I said I did use it on beach, sand could be there, but it might not be the cause of the problems. He then said, actually the lens needs a “major repair”, they are doing me a favor, price it for a “minor” repair. I asked him if he really believes it is the sand that causes the problems, he confirmed and told me to think about it, and I don’t need to make a decision at the moment( to pay the 160.0$).

    I hang up, not happy, the estimate did not say anything about sands, instead “shock damage”. So I called again. This time a lady answered. I told Her in a very calm voice” I might not be in a good mood, so I am sorry”. The lady said “I am not in good mood too”. So I tried to tell the story. Not long into it, she interrupted me, saying I can keep going on and on, but it will not change the conclusion, sand causes the problems and not covered by warranty, and she has that lens too, it is the best lens Tamron ever produced, no problems at all. Then I asked if I paid the money, you fix it, and when it gets back, the sand is no more there, but the problems come back, will tamron refund the money because that approves it is not the sand that causes the problems. The lady said no, if the problem comes back, they can repair it again. I said, then it approves it is not the sand causing the problems. She said they could be caused by something else, but they can’t refund you. I asked, why not, and then she said “hold on”. I waited, waited about five minutes, then another voice said hello. I said I was talking to a lady, the lady wanted me to hold, I don’t know how the phone got it to you. Then I was transferred to the lady in the service dept again.

    The lady said “sorry, I have another call”. She said she talked to the manager, the highest person in charge of the repairs. The manager said they made a mistake, it is a major repairs, needs to charge more than 300.0$. The lady then said, at least it needs 240.0$ instead of the 160.0 to repair it, but it is their mistake, so they will honor the 160.0$. I began to feel guilty if i don't accept the kind 160.0$ offer, but I stupidly repeated the same question if she really believes it is the sand or the sand particle is coincidental there. She told me to hold again.

    I waited this time much longer; the phone went back to the operator again in about 8 to 10 minutes. I asked the lady in the service dept if you asked me to “hold”, will the phone go back to the operator. The lady said” yes, it loops”.

    I asked the lady if there is Tamron authorized service agents in Chicao, The lady said”no, there is only one in California, they will charge you three times more”.

    I gave them my credit card number, 160.0$, a lifelong big lesson.

    Here are a few things I learned:

    1.The repairs stated on the Repair Acknowledgement/Estimate” might not be the real cause, as “shock damage” to “sand” in my case.

    2. They will make mistakes in estmate, from “major repair” to “minor repair”. They should charge from more than 300 to 240 to 160, they are doing me great favors.

    3. Their phone loops. They will ask you to hold, the time during “hold”, the phone will loop from the service department to the operator of the company. However, the operator is nice enough to transfer you back to the service agent you were talking with, and the line was not cut.

    4. No Tamron authorized service agent in Chicago, only one in California, it might charge three times more.

    5. Sand will easily get into the lens (my years old Nikon 28-105mm is not, taking so many pictures on the beach). Sand particles at least will stop the auto focus that can be saved by power off the body and void the warranty.

Show all 28 reader reviews
  1. 7/10Recommendedby sgnirts · February 6 2009 · paid $250

    Pros: Sharp, f2.8,

    Cons: build

    I like the range of the Tamron 90mm macro. this is a fairly versatile lens, but best for macro work. the build quality leaves much to be desired, the autofocus cooked some time ago.

  2. 8/10Recommendedby Badmono · November 24 2008

    Pros: Cheap lens - nice 'n sharp wide open

    Cons: The Brand Name

    I was given this lens by a friend over a year ago, being a Tamron I never found a reason to use it, however I recently give it a try when I had to do some Bug shots- To say I was pleasantly surprised is an understatement, this lens is damn sharp - plenty good enough for my amount of macro useage, and the colours were crisp and true. What else can anyone ask from a lens.

    Well done Tamron.

    My only whinge the black paint job is very flaky and with the small amount of use this lens has had it looks fairly battered. So I would say its a good lens for amateur use, but I believe Pro's would hate to see their kit look so used after so little careful usage.

  3. 7/10Recommendedby x-other · March 6 2008

    Pros: Sharp

    Cons: Build quality, slow focus, hunting on dim light conditions

    The image quality is excellent with my D200, but within 4 months I couldn't focus on infinite despite of any lack of damages on the lens or camera. The clutch focus is more facile than A/M button, but shows some lack of precision (must be a little bit rotate before switching from one mode to another).

    I have to take it back from the service and I have to decide if to keep it or to add another 300 EUR for 105 VR.

    I really don't know if mechanical construction and some trouble with it worth to spend some more money for almost the same image quality. I'll let you know!

  4. 10/10Recommendedby grahambo · February 24 2008 · paid $390

    Pros: sharp, bokeh, handeling, cluth mechanism, logical limit switch

    Cons: Old style focus mechanism (sorry D40/D60 owners), Not a zoom?

    Tamron has been offering a great rebates on this lens. I got $90 back. :)

    I don't use is as much as my zooms, but when this is the right tool for the job, there is no substitute. Image quality is impeccable on my D80.

    Consider carefully what length macro lens you get. At 90mm (actually longer when focused close, that's just how macro lenses work), I have to stop down a lot for depth of field. For flowers, a 50mm or 60mm might be better, but you have to be careful not to shade the subject. 90mm to 105mm is really the starting point for doing bugs and portraits. It gives a better working distance and stronger bokeh. The 90-105 lenses seem very general-purpose. For seriously chasing bugs, consider a 150 or 180 and a good flash.

    Pictures with the 90mm macro on my photoblog: www.photograhambo.com/index.php?x=browse&category=21

  5. 10/10Recommendedby rainerknappe · January 8 2008 · paid $390

    Pros: sharpness, light-weight, easy to use

    Cons: too much plastic

    A real brillant macro-lens. I am using the Pentax-K-mount (DSLR Pentax K 10) and the lens works really fine and giving fantastic results, even at f2.8. Strong sharpness, very good contrast, exellent bokeh.......

    The construction is very solid, but there is a little bit to much plastic in. Together with the Sigma EX DG 70mm f2.8 the best macro on the market. 1000% recommended!

  6. 7/10Recommendedby SETI · April 26 2007 · paid $400

    Pros: Lightweight, sharp, non-expensive, amazing bokeh !

    Cons: chromatic aberrations, slow focus

    Got it for my old D50. Great... portrait lens =))) Macro is good too, but it's 9 rounded aperture blades makes very expressive images !

    It's weak point is ability to catch CAs ! I had even long correspondence with Tamron about it and they tried to tell me that it's impossible. I had change it to another and got same problems (tried it at my D200 too). So... I sold it =)

    Also AF is slow... So, I can recommend it as a portrait lens with good macro included =)

  7. 9/10Recommendedby italy74 · April 23 2007 · paid $580

    Pros: Great sharpness and value for money

    Cons: As many other similar lenses, it doesn't keep F2.8 at closer distances

    Definitely a great lens for the money paid. Optically excellent, it "pays" only the barrel extension which isn't really a problem in macro shots, rather in close portraits, where a shallow depth of field could be required. Not its problem, though, since almost all macros (except the Nikkor 105 VR and Sigma 150 F2.8) behave the same way. An inner motor could make this lens much faster in focusing. For macro, it's better working in manual focus and not choosing wider apertures than F/8 unless you are a wizard. Despite its "plasticky" finish, optically is really great and well worths the money paid. Highly recommended!

  8. 8/10Recommendedby jdf · January 12 2007

    I have used this lens, in a very short time, but it did gave me great impressions, it's very light and compact. The AF is somewhat slow in comparison to a USM lens but very good.

    The best is the image quality. it's superb! Very sharp wide open, to f16! A very good alternative indeed.

    higly recomended.

  9. 8/10Recommendedby thomiz · January 11 2007

    Pros: Sharp, lightweight

    Cons: Not to sturdy

    Excellent lense. The IQ of this lense on a DX body is wery good. I does extend to an obsene amount. I owned the earlier version (before Di) and it did not have great build quality, it was totally acceptable, but not among the best.

  10. 9/10Recommendedby _Mike_D · January 1 2007 · paid $425

    Pros: Perfect focal lenght (for my taste), Sharp, Lightweight

    Cons: Purple Fringing in extreme highlights

    This is a great lens. I had previously owned a sigma 105, but the sigma was just a little too much on the tele side for my taste.

    The lens appears sharp across the entire frame and the images it produces are a pleasure to look at.

    My only complaint is the lens seems to generate more purple fringing around extreme highlights (sun reflections and such) than my other lenses. This is almost never a problem, but it can be annoying.

    Highly reccomended

  11. 8/10Recommendedby mortensven · December 18 2006

    Pros: Good build, good optics

    Cons: no stabilizer

    I only use it occationally, but it does deliver some fine shots. For portraits and macro stuff (for which it was build), it draws superb images. If you can handle it, that is. Because it isn't exactly very well balanced on the 20D. It's too long for it's light weight, I gather. I have to use 1/180 sec exposure time or less to be sure to avoid motion (photographer's) blur. Could use my tripod, but usually can't bother logging it around. If this just had the gyro-things (Image Stabilizer), wow...But it doesn't.

    In daylight situations, it is a pleasure to work with. The focus ring is nice, big and smooth. It's f/2.8 aperture delivers a bright image in the viewfinder. The recessed front element and included hood gives good protection from raindrops, dust and sunshine.

    Sharpness isn't really topnotch on my specimen, but so far it hasn't given me any tension. Other optical issues: Nope, it performs brilliantly.

  12. 8/10Recommendedby diamondpete · December 17 2006

    Pros: Sharp, light

    Cons: slow focus at times

    I use this lens mostly for macro work, though occasionally for portraits as well, because it is the right focal length for portraits. It is a very sharp lens, especially for macros. Although it has a good build quality, it is light, which also argues in favor of using it for multi-purpose. I have found it to be somewhat slow in the focussing, especially in low light situations. All in all I recommend this lens.

  13. 10/10Recommendedby zooomlenz · December 11 2006 · paid $440

    Pros: Sharp (WOW!), Did I say it was sharp?

    Cons: None

    Probably the best non Nikon ED or non Canon L lens I have ever used. I have no complaints on this one. A fine addition to any photographer's camera bag.

  14. 9/10Recommendedby rbh8252 · November 27 2006 · paid $440

    Pros: Excellent image quality at a great price point

    Cons: Noisy AF drive

    I've been shooting with this lens for 5 months now and find it to be a great Macro and Portrait lens. Over all this is an excellent prime lens that is getting more use than I expected when I purchased it and have no regrets in its purchase.

  15. 9/10Recommendedby planefreek22 · November 25 2006 · paid $435

    Pros: VERY sharp, focuses a lot faster than I expected

    Cons: not silent, clutch

    Great build and image quality. Great value too. My friend has one that he let me play around with. The only drawbacks I can see are the fact that: 1. it's loudish 2. I prefer the full time MF overide on Nikon's AF-S lenses to the clutch mechanism

  16. 9/10Recommendedby Lawrence88 · November 24 2006 · paid $310

    Pros: Sharp lens, light

    Cons: Extending barrel, hunting AF in low light

    The Tamron 90mm f/2.8 is a very good macro lens for the price. It is a very sharp lens and does what it's supposed to do, good color, contrast and excellent sharpness. The build quality is decent, although I am worried about the long term life of the mechanism used to switch focusing mode from auto to manual.

    Most of the use of this lens should be in manual mode, as macro is about working distance. Here the lens allows very fine manual focusing as it turns around 180 degrees compared to Canon's 100mm. Its AF performance is also inconsistent in available light (room with ambient lighting), where it will keep hunting without stopping to focus. It's not a problem with a flash attached (580EX in my case).

    Last thing, due to its extending barrel (about 50% of its total length), hunting bugs/live small animals could be a problem.

    All in all, a very nice macro lens for the price. I highly recommend it.

  17. 9/10Recommendedby julioalperi · November 20 2006 · paid $399

    Pros: Resolution,distortions,vignetting,CAs,bokeh.price.

    Cons: None.

    This is an excellent lens. Resolution is extremely high strait from F:2.8 ( my D200 reads 3 ),Good contrast, vignetting is very low, CAs are low and distortions are extremely low ( not visible ). Very nice bokeh.The build quality is good. I highly recommend this lens.

  18. 9/10Recommendedby nikoskard · November 14 2006 · paid $500

    Pros: Sharp, True Macro, Light Weight, Price.

    Cons: Feel not quite well build, extend a lot for 1:1 macro, Loudy AF mode

    Very Sharp, true Macro Lens. Well Build, although, not feel like.

    Not so smooth control, but defenetlly a superb IQ. Sharp from Center to Corners with high Contrast and well flare control.

    The only thing i would like to have is inner focusing, especially when shoot macro life.

    Highly recommended, but also have a look in Sigma 150 and Canon 100/60.

  19. 10/10Recommendedby dumbo · October 25 2005 · paid $540

    Pros: Very sharp, Great Bokeh

    Cons: Gets longer when focusing closer

    This lens is super. It's sharp and have wonderful bokeh. It's light and compact.

    The front lens is recessed pretty deep into the lens. This give a little less working distance, but makes the use of a lens hood (bundeled with the lens) unnecessary most of the time.

    This lens has one downside, which applies on all lenses that does not have internal focusing, and that is that it becomes longer as you focus closer. No big deal IMO.

    Under some extreme backlit surcumstances I've noticed a little more decrease of contrast than you normally would like. This can be used creativly also, of course. It's nice (at least sometimes) to fill the entire frame with a golden glow when the sun stands low.

    I have not notices any flare yet, though.

    It's not boult like a tank, but I think the bould quality is pretty good. As long as you don't use it to hammer nails when building your house it should serve you well for a long time.

    Oh... And the push-pull AF/MF selector is very neat. AF is farily fast on my D70. Faster than I though it would be. I've used it so catch flying birds with good results.

  20. 9/10Recommendedby wtfgary · October 21 2005

    Pros: Sharp, Affordable, Reasonable weight and build

    Cons: Focus speed, noise of the motor

    This is one hack of a great lens. I have been using for one and a half year. Yes, it is a prime but it is my favourite lens in my collection because of great sharpness, good bokah, and it's affordable price.

    Bad thing is, it does extend quite a bit and make sound motor noise when it's focusing.

Reader reviews were submitted by Imaging Resource readers and are shown as written.