Zeiss 25mm f/2 Batis 2/25
(From Carl Zeiss lens literature) The ZEISS Batis 2/25 and ZEISS Batis 1.8/85 are the first full-frame autofocus lenses for Sony's E-mount cameras to be exclusively developed and distributed by ZEISS. This new family of lenses is particularly suited for the use with Sony's alpha range of mirrorless full-frame system cameras. The two new lenses will be available for purchase now and starts shipping in July 2015.
"The Batis family of lenses is the first time we have launched autofocus lenses for Sony's full-frame E-mount cameras which are ZEISS through and through -- in other words exclusively developed and distributed by us," says Dr. Michael Pollmann, Product Manager at ZEISS Camera Lenses. The Sony alpha full-frame E-mount system, which currently consists of the 7 family of cameras, is one of the most innovative camera systems on the market and is becoming an increasingly popular choice for professionals and people considering switching from DSLRs. "The ZEISS Batis lenses are our way of acknowledging this trend and providing creative and ambitious photographers with the expert tools they need," says Pollmann. The lenses are easy to use yet offer professional performance, so they are a sound investment for amateur photographers, too: "Camera sensors are constantly evolving, and so are photographers. Our Batis lenses are the perfect answer to these changing trends and herald a new era of professional photographers using mirrorless full-frame cameras," says Pollmann.
Broad scope of applications and a modern design
The ZEISS Batis 2/25 and ZEISS Batis 1.8/85 lenses offer an initial choice of two focal lengths which have proved to be the most popular among users of the system: a moderate wide-angle focal length and a tele portrait focal length. The lenses make optimal use of the camera sensors, capturing every last detail with impressive contrast and high resolution. As well as offering fast and reliable autofocus, the lenses also support manual focusing, allowing users to choose the best option for each individual situation. The sleek, modern design -- with smooth surfaces reminiscent of the high-end ZEISS Otus lenses -- emphasizes the superior quality of this new lens family and gives the Batis lenses an unmistakable look and feel.
Features for demanding users
"In response to numerous requests from customers, we decided to equip the Batis lenses with a display showing the focus distance," says Pollmann. For the demanding photographer, the cutting-edge OLED display is a major highlight -- an innovation that is currently unparalleled in the world of camera lenses. The electronic display is easy to read even in low light. It shows the distance between the camera system and the focal plane as well as the depth of field. ZEISS Batis lenses are also furnished with dust and weather seals, allowing them to be used in even the harshest weather conditions. The fast, quiet AF drive with linear motors keeps the subject crisply in focus even when shooting in hectic situations. In addition, a handy, rubberized focus ring supports manual focusing, providing the user with full creative freedom when it comes to image composition.
Both ZEISS Batis lenses have a 'floating elements' design which compensates for aberrations of the lenses at different distance settings. The two lenses also offer a standard filter thread with a 67 mm diameter. ZEISS Batis lenses support all the operating modes and functions of the current range of E-mount cameras.
ZEISS Batis 2/25
The ZEISS Batis 2/25 wide-angle lens has ten lens elements in eight groups and draws on the ZEISS Distagon optical design. Four of the lens elements are aspheric on both sides and five are made from special types of glass. The aspheric lens design ensures consistently high image quality over the whole image field and a sharpness that extends right to the edges of the frame. The moderate 82 degree image angle combined with a minimum focusing distance of 0.2 meters makes this wide-angle lens the perfect choice for architecture and landscape photography and many other applications besides. It encourages the user to make creative use of depth of field which can often yield surprising results, particularly in close-up photography.
ZEISS Batis 1.8/85
The ZEISS Batis 1.8/85 is a moderate tele lens which offers 11 lens elements in eight groups and features the ZEISS Sonnar optical design. The lens elements are made from special types of glass and designed to ensure superior image quality. The ZEISS Batis 1.8/85 is a particularly good choice for wedding photography and portrait shots, offering the high speed which provides plenty of creative scope to bring out the main subject. Thanks to its optical image stabilization, the ZEISS Batis 1.8/85 can capture outstanding images even under difficult, shifting light conditions.
Available from summer 2015
The ZEISS Batis 2/25 and ZEISS Batis 1.8/85 lenses will be available for purchase now and starts shipping in July 2015. The recommended retail prices are €1,092 or US$1,299 (excl. VAT)* for the ZEISS Batis 2/25 and €1,008 or US$1,199 (excl. VAT)* for the ZEISS Batis 1.8/85.
* Status: 4/22/2015
Zeiss 25mm f/2 Batis 2/25
Zeiss 25mm f/2 Batis 2/25 User Reviews
10 out of 10 points and recommended by telecommuter (9 reviews)weather sealing strip, build quality, lack of distortionmanual focus by wire
I'll qualify my pros and cons. The addition of a flexible poly ring imparts a much higher degree of sealing than the non-Zeiss lenses on my SONY A7R II. I consider this a plus. The lack of distortion, well this might incite the pixel peepers since you CAN find microscopic fault with ANY lens. But, for my purposes, edge to edge this is a remarkable and brilliantly engineered device.reviewed October 15th, 2015 (purchased for $1,299)
The manual focus by wire is a design choice as you can purchase native E mount lenses with traditional microscope-like manual focus rings. I mention this only to prevent anyone being surprised. This is a superb auto focus lens which can be manually focussed, but not in the traditional manner....that's all.
A recent holiday allowed me to use this lens extensively and most notably, in low light, it simply made me smile. In proper lighting the urban legend 3D effect becomes real, and very gratifying. It is brilliant wide open, and uniform stopped down. It met my expectations, and use case to a high degree.
I also shoot quite a bit of video, at which this lens excels, but this specific review is for stills. Link to short gallery below.