• 35mm 860.4mm2
  • 12.1 megapixels
  • ISO 200 - 12,800
  • 35mm 855.6mm2
  • 24.3 megapixels
  • ISO 100 - 25,600

Buy From

Differences

Nikon D3S advantages over Sony A7 II

  • Lens selection
    Excellent vs Good
    Better lens selection gives you more options
  • Bigger pixels
    ~ 8.46 vs 5.97 microns
    Better low-light and dynamic range (all else equal)
  • Fast startup
    ~0.30 vs 1.7 sec
    Faster startup lets you catch the moment
  • Higher effective ISO
    3,253 vs 2,449 iso
    Take photos in low light with less noise
  • Longer stills battery life
    More info 4200 vs 350 shots
    Capture more photos
  • Top deck display
    Yes vs No
    Check settings with a screen on top of the camera
  • Dual card slots
    Yes vs No
    Gives you more storage flexibility
  • Faster JPEG shooting
    9.0 fps vs 5.0 fps
    Faster JPEG shooting (burst mode)
  • Bigger JPEG buffer
    90 vs 52 shots
    Take more JPEG shots before waiting (burst mode)
  • Faster RAW shooting
    9.1 fps vs 5.0 fps
    Faster RAW shooting in burst mode
  • Bigger RAW buffer
    41 vs 28 shots
    Larger buffer for RAW shots (burst mode)
  • Higher extended ISO
    102400 vs 51200 ISO
    Higher extended ISO can give more low-light flexibility

Sony A7 II advantages over Nikon D3S

  • Focus peaking
    Peaker vs Non-peaker
    Your camera will highlight what's in focus
  • In-Camera Image Stabilization
    Yes vs No
    Reduces the effects of camera shake at slower shutter speeds
  • In-camera panoramas
    Yes vs No
    Stitches multiple shots into a panoramic photo
  • Tiltable Screen
    Tiltable vs Fixed
    Tilt the screen for shooting flexbility
  • Built-in Wi-Fi
    Wi-Fi vs None
    Share your photos wirelessly
  • More dynamic range
    13.6 vs 12.0 evs
    Retain detail in highlight and shadows
  • On-sensor phase detect
    Yes vs No
    Usually improves live view and video AF performance
  • Thinner
    59 mm vs 87 mm
    Thinner
  • External Mic Jack
    Jack vs No jack
    Improved sound fidelity when shooting video
  • Newer
    9 years vs 14 years old
    Newer cameras often support more advanced features
  • More dots on screen
    1229k vs 920k dots
    Can mean greater resolution or a brighter screen
  • Shoots 1080p video
    Yes vs No
    You'll want this if you shoot video
  • More pixels
    24.3 vs 12.1 megapixels
    Higher resolution photos
  • Shoots 60p video
    Yes vs No
    A faster framerate can give you more editing options
  • Headphone jack
    Yes vs No
    Monitor audio recording while you shoot video

Similarities

Common Strengths

  • Eye-level viewfinder
    Both provide
    You'll be able to frame photos even when the sun is out
  • HDMI out
    Both provide
    Use HDMI output to monitor or review video
  • Hot shoe
    Both provide
    Off-camera flashes open new possibilities
  • Bulb shutter
    Both provide
    Hold the shutter open manually for long exposures

Common Weaknesses

  • Tilt-swivel screen
    Neither provide
    Tilt and swivel the screen for maximum shooting flexibility
  • Touchscreen
    Neither provide
    Interact with your camera just like your smartphone
  • Built-in Bluetooth
    Neither provide
    Always-on wireless connectivity
  • Built-in GPS
    Neither provide
    Geotag your photos
  • Internal flash
    Neither provide
    Useful in a pinch for fill flash
  • Slow-motion videos
    Neither provide
    Shoot slow-motion videos

User reviews

Buy From

Review Excerpt

  • Excellent 5-axis sensor-shift image stabilization; Sensor-shift IS brings stabilization to nearly any lens; Much-improved ergonomics and top-deck control layout; 'Mark II' maintains same impressive image quality, dynamic range and high ISO performance; XAVC S 50Mbps video format; Faster start-up time; Hybrid AF performs well with good continuous AF.

  • (Similar to A7): Loud shutter (but electronic first-curtain helps); Battery life could be better; Low-light AF still not as good as most DSLRs; High ISO JPEGs look over-processed; Slow buffer clearing; Limited selection of native Sony FE lenses (but it's getting better).

The Competition

Compared to Nikon D3X

Nikon D3S
Nikon D3X
  • $5200
  • 35mm
  • Less expensive
  • Bigger pixels
  • $2500
  • 35mm
  • More dynamic range
  • External Mic Jack
Sony A7 II
Nikon D3X
  • $1148
  • 35mm
  • Focus peaking
  • In-Camera Image Stabilization
  • $2500
  • 35mm
  • Lens selection
  • Fast startup

Compared to Canon 1DX

Nikon D3S
Canon 1DX
  • $5200
  • 35mm
  • Bigger pixels
  • Fast startup
  • $5299
  • 35mm
  • External Mic Jack
  • Shoots 1080p video
Sony A7 II
Canon 1DX
  • $1148
  • 35mm
  • Less expensive
  • Focus peaking
  • $5299
  • 35mm
  • Lens selection
  • Bigger pixels

Compared to Nikon D4

Nikon D3S
Nikon D4
  • $5200
  • 35mm
  • Less expensive
  • Bigger pixels
  • $4500
  • 35mm
  • External Mic Jack
  • Shoots 1080p video
Sony A7 II
Nikon D4
  • $1148
  • 35mm
  • Focus peaking
  • In-Camera Image Stabilization
  • $4500
  • 35mm
  • Lens selection
  • Bigger pixels

Compared to Sony A7

Nikon D3S
Sony A7
  • $5200
  • 35mm
  • Lens selection
  • Bigger pixels
  • $748
  • 35mm
  • Focus peaking
  • In-camera panoramas
Sony A7 II
Sony A7
  • $1148
  • 35mm
  • In-Camera Image Stabilization
  • $748
  • 35mm
  • Less expensive

Compared to Sony A7 III

Nikon D3S
Sony A7 III
  • $5200
  • 35mm
  • Lens selection
  • Bigger pixels
  • $1865
  • 35mm
  • Focus peaking
  • In-Camera Image Stabilization
Sony A7 II
Sony A7 III
  • $1148
  • 35mm
  • Less expensive
  • In-camera panoramas
  • $1865
  • 35mm
  • Shoot 4K video
  • Touchscreen
Compare Other Cameras?